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A GENRE THEORY PERSPECTIVE ON DIGITAL ... - ETD

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stories guided children to arrive at a clearer conception of how events in their lives had<br />

consequences and how such events could lead to changes in future actions and feelings.<br />

More importantly, digital storytelling provides a space where youth can experiment with<br />

and appropriate identities that are otherwise not afforded. Hug’s (2007) study of middle school<br />

girls’ digital storytelling in an after-school program, for example, demonstrates that digital<br />

storytelling offers girls opportunities to try on feminine identities as well as identities as<br />

competent and confident technology users. Davis (2004) discusses how digital storytelling<br />

allows one youth to think about conflicting messages he receives daily from participating in<br />

multiple “figured worlds” (Holland, Lachicotte, Skinner, & Cain, 1998). By putting one version<br />

of himself (from versions of him as a popular cultural broker in hip-hop culture, a son who<br />

watches romantic movies with his mother, and a student who is pushed to succeed) into a digital<br />

story and presenting it as a finished object, he takes a step towards embracing one potential<br />

identity over another, freezing it in time, and externalizing it as the foundation for conceiving his<br />

future. As Hull and Katz argue (2006), youth are able to “assume agentive stances toward their<br />

present identities, circumstances, and futures” (p. 40) through articulating a true and convincing<br />

personal narrative in digital stories. In this vein, digital storytelling allows youth to experience<br />

themselves differently by trying on alternative identities.<br />

From this perspective, the analytical work revolves around the individual author, who is<br />

positioned at the center of a discursive scene and observed for how one takes on digital<br />

storytelling to engage in the problematic and complex task of discovering, making sense of, and<br />

redesigning the self. Implicit in the expressivists’ celebration of digital storytelling’s expressive<br />

potential is the argument that multimodality and technology engages and motivates youth, for<br />

whom school-based literacy learning has often been discouraging, alienating, and disengaging.<br />

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