Aug - AmericanRadioHistory.Com
Aug - AmericanRadioHistory.Com
Aug - AmericanRadioHistory.Com
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No one's going to emancipate ME<br />
by CHRISTOPHER FAYE<br />
The hardy pioneers of high fidelity lived dangerously, and gloried<br />
in the hazards that beset them. Audiophiles were he -men, in those<br />
days. Now, however, a sinister threat imperils a Great Tradition.<br />
THERE is a theory that high fidelity is simply technology's<br />
latest and most picturesque attempt to achieve<br />
mankind's subjugation. Which may be true, but remember<br />
that technology is not a self -willed metal monster, newspaper<br />
cartoons to the contrary. Technology is something we<br />
do to ourselves, and this explains why it is sometimes a<br />
little zany. Eventually, of course, any aspect of technology<br />
is taken over by business. After that it is governed by<br />
round commercial principles, applied hard -headedly and<br />
embodying good, horse or common sense.<br />
Now if there is anything I abominate . . . no, I had<br />
better put th'.t some other way. <strong>Com</strong>mon sense is very<br />
helpful inder_d in reading detergent advertisements. I favor<br />
it, too, in labor- management disputes. And I think it is a<br />
great thing for the governors of the New York Stock Exchange.<br />
But I don't want it in high fidelity, and I don't<br />
think you do either. Nobody does, except a crew of oafish<br />
parvenus or come -lately's, who have nothing on their side<br />
but numbers. It is time to draw the line, and it is to this<br />
end that I have compiled the following list of do's and<br />
dons s for manufacturers, dealers, and aficionadi, or should<br />
that be aficionados? In either case, it means you. Let us<br />
begin with ...<br />
Manufacturers ....<br />
r. Put a few more knobs on your equipment. Iis getting<br />
so that it is possible to compensate everything correctly<br />
before the selection is half over.<br />
This indicates very poor planning.<br />
With just a little more attention<br />
to detail, correct compensation<br />
could be rendered impossible until<br />
the logical moment - the closing<br />
measure.<br />
2. Whenever possible, publish<br />
manuals bearing the title "High Fidelity<br />
for the Layman" or "What<br />
Every Grade School Child Knows<br />
About High Fidelity" or some other<br />
such enticing title. Needless to say.<br />
manual writers are to be informed<br />
that their remuneration will be directly<br />
proportional to the number<br />
of technical obscurities therein con-<br />
DISTORTION<br />
0<br />
DISTORTION<br />
OISTORTION<br />
METER<br />
OUTPUT<br />
WATTS<br />
OUTPUT<br />
oí WIER<br />
rained. Of course, this booklet is to be distributed to people<br />
who think an ohm is what there is no place like.<br />
3. On the other hand, insure that all technical literature<br />
on your equipment is phrased in hi -glo advertising idiom,<br />
not colorless engireering terminology. This will brighten<br />
the lives of people who write asking what your equipment's<br />
technical specifications are.<br />
4. Great strides in varying record speeds were made after<br />
the war. What has happened in recent years? The manufacturers<br />
have lethargically rested on their mere four speed<br />
laurels. Certainly American ingenuity and inventiveness<br />
a.e not to be confounded by crass, practical limitations!<br />
Now that sundry turntables and changers have been developed<br />
to handle four speeds, now that record libraries<br />
have again been built up, what about revolutionizing the<br />
record industry once again by declaring all of the old speeds<br />
obsolete? Is the time not ripe for the .0000r -inch groove,<br />
on the counterclockwise record, to be played from the inside<br />
out? Get with it, diskeries!<br />
5. It appeared until lately that tape recording was to become<br />
the main standard -bearer of high fidelity's Great<br />
Tradition. There was truly great promise in the early introduction<br />
of four recording speeds, coupled with each company's<br />
prompt acceptance of its duty to invent a highly<br />
individual system of equalization. Unfortunately these<br />
initial gains have been squandered. Soulless radicals have<br />
seized control of the industry, and<br />
through a series of sinister machinations<br />
have standardized the prerecorded<br />
tape playback speed. Even<br />
now they are viciously striking at<br />
what is generally considered the<br />
conservatives' last stronghold - the<br />
equitable principle that it should be<br />
impossible for tape recorded on one<br />
make of machine to be played back<br />
on any other make. It is indeed<br />
difficult not to view developments<br />
such as these with extreme consternation.<br />
The paramount issue now is<br />
clear. Will the conservative element,<br />
now sadly reduced to the<br />
0000<br />
AUGUST 1955<br />
37