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Aug - AmericanRadioHistory.Com

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status of an underground movement, prove able to regain<br />

its rightful control? Recent peripheral skirmishes such as<br />

the conservatives' attempt to improve binaural techniques<br />

by providing different manufacturers with inspiringly<br />

varied systems of head placement, although reminiscent of<br />

past glories, demonstrated a lamentable lack of knowledge<br />

of the devious strategems necessary to success in today's<br />

Machiavellian atmosphere. Indeed, the only positive success<br />

recently achieved, aside from the trifling development of<br />

unco -ordinated rewind and forward speeds, to assure "tape<br />

stretch," has been the rather whimsical appelative triumph<br />

which resulted in one- hundred -pound recording machines<br />

being equipped with handles for midgets and designated as<br />

"portable." At least this demonstrates that our forces, even<br />

though temporarily in retreat, have not lost their spirit.<br />

But we - I mean you - will have to do better than that, or<br />

the old tape -salad days will be only a memory.<br />

6. However, you will be pleased to learn that a method<br />

finally has been discovered to bypass the need for uniform<br />

speed in tape reels. This is accomplished by a new machine<br />

which stretches the tape out to its complete length of<br />

twelve or eighteen hundred feet, and a transport mechanism<br />

which carries the various heads along the tape's entire path.<br />

Since these units were first tested in vacant elevator shafts<br />

in the Empire State Building, unfortunate publicity was<br />

attracted when several people, mistaking the transport<br />

mechanism for an elevator, plunged to their deaths.* However,<br />

no logical criticism of these units now remains with the<br />

introduction of a marking system which positively identifies<br />

them as not being elevators.<br />

Dealers ....<br />

T. Arrange the demonstration room so that any potential<br />

customer is unable to find any place to sit except on a few<br />

strategically placed, highly polished, mahogany enclosures.<br />

2. Govern the length of your pre -customer approach<br />

duties so that your customer is either forced into a state of<br />

upright exhaustion or on to one of your enclosures.<br />

3. In either event your customer is putty. If he is not in<br />

a state of zero sales resistance from physical exhaustion, he<br />

is sitting on one of your easily scratched mahogany enclosures.<br />

If the latter be the case, your immediate examination<br />

of the enclosure can be accompanied with sufficient obvious<br />

consternation to foredoom any possible sales resistance.<br />

4. Demonstrate all equipment with popular records for<br />

the classical enthusiast and with classical records for the<br />

popular enthusiast. For the dedicated jazzman, always play<br />

Guy Lombardo.<br />

5. If your customer is able to trouble you with<br />

questions, the volume is obviously too low. Remember, it<br />

isn't high fidelity unless the soles of their feet tingle.<br />

6. If there seems to be any danger of a customer's actually<br />

deciding upon a particular component, it is because you<br />

have failed to demonstrate the products of a sufficient number<br />

of manufacturers. However if, even after multiple<br />

demonstrations, your customer perversely continues in his<br />

eccentric decision to purchase a certain component, subtler<br />

tactics should be employed. The technique certainly both<br />

most advanced and likely of success is (or soon will be)<br />

known to the trade as the "Faye Principle of Customer Indecision<br />

When Confronted with a Constant Variable." To<br />

illustrate: assume your customer has decided upon a certain<br />

loudspeaker. All you need do is prepare an array<br />

consisting of one dozen units of the model selected, in<br />

essentially similar cabinets which look different. Then<br />

simply conduct a demonstration, asking your customer to<br />

compare unit one with unit two, unit two with unit three,<br />

unit three with unit four, etc. Soon he will get into the<br />

spirit of the thing, and indeed may well extend his newly<br />

acquired critical techniques to include a searching analysis<br />

of his own sanity.<br />

t<br />

*An interesting sidelight on this tragedy was provided when it was found that<br />

the recording mechanism had been in operation during the fatal fall. The<br />

screams recorded produced some of the best and most realistic high frequency<br />

tapes of the human voice yet created. Due to the difficulty of arranging an<br />

encore, it is expected that these tapes will prove standard for some time.<br />

By way of summary: the demonstration's purpose is to<br />

impress upon the customer the futility of relying upon his<br />

own miserable judgment and the necessity of placing com-<br />

DRAWINGS BY CHARLES RODRIGUES<br />

38<br />

HIGH FIDELITY MAGAZINE

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