Rushdie, Salmon - Th.. - hudson's home on the web
Rushdie, Salmon - Th.. - hudson's home on the web
Rushdie, Salmon - Th.. - hudson's home on the web
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
him to <strong>the</strong> door by his hair. Nobody moved. Dara Buta Man Singh turned away from <strong>the</strong> tableau. He was<br />
kneeling with his back to <strong>the</strong> open door; she made him turn round, shot him in <strong>the</strong> back of <strong>the</strong> head, and<br />
he toppled out <strong>on</strong> to <strong>the</strong> tarmac. Tavleen shut <strong>the</strong> door.<br />
Man Singh, youngest and jumpiest of <strong>the</strong> quartet, screamed at her: "Now where do we go? In any<br />
damn place <strong>the</strong>y'll send <strong>the</strong> commandos in for sure. We're g<strong>on</strong>e geese now."<br />
"Martyrdom is a privilege," she said softly. "We shall be like stars; like <strong>the</strong> sun."<br />
o o o<br />
Sand gave way to snow. Europe in winter, beneath its white, transforming carpet, its ghost-white<br />
shining up through <strong>the</strong> night. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e Alps, France, <strong>the</strong> coastline of England, white cliffs rising to whitened<br />
meadowlands. Mr. Saladin Chamcha jammed <strong>on</strong> an anticipatory bowler hat. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e world had rediscovered<br />
Flight A 1-420, <strong>the</strong> Boeing 747 _Bostan_. Radar tracked it; radio messages crackled. _Do you want<br />
permissi<strong>on</strong> to land?_ But no permissi<strong>on</strong> was requested. _Bostan_ circled over England's shore like a<br />
gigantic sea-bird. Gull. Albatross. Fuel indicators dipped: towards zero.<br />
When <strong>the</strong> fight broke out, it took all <strong>the</strong> passengers by surprise, because this time <strong>the</strong> three male<br />
hijackers didn't argue with Tavleen, <strong>the</strong>re were no fierce whispers about <strong>the</strong> _fuel_ about _what <strong>the</strong> fuck<br />
you're doing_ but just a mute stand-off, <strong>the</strong>y wouldn't even talk to <strong>on</strong>e ano<strong>the</strong>r, as if <strong>the</strong>y had given up<br />
hope, and <strong>the</strong>n it was Man Singh who cracked and went for her. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e hostages watched <strong>the</strong> fight to <strong>the</strong><br />
death, unable to feel involved, because a curious detachment from reality had come over <strong>the</strong> aircraft, a<br />
kind of inc<strong>on</strong>sequential casualness, a fatalism, <strong>on</strong>e might say. <str<strong>on</strong>g>Th</str<strong>on</strong>g>ey fell to <strong>the</strong> floor and her knife went up<br />
through his stomach. <str<strong>on</strong>g>Th</str<strong>on</strong>g>at was all, <strong>the</strong> brevity of it adding to its seeming unimportance. <str<strong>on</strong>g>Th</str<strong>on</strong>g>en in <strong>the</strong> instant<br />
when she rose up it was as if everybody awoke, it became clear to <strong>the</strong>m all that she really meant business,<br />
she was going through with it, all <strong>the</strong> way, she was holding in her hand <strong>the</strong> wire that c<strong>on</strong>nected all <strong>the</strong> pins<br />
of all <strong>the</strong> grenades beneath her gown, all those fatal breasts, and although at that moment Buta and Dara<br />
rushed at her she pulled <strong>the</strong> wire anyway, and <strong>the</strong> walls came tumbling down.<br />
No, not death: birth.<br />
II<br />
Mahound<br />
1<br />
Gibreel when he submits to <strong>the</strong> inevitable, when he slides heavy-lidded towards visi<strong>on</strong>s of his angeling,<br />
passes his loving mo<strong>the</strong>r who has a different name for him, Shaitan, she calls him, just like Shaitan, same<br />
to same, because he has been fooling around with <strong>the</strong> tiffins to be carried into <strong>the</strong> city for <strong>the</strong> office<br />
