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sYLLABICA'I'I.ON·<br />

QU ANTIT'l.<br />

13<br />

In treating this part of pronunciation, it will not be necessary to<br />

enter into the nature of that quantity which constitutes poetry; the<br />

quantity here considered will be that which relates to. words taken<br />

singly; and this is nothing more than the length or shortness of the<br />

vowels, either as they stand alone, or as they are differently combined<br />

with the vowels or consonants.<br />

\lIfhere the compound retains the primary sense of the simple"<br />

and the parts of the word are the ,arne in every respect, both in and<br />

out of composition, then the preposition is pronounced in a distinct<br />

syllable; but when the compound departs ever so little from the lite·<br />

ral sense of the simples, the same depanure is observable in the pronunciation;<br />

hence the different syllabication and pronuncIation of r/lo<br />

com-nunc_, and r~-oll~-tnelrd; the former signiF,es a repetition of a<br />

commencement, but the latter does not imply a repetition of a commendation:<br />

thus re-pftition would signify to petition again, while repetition<br />

signifies only an iteration of the same act, be it what it will.­<br />

The same rnay be observed of the words re·create and '·.c-reate, reformation<br />

and rif-()rmation.<br />

From what has been seen of accent and quantity, it is easy to per.<br />

ceive ho\v prone onr language is to an ~.ntepenuILjmateaccent, and<br />

how naturally this accent shorteas the vowel it falis upon: nay, so<br />

great a propensity have vowels to shrink under this accent, thar the<br />

diphthong itself,.in some words,

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