Aug - AmericanRadioHistory.Com
Aug - AmericanRadioHistory.Com
Aug - AmericanRadioHistory.Com
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"TRULY<br />
PROFESSIONAL!"<br />
SAY<br />
AUDIO<br />
ENGINEERS...<br />
AND<br />
ARMCHAIR<br />
ENGINEERS!<br />
Model PET<br />
for HI -FI<br />
... there's a<br />
COMPONENTS<br />
Model 70<br />
STUDIO<br />
CONSOLE<br />
TURNTABLE<br />
for BOTH!<br />
. and only the "Professional" claims and<br />
proves truly professional performance, exceeding<br />
the best figures in record manufacture and<br />
FM transmission. Rumble -70db or better,<br />
wow and flutter O.OS% or less, speed accuracy,<br />
at least 0.25 %. No other turntable<br />
approaches this performance ... yet both the<br />
studio and home models of the <strong>Com</strong>ponents<br />
"Professional" are providing it year in and<br />
year out for thousands of critical users. Why<br />
should you settle for anything less? User's<br />
net, Model PBT, $99.50 (skirt optional at extra<br />
cost) Model 70, 5295 f.o.b.<br />
DENVILLE<br />
WRITE FOR FREE LITERATURE.<br />
COMPONENTS<br />
NEW JERSEY<br />
ANCIENT CHINA<br />
Continued from preceding page<br />
before vanishing into final silence.<br />
Here was indeed a high- precision<br />
science and craftsmanship justly corn -<br />
parable to the most refined modern<br />
techniques in optics or electronics.<br />
Many of the large pentagonal stones<br />
Discussed above had arched hases for<br />
improving tone duration and sonority.<br />
It was found that the diameter of<br />
the curvatures was the same for several<br />
stones in the same set, suggesting that<br />
they were parts of, and cut from, one<br />
ring -shaped original unit. A study<br />
extending over three years finally<br />
showed that the ancient acoustical engineers<br />
and mathematicians had devised<br />
a system of cutting two very<br />
large circular stone disks (of the Pi<br />
type ) into six segments each, forming<br />
six tones each of the twelve semitones<br />
contained in the octave. According to<br />
Chinese cosmological tradition, there<br />
are six male and six female tones in the<br />
twelve -tone system. They follow each<br />
other alternatingly in the construction<br />
of the circle of the fifths.2 The six<br />
male tones came from one large ring,<br />
the six females from a second slightly<br />
smaller unit, and they were cut up<br />
according to a secret mathematical<br />
division, without leaving scrap or<br />
fragments from the ring's total circumference.<br />
Thus, the cosmological unity<br />
of the tone system and its derivation<br />
from two co -equal male and female<br />
elements were actually built into the<br />
stones. This mathematical secret has<br />
been lost, and so far nobody has been<br />
able to reconstruct it, in spite of all<br />
our advanced mathematical knowledge<br />
and computing equipment. It reminds<br />
one of the case of the Cremona violin<br />
makers; no amount of modern research<br />
can produce anything even<br />
remotely comparable to the masterpieces<br />
of a Stradivarius or Guarneri.<br />
These are some of the focal points of<br />
ancient Chinese achievement that justify<br />
-- to me, anyway - the contention<br />
that we have something to learn<br />
from them. The Chinese did things<br />
the hard way. Our easier ways may<br />
have hazards. The senses of modern<br />
researchers and engineers have become<br />
blunt and unresponsive, because they<br />
rely completely on testing and measuring<br />
instruments. The Chinese had<br />
to train themselves throughout many<br />
centuries to develop an incredible<br />
!C was male. G female, D was male, A was female, etc.<br />
Continued on page 84<br />
sheer<br />
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