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Programme of the 9th international literature festival berlin 2009

Programme of the 9th international literature festival berlin 2009

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Open Doors is Gianni Amelio’s film adaptation <strong>of</strong> Sciascia’s 1987 novel. The year is 1937, and <strong>the</strong><br />

Sicilian Tommaso Scalia is charged with triple murder. Scalia is as good as dead before sentence<br />

has been passed. A farmer friend wants to help him, but <strong>the</strong> apparent salvation does not last long.<br />

Director: Gianni Amelio. In cooperation with <strong>the</strong> Institute <strong>of</strong> Italian Culture.<br />

Sun, 13.09. at 4:30 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

Prose <strong>of</strong> <strong>the</strong> Arab Peninsula III: Breaking taboos versus silence<br />

with Youssef Al-Mohaimeed (Saudi Arabia), Ali Al-Muqri (Yemen) and Raja Alem (Saudi Arabia)<br />

and Angela Tschorsnig (Germany)<br />

PRESENTER: Gün<strong>the</strong>r Orth<br />

On <strong>the</strong> Arabic peninsula, censorship is still dominant as a repressive instrument for use against<br />

discomforting <strong>literature</strong>. Criticism <strong>of</strong> <strong>the</strong> regime, sex, and o<strong>the</strong>rness are all unwanted <strong>the</strong>mes, and<br />

are frequently covered-up and banned. The writer here is faced with a decision: break taboos, or<br />

stay silent? What is communicated in <strong>the</strong> novels, and what isn’t? Which taboos are dealt with and<br />

which remain untouched?<br />

Today a new tendency towards breaking social taboos in <strong>literature</strong> can be observed. What risks<br />

and problems does this involve? Authors from <strong>the</strong> region speak about <strong>the</strong> possibilities and<br />

boundaries, chances and hopes in <strong>the</strong>ir literary work.<br />

Sun, 13.09. at 4:30 pm, Haus der Berliner Festspiele / Side stage<br />

Kaleidoscope<br />

Jonas Hassan Khemiri (Sweden/Tunisia)<br />

PRESENTER: Knut Elstermann SPEAKER: Caroline Peters<br />

Montecore, a Tiger on Two Legs tells <strong>the</strong> story <strong>of</strong> a certain Jonas. His fa<strong>the</strong>r is <strong>the</strong> main character<br />

<strong>of</strong> this book, who appears on <strong>the</strong> first page, elegantly dressed, strolling up and down <strong>the</strong> ro<strong>of</strong><br />

terrace <strong>of</strong> his luxurious New York l<strong>of</strong>t apartment. It is <strong>the</strong> author’s second novel. Jonas Hassen<br />

Khemiri was born in Stockholm in 1978, <strong>the</strong> son <strong>of</strong> a Swedish mo<strong>the</strong>r and a Tunisian fa<strong>the</strong>r. He has<br />

been awarded <strong>the</strong> Per-Ol<strong>of</strong>-Enquist Prize.<br />

Sun, 13.09. at 6 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Colm Tóibín (Ireland/USA)<br />

PRESENTER: Wilfried F. Schoeller SPEAKER: Frank Arnold<br />

The author will read from Mo<strong>the</strong>rs and Sons, a recently published volume <strong>of</strong> short stories. Tóibín<br />

<strong>of</strong>ten depicts dwellings and <strong>the</strong> relationships <strong>of</strong> people who live <strong>the</strong>rein through <strong>the</strong> description <strong>of</strong><br />

everyday details – dialogue, thoughts, observations, experiences – trimmed <strong>of</strong> unnecessary<br />

explanations. The unspoken takes centre stage and motivates <strong>the</strong> plot: an underlying anguish, an<br />

indescribable bewilderment, a laboriously held balance. Lothar Müller names him one <strong>of</strong>: “… <strong>the</strong><br />

greatest narrators <strong>of</strong> his generation.”<br />

Sun, 13.09. at 6 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Focus Arab World_Reflections<br />

On <strong>the</strong> laws <strong>of</strong> <strong>the</strong> Arab book market<br />

PRESENTER: Suleman Taufiq<br />

with Mansoura Ezz Eldin (Egypt), and Hassan Khader (Palestine)<br />

For Western observers, Arab countries seem to have a deregulated book trade. What mechanisms<br />

and structures for publication are <strong>the</strong>re in <strong>the</strong> Arab world, what players and what decision-making<br />

processes? What are <strong>the</strong> differences to and similarities with Germany? An event with simultaneous<br />

interpretation. Headsets will be available in <strong>the</strong> downstairs foyer.<br />

Sun, 13.09. at 7 pm, Collegium Hungaricum Berlin<br />

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