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No one's going to emancipate ME<br />

by CHRISTOPHER FAYE<br />

The hardy pioneers of high fidelity lived dangerously, and gloried<br />

in the hazards that beset them. Audiophiles were he -men, in those<br />

days. Now, however, a sinister threat imperils a Great Tradition.<br />

THERE is a theory that high fidelity is simply technology's<br />

latest and most picturesque attempt to achieve<br />

mankind's subjugation. Which may be true, but remember<br />

that technology is not a self -willed metal monster, newspaper<br />

cartoons to the contrary. Technology is something we<br />

do to ourselves, and this explains why it is sometimes a<br />

little zany. Eventually, of course, any aspect of technology<br />

is taken over by business. After that it is governed by<br />

round commercial principles, applied hard -headedly and<br />

embodying good, horse or common sense.<br />

Now if there is anything I abominate . . . no, I had<br />

better put th'.t some other way. <strong>Com</strong>mon sense is very<br />

helpful inder_d in reading detergent advertisements. I favor<br />

it, too, in labor- management disputes. And I think it is a<br />

great thing for the governors of the New York Stock Exchange.<br />

But I don't want it in high fidelity, and I don't<br />

think you do either. Nobody does, except a crew of oafish<br />

parvenus or come -lately's, who have nothing on their side<br />

but numbers. It is time to draw the line, and it is to this<br />

end that I have compiled the following list of do's and<br />

dons s for manufacturers, dealers, and aficionadi, or should<br />

that be aficionados? In either case, it means you. Let us<br />

begin with ...<br />

Manufacturers ....<br />

r. Put a few more knobs on your equipment. Iis getting<br />

so that it is possible to compensate everything correctly<br />

before the selection is half over.<br />

This indicates very poor planning.<br />

With just a little more attention<br />

to detail, correct compensation<br />

could be rendered impossible until<br />

the logical moment - the closing<br />

measure.<br />

2. Whenever possible, publish<br />

manuals bearing the title "High Fidelity<br />

for the Layman" or "What<br />

Every Grade School Child Knows<br />

About High Fidelity" or some other<br />

such enticing title. Needless to say.<br />

manual writers are to be informed<br />

that their remuneration will be directly<br />

proportional to the number<br />

of technical obscurities therein con-<br />

DISTORTION<br />

0<br />

DISTORTION<br />

OISTORTION<br />

METER<br />

OUTPUT<br />

WATTS<br />

OUTPUT<br />

oí WIER<br />

rained. Of course, this booklet is to be distributed to people<br />

who think an ohm is what there is no place like.<br />

3. On the other hand, insure that all technical literature<br />

on your equipment is phrased in hi -glo advertising idiom,<br />

not colorless engireering terminology. This will brighten<br />

the lives of people who write asking what your equipment's<br />

technical specifications are.<br />

4. Great strides in varying record speeds were made after<br />

the war. What has happened in recent years? The manufacturers<br />

have lethargically rested on their mere four speed<br />

laurels. Certainly American ingenuity and inventiveness<br />

a.e not to be confounded by crass, practical limitations!<br />

Now that sundry turntables and changers have been developed<br />

to handle four speeds, now that record libraries<br />

have again been built up, what about revolutionizing the<br />

record industry once again by declaring all of the old speeds<br />

obsolete? Is the time not ripe for the .0000r -inch groove,<br />

on the counterclockwise record, to be played from the inside<br />

out? Get with it, diskeries!<br />

5. It appeared until lately that tape recording was to become<br />

the main standard -bearer of high fidelity's Great<br />

Tradition. There was truly great promise in the early introduction<br />

of four recording speeds, coupled with each company's<br />

prompt acceptance of its duty to invent a highly<br />

individual system of equalization. Unfortunately these<br />

initial gains have been squandered. Soulless radicals have<br />

seized control of the industry, and<br />

through a series of sinister machinations<br />

have standardized the prerecorded<br />

tape playback speed. Even<br />

now they are viciously striking at<br />

what is generally considered the<br />

conservatives' last stronghold - the<br />

equitable principle that it should be<br />

impossible for tape recorded on one<br />

make of machine to be played back<br />

on any other make. It is indeed<br />

difficult not to view developments<br />

such as these with extreme consternation.<br />

The paramount issue now is<br />

clear. Will the conservative element,<br />

now sadly reduced to the<br />

0000<br />

AUGUST 1955<br />

37

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