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RE-INHABITING THE ISLANDS - The University of North Carolina at ...

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51<br />

Walcott utilizes the canoe 33 as a maritime symbol <strong>of</strong> subjectivity because <strong>of</strong> the<br />

―alter/n<strong>at</strong>ive‖ chronotope associ<strong>at</strong>ed with it. Unlike the masculine imperial traveler, who<br />

gives meaning and history to a blank sp<strong>at</strong>ial environment, 34 n<strong>at</strong>ure gains presence in the<br />

navig<strong>at</strong>ional system <strong>of</strong> etak in which ―the voyaging canoe is perceived as stable while the<br />

islands and cosmos move towards the traveler‖ (DeLoughrey 3). <strong>The</strong> canoe traveler<br />

remains rel<strong>at</strong>ively still; shores and waves are the things th<strong>at</strong> move toward and away from<br />

him or her. <strong>The</strong> Pacific islander chronotope <strong>of</strong> etak travel displaces the center <strong>of</strong> agency<br />

from the subject to the region in which the canoe travels, making an imagin<strong>at</strong>ive leap<br />

from the fact th<strong>at</strong> during small bo<strong>at</strong> travel, passengers sit down and go rel<strong>at</strong>ively nowhere<br />

to cover large distances across w<strong>at</strong>er. Since Achille journeys to Africa by sitting still in<br />

the w<strong>at</strong>ers <strong>of</strong> the Windward Islands, his dram<strong>at</strong>ic place-memory is shaped by an<br />

―alter/n<strong>at</strong>ive‖ historiography.<br />

Bill Ashcr<strong>of</strong>t describes Walcott as a ―symbolic Adam‖ who defines himself in his<br />

autobiography Another Life as a castaway Adam in a second Eden (Caliban’s Voice 87).<br />

As an Adamic poet, Walcott does not name the world for the first time; he names a<br />

perennially new world th<strong>at</strong> has been named countless times before. <strong>The</strong> difference<br />

between a first and second Adam lies in the traditionally epic desire for continuity and<br />

the Adamic ability to recognize dis-continuity between classical, p<strong>at</strong>rician poetry and<br />

33 <strong>The</strong> small narrow bo<strong>at</strong> is named as the canoe, pirogue, or vaka in either the Pacific or<br />

the Atlantic.<br />

34 This traveler is epitomized in Joseph Conrad‘s Heart <strong>of</strong> Darkness as a violent torchbearer<br />

spreading England‘s ―sacred‖ fire: ―Hunters for gold or pursuers <strong>of</strong> fame, they all<br />

had gone out on th<strong>at</strong> stream [the Thames], bearing the sword, and <strong>of</strong>ten the torch,<br />

messengers <strong>of</strong> the might within the land, bearers <strong>of</strong> a spark from the sacred fire. Wh<strong>at</strong><br />

gre<strong>at</strong>ness had not flo<strong>at</strong>ed on the ebb <strong>of</strong> th<strong>at</strong> river into the mystery <strong>of</strong> an unknown earth! . .<br />

. <strong>The</strong> dreams <strong>of</strong> men, the seed <strong>of</strong> commonwealths, the germs <strong>of</strong> empires.‖

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