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Rushdie, Salmon - Th.. - hudson's home on the web

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in a black hooded cloak, singing softly in a str<strong>on</strong>g, low voice. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e s<strong>on</strong>g is <strong>on</strong>e that <strong>the</strong> women of Jahilia<br />

chorus as <strong>the</strong>y drum <strong>the</strong> men to war.<br />

_Advance and we embrace you_,<br />

_embrace you, embrace you_,<br />

_advance and we embrace you_<br />

_and soft carpets spread_.<br />

_Turn back and we desert you_,<br />

_we leave you, desert you_,<br />

_retreat and we'll not love you_,<br />

_not in love's bed_.<br />

He recognizes Hind's voice, sits up, and finds himself naked beneath <strong>the</strong> creamy sheet. He calls to her:<br />

"Was I attacked?" Hind turns to him, smiling her Hind smile. "Attacked?" she mimics him, and claps her<br />

hands for breakfast. Mini<strong>on</strong>s enter, bring, serve, remove, scurry off. Mahound is helped into a silken robe of<br />

black and gold; Hind, exaggeratedly, averts her eyes. "My head," he asks again. "Was I struck?" She<br />

stands at <strong>the</strong> window, her head hung low, playing <strong>the</strong> demure maid. "Oh, Messenger, Messenger," she<br />

mocks him. "What an ungallant Messenger it is. Couldn't you have come to my room c<strong>on</strong>sciously, of your<br />

own will? No, of course not, I repel you, I'm sure." He will not play her game. "Am I a pris<strong>on</strong>er?" he asks,<br />

and again she laughs at him. "D<strong>on</strong>'t be a fool." And <strong>the</strong>n, shrugging, relents: "I was walking <strong>the</strong> city streets<br />

last night, masked, to see <strong>the</strong> festivities, and what should I stumble over but your unc<strong>on</strong>scious body? Like<br />

a drunk in <strong>the</strong> gutter, Mahound. I sent my servants for a litter and brought you <str<strong>on</strong>g>home</str<strong>on</strong>g>. Say thank you."<br />

"<str<strong>on</strong>g>Th</str<strong>on</strong>g>ank you."<br />

"I d<strong>on</strong>'t think you were recognized," she says. "Or you'd be dead, maybe. You know how <strong>the</strong> city was<br />

last night. People overdo it. My own bro<strong>the</strong>rs haven't come <str<strong>on</strong>g>home</str<strong>on</strong>g> yet."<br />

It comes back to him now, his wild anguished walk in <strong>the</strong> corrupt city, staring at <strong>the</strong> souls he had<br />

supposedly saved, looking at <strong>the</strong> simurgh-effigies, <strong>the</strong> devil-masks, <strong>the</strong> behemoths and hippogriffs. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e<br />

fatigue of that l<strong>on</strong>g day <strong>on</strong> which he climbed down from Mount C<strong>on</strong>e, walked to <strong>the</strong> town, underwent <strong>the</strong><br />

strain of <strong>the</strong> events in <strong>the</strong> poetry marquee, -- and afterwards, <strong>the</strong> anger of <strong>the</strong> disciples, <strong>the</strong> doubt, -- <strong>the</strong><br />

whole of it had overwhelmed him. "I fainted," he remembers.<br />

She comes and sits close to him <strong>on</strong> <strong>the</strong> bed, extends a finger, finds <strong>the</strong> gap in his robe, strokes his<br />

chest. "Fainted," she murmurs. "<str<strong>on</strong>g>Th</str<strong>on</strong>g>at's weakness, Mahound. Are you becoming weak?"<br />

She places <strong>the</strong> stroking finger over his lips before he can reply. "D<strong>on</strong>'t say anything, Mahound. I am <strong>the</strong><br />

Grandee's wife, and nei<strong>the</strong>r of us is your friend. My husband, however, is a weak man. In Jahilia <strong>the</strong>y think<br />

he's cunning, but I know better. He knows I take lovers and he does nothing about it, because <strong>the</strong> temples<br />

are in my family's care. Lat's, Uzza's, Manat's. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e -- shall I call <strong>the</strong>m _mosques?_ -- of your new angels."<br />

She offers him mel<strong>on</strong> cubes from a dish, tries to feed him with her fingers. He will not let her put <strong>the</strong> fruit<br />

into his mouth, takes <strong>the</strong> pieces with his own hand, eats. She goes <strong>on</strong>. "My last lover was <strong>the</strong> boy, Baal."<br />

She sees <strong>the</strong> rage <strong>on</strong> his face. "Yes," she says c<strong>on</strong>tentedly. "I heard he had got under your skin. But he<br />

doesn't matter. Nei<strong>the</strong>r he nor Abu Simbel is your equal. But I am."<br />

"I must go," he says. "So<strong>on</strong> enough," she replies, returning to <strong>the</strong> window. At <strong>the</strong> perimeter of <strong>the</strong> city<br />

<strong>the</strong>y are packing away <strong>the</strong> tents, <strong>the</strong> l<strong>on</strong>g camel--trains are preparing to depart, c<strong>on</strong>voys of carts are<br />

already heading away across <strong>the</strong> desert; <strong>the</strong> carnival is over. She turns to him again.<br />

"I am your equal," she repeats, "and also your opposite. I d<strong>on</strong>'t want you to become weak. You<br />

shouldn't have d<strong>on</strong>e what you did."<br />

"But you will profit," Mahound replies bitterly. "<str<strong>on</strong>g>Th</str<strong>on</strong>g>ere's no threat now to your temple revenues."<br />

"You miss <strong>the</strong> point," she says softly, coming closer to him, bringing her face very close to his. "If you<br />

are for Allah, I am for Al-Lat. And she doesn't believe your God when he recognizes her. Her oppositi<strong>on</strong> to<br />

him is implacable, irrevocable, engulfing. <str<strong>on</strong>g>Th</str<strong>on</strong>g>e war between us cannot end in truce. And what a truce! Yours<br />

is a patr<strong>on</strong>izing, c<strong>on</strong>descending lord. Al-Lat hasn't <strong>the</strong> slightest wish to be his daughter. She is his equal, as<br />

I am yours. Ask BaaI: he knows her. As he knows me."<br />

"So <strong>the</strong> Grandee will betray his pledge," Mahound says.

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