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Programme of the 9th international literature festival berlin 2009

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Wed, 16.09. at 4 pm, JVA Moabit<br />

Kaleidoscope_Literature Behind Bars<br />

Robert Littell (USA): The Stalin Epigram<br />

Reading and disscussion with long-term prison inmates.<br />

PRESENTER: Martin Jankowski<br />

Closed Event<br />

Wed, 16.09. at 7 pm, Babylon<br />

Kaleidoscope<br />

Edward St Aubyn (Great Britain)<br />

PRESENTER: Gabriele von Arnim, SPEAKER: Frank Arnold<br />

Mo<strong>the</strong>r's Milk, <strong>the</strong> cuttingly humorous family portrait written by London native Edward St Aubyn,<br />

was short-listed for <strong>the</strong> Booker Prize, won <strong>the</strong> Prix Femina as well as <strong>the</strong> Southbank Award and<br />

brought <strong>the</strong> author <strong>international</strong> success. No doubt: For anyone who has drunk this mo<strong>the</strong>r's milk,<br />

<strong>the</strong> term “postpartum depression” now has a whole new meaning!<br />

Wed, 16.09. at 7 pm, Collegium Hungaricum Berlin<br />

Focus Arab World - Literatures <strong>of</strong> <strong>the</strong> World<br />

Repression and War in Books<br />

PRESENTER: Sven Arnold, SPEAKER: Friedhelm Ptok<br />

Youssef Bazzi (Lebanon). In Yassir Arafat Looked at Me and Smiled a young boy reports how he<br />

was recruited into <strong>the</strong> Lebanese Civil War, where he fought and killed. All <strong>the</strong> while, he goes about<br />

his normal life, goes to school and has his first encounters with girls, pornography and alcohol.<br />

Violence as an everyday phenomenon leaves him cold, and war has become a game.<br />

Sinan Antoon (Iraq/USA). Antoon’s début I’jaam, an Iraqi Rhapsody is a plea for <strong>the</strong> power <strong>of</strong><br />

words: an imprisoned student writes his life story in secret between bouts <strong>of</strong> torture and humiliation<br />

by <strong>the</strong> guards. Marked by <strong>the</strong> surveillance and restrictions under Saddam Hussein, his story has<br />

brief glimpses <strong>of</strong> private happiness. Memory and dreams flow toge<strong>the</strong>r in his writing.<br />

Wed, 16.09. at 7 pm, Haus der Berliner Festspiele / Upper Foyer<br />

Kaleidoscope<br />

Kjell Askildsen (Norway)<br />

PRESENTER and SPEAKER: Hinrich Schmidt-Henkel<br />

No one else says so much in so few words: on September 30 th , <strong>the</strong> Norwegian master <strong>of</strong> <strong>the</strong> short<br />

story marked his 80 th birthday by presenting a new collection under <strong>the</strong> title Alt som for (t:<br />

Everything as before). Reviver <strong>of</strong> <strong>the</strong> Norwegian novella, he has influenced generations <strong>of</strong> authors<br />

throughout Scandinavia with his unmistakable, minimalist style. “A great storyteller … honest,<br />

disturbing and merciless … in content, equal to Kafka … and Camus.” (El País)<br />

Wed, 16.09. at 7 pm, Haus der Berliner Festspiele / Side Stage<br />

Kaleidoscope<br />

Norbert Gstrein (Austria)<br />

PRESENTER: Wilfried F. Schoeller<br />

In dry, melancholy language, Die Winter im Süden (Winters in <strong>the</strong> South) tells <strong>the</strong> story <strong>of</strong> a<br />

Croatian fascist who immigrated to Argentina after World War Two, leaving his family behind.<br />

When he returns in 1990 and tries to relive his days in <strong>the</strong> Ustascha, his daughter is crushed<br />

between awareness <strong>of</strong> her fa<strong>the</strong>r's guilt and her husband's self-righteous opportunism. “An<br />

exceptional war novel,” according to Die Zeit, that creates a lasting, threatening feeling as vague as<br />

it is constant.<br />

Wed, 16.09. at 7:30 pm, Instituto Cervantes<br />

Kaleidoscope<br />

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