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A GENRE THEORY PERSPECTIVE ON DIGITAL ... - ETD

A GENRE THEORY PERSPECTIVE ON DIGITAL ... - ETD

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Among the pedagogues, most celebrate digital storytelling as a useful pedagogical tool<br />

that supports the fulfillment of existing literacy curriculum goals. An overarching argument<br />

echoes what Leander (2009) proposes-- that new literacy skills and traditional writing skills are<br />

mutually dependent and can cross-fertilize each other, leading to the development of both. Kulla-<br />

Abott and Polman (2008), for example, stress that strong writing skills can contribute to success<br />

in digital storytelling because traditional writing instructions equip an individual with skills<br />

proven to be useful for digital storytelling, such as a strong personal voice and the abilities to<br />

provide supporting evidence, to write good paragraphs, to move content across genres, and to<br />

take advantage of collaborative writing.<br />

In comparison to celebratory reports on the positive alignment, discussions of clashes and<br />

conflicts between digital storytelling and traditional literacy instruction are scanty. Ranker<br />

(2007), for one, problematizes the tension between in- and after-school literacies as they play out<br />

in a digital storytelling program. Unlike previous studies, the digital storytelling program in<br />

Ranker’s studies is ancillary to the core curriculum. Based on detailed examinations of two<br />

students’ making of a documentary, Ranker discusses how established curriculum structures are<br />

often in conflict with the processes of digital storytelling. For example, traditional literacy<br />

practices often interferes by imposing its linear structure upon the inherently recursive structures<br />

of digital storytelling. In this case, the essay genre predominates the broad structure of the boy’s<br />

production process, leading them to approach the project in linear, staged processes similar to<br />

essay writing: moving from books (researching the subject), to writings (taking notes and<br />

creating a draft), to images (finding corresponding images), and then videos (creating a coherent<br />

multimodal presentation). Kulla-Abott (Kulla-Abbott, 2006; Kulla-Abbott & Polman, 2008) also<br />

discusses how a curriculum aimed at persuasive writing about a scientific issue can suppress,<br />

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