workers' lunch, mischeevious imp, she slices <strong>the</strong> air with her hand, rascal has been putting Muslim meat<br />
compartments into Hindu n<strong>on</strong>-veg tiffin-carriers, customers are up in arms. Little devil, she scolds, but <strong>the</strong>n<br />
folds him in her arms, my little farishta, boys will be boys, and he falls past her into sleep, growing bigger<br />
as he falls and <strong>the</strong> falling begins to feel like flight, his mo<strong>the</strong>r's voice wafts distantly up to him, baba, look<br />
how you grew, enor_mouse_, wah-wah, applause. He is gigantic, wingless, standing with his feet up<strong>on</strong> <strong>the</strong><br />
horiz<strong>on</strong> and his arms around <strong>the</strong> sun. In <strong>the</strong> early dreams he sees beginnings, Shaitan cast down from <strong>the</strong><br />
sky, making a grab for a branch of <strong>the</strong> highest <str<strong>on</strong>g>Th</str<strong>on</strong>g>ing, <strong>the</strong> lote-tree of <strong>the</strong> uttermost end that stands<br />
beneath <strong>the</strong> <str<strong>on</strong>g>Th</str<strong>on</strong>g>r<strong>on</strong>e, Shaitan missing, plummeting, splat. But he lived <strong>on</strong>, was not couldn't be dead, sang<br />
from heilbelow his soft seductive verses. O <strong>the</strong> sweet s<strong>on</strong>gs that he knew. With his daughters as his<br />
fiendish backing group, yes, <strong>the</strong> three of <strong>the</strong>m, Lat Manat Uzza, mo<strong>the</strong>rless girls laughing with <strong>the</strong>ir Abba,<br />
giggling behind <strong>the</strong>ir hands at Gibreel, what a trick we got in store for you, <strong>the</strong>y giggle, for you and for that<br />
businessman <strong>on</strong> <strong>the</strong> hill. But before <strong>the</strong> businessman <strong>the</strong>re are o<strong>the</strong>r stories, here he is, Archangel Gibreel,<br />
revealing <strong>the</strong> spring of Zamzam to Hagar <strong>the</strong> Egyptian so that, aband<strong>on</strong>ed by <strong>the</strong> prophet Ibrahim with<br />
<strong>the</strong>ir child in <strong>the</strong> desert, she might drink <strong>the</strong> cool spring waters and so live. And later, after <strong>the</strong> Jurhum<br />
filled up Zamzam with mud and golden gazelles, so that it was lost for a time, here he is again, pointing it<br />
out to that <strong>on</strong>e, Muttalib of <strong>the</strong> scarlet tents, fa<strong>the</strong>r of <strong>the</strong> child with <strong>the</strong> silver hair who fa<strong>the</strong>red, in turn,<br />
<strong>the</strong> businessman. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e businessman: here he comes.<br />
Sometimes when he sleeps Gibreel becomes aware, without <strong>the</strong> dream, of himself sleeping, of himself<br />
dreaming his own awareness of his dream, and <strong>the</strong>n a panic begins, O God, he cries out, O allgood<br />
allahgod, I've had my bloody chips, me. Got bugs in <strong>the</strong> brain, full mad, a lo<strong>on</strong>ey tune and a g<strong>on</strong>e babo<strong>on</strong>.<br />
Just as he, <strong>the</strong> businessman, felt when he first saw <strong>the</strong> archangel: thought he was cracked, wanted to<br />
throw himself down from a rock, from a high rock, from a rock <strong>on</strong> which <strong>the</strong>re grew a stunted lote-tree, a<br />
rock as high as <strong>the</strong> roof of <strong>the</strong> world.<br />
He's coming: making his way up C<strong>on</strong>e Mountain to <strong>the</strong> cave. Happy birthday: he's forty-four today. But<br />
though <strong>the</strong> city behind and below him thr<strong>on</strong>gs with festival, up he climbs, al<strong>on</strong>e. No new birthday suit for<br />
him, neatly pressed and folded at <strong>the</strong> foot of his bed. A man of ascetic tastes. (What strange manner of