Aug - AmericanRadioHistory.Com
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Aug - AmericanRadioHistory.Com
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ANCIENT CHINA<br />
Continued from page 34<br />
moo and 70o B. C. Thus, the object of<br />
the Chinese musicologists and sound<br />
technicians had been triumphantly<br />
achieved: they had preserved the nation's<br />
sacred pitch standards and scale<br />
systems in stone for 3000 years! It also<br />
shows that the "Pythagorean" system<br />
of intervals was known and used in<br />
China 300 or 40o years before the<br />
Greek philosopher, after whom our<br />
own Western system was to be named,<br />
was ever born.<br />
In the subsequent centuries, when<br />
the scientists and lapidaries became<br />
more and more assured in their growing<br />
technical skill,'they set out for ever<br />
increasing ornamentation and began<br />
to incorporate the nation's music -<br />
cosmology into the sonorous material.<br />
They also turned to a precious material<br />
found to have superior sonorous qualities:<br />
jade. For probably more than 700<br />
years the Chinese acoustical laboratories<br />
studied the possibilities of flat<br />
circular jade disks with a central perforation,<br />
measuring between 5 and 18<br />
inches in diameter. Hundreds cf<br />
them, originating from the ninth w<br />
the third century B.C., were studied by<br />
this writer and found to show unmistakable<br />
traces of a tuning process. The<br />
techniques were similar to those found<br />
in bronze bells, and aimed at sharping<br />
as well as flatting tones. I also<br />
identified five different methods of<br />
drilling the central perforation to improve<br />
the tone qualities, and silk -<br />
thread suspension techniques. The<br />
objective was to curb the sidewise -<br />
sway of the suspended disks when<br />
they were played in scale sets. Their<br />
Chinese name, incidentally, is Pi.<br />
Some of the most perfect specimens<br />
were created between the sixth<br />
and fourth centuries B.C. They are<br />
completely covered with beautiful ornamentations<br />
carved or incised into<br />
the large surfaces, and show no more<br />
traces of a tuning process. The artists,<br />
consequently, calculated and knew in<br />
advance all dimensions of the disks,<br />
all physical properties of the jade material<br />
and all pitch- changing influences<br />
of the ornamental carving. A<br />
few of the finest specimens will produce,<br />
on one gentle stroke, a tone of<br />
crystal -clear beauty, gently undulating<br />
around a tonal pitch center, swelling<br />
and fading slightly in volume and intensity<br />
and lasting up to one minute<br />
Continued on next page<br />
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