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1 Harvard University Political Theory Colloquium For 11 March 2010 ...

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 9
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means of the art of measurement, or incorrectly, when acting in ignorance. When reason<br />

exercises the ‘art’ or ‘knowledge’ of measurement, it is able to measure pleasures and<br />

pains correctly against one another, and so (for example) to pursue greater long-term<br />

benefits instead of lesser immediate ones (347a-c). It is this contention – that ‘those who<br />

make mistakes with regard to the choice of pleasure and pain…do so because of a lack of<br />

knowledge’, and specifically a lack of the knowledge of measurement – which is widely<br />

taken to constitute the ‘denial of akrasia’: not passion, but ignorance, explains the failure<br />

to act according to what knowledge would prescribe.<br />

My reading of the Protagoras and of the measure doctrine’s putative denial of<br />

akrasia hinges on three aspects of the surrounding text, which for convenience (though<br />

not entirely aptly, as noted in the next footnote) are labeled here as three frames. 10<br />

- The outer frame of the poetic exposition by Socrates of the poet Simonides, which<br />

is the first context in which the ‘denial of akrasia’ claim that ‘no one does wrong<br />

voluntarily (ekôn)’ is actually raised. On my reading, this poetic exposition<br />

demonstrates a correct analysis of how a virtuous person would handle anger<br />

(thus showing both that a virtuous person is liable to experience anger, and how<br />

he would handle it). Accordingly, interpreting what Socrates later says about the<br />

so-called ‘denial of akrasia’ should be done in light of this earlier statement of a<br />

richer moral psychology in which he allows for emotion (and perhaps desire) in<br />

the framework of virtue.<br />

- The middle frame returns to the dialogue’s earlier discussion of whether wisdom,<br />

temperance, courage, justice and piety are five names for the same virtue, or are<br />

different virtues, and the immediate part of this frame relevant to our interests is<br />

Protagoras’ assertion (giving up his earlier ‘parts of a face’ answer) that four of<br />

them are fairly close but that courage is completely different.<br />

- The inner frame is Socrates’ interrogation of Protagoras as to whether or not the<br />

sophist believes that knowledge is inherently ruling and powerful, and Protagoras’<br />

agreement that this is so. It is this putative agreement which is the real object of

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