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14th street and union square preservation plan - Columbia ...

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the West Side Highway that divides the Hudson River<br />

Park <strong>and</strong> 14 th Street.<br />

We propose to use design as a way to physically bridge<br />

the Pier 56 area with the High Line. The addition of<br />

a footbridge from the pier to the High Line would<br />

encourage <strong>and</strong> increase pedestrian traffic <strong>and</strong> thus<br />

increase the acknowledgement of this important historic<br />

resource. Secondly, the pier’s history should be recognized<br />

<strong>and</strong> interpreted in the redevelopment of the site. We<br />

have created a design that interprets the pier as both<br />

the unused place of the twentieth century by keeping it<br />

as an archaeological ruin, <strong>and</strong> as the important thriving<br />

pier of the late nineteenth century by the installation of<br />

historic plaques (Figure 17). Our proposal intervenes in<br />

a minimal way with the physical remains of the pier by<br />

adding a pedestrian ramp on which informational panels<br />

are located. The walk along the ramp in between the<br />

panels reveals images <strong>and</strong> facts pertaining to the history<br />

of the pier.<br />

Increasing recognition of the intrinsic design value of<br />

industrial sites, <strong>and</strong> the rich history they possess, has led<br />

cities around the country, <strong>and</strong> even around the world, to<br />

reclaim ab<strong>and</strong>oned industrial sites for public parks. New<br />

York City has demonstrated its willingness to reinvest in<br />

its own industrial past with the High Line Park project,<br />

<strong>and</strong> Pier 56 presents a natural extension of this effort.<br />

Example: Union Square Park<br />

Union Square is the most important <strong>and</strong> most highly used<br />

open space on 14 th Street. Its long history, connected<br />

with the development of the area, further emphasizes its<br />

importance to the study area. However, its history—both<br />

in the evolution of the park’s design <strong>and</strong> in the <strong>square</strong>’s<br />

relationship to the labor movement <strong>and</strong> surrounding<br />

buildings—has not been clearly expressed to the public.<br />

Though the park’s <strong>plan</strong>s have changed many times<br />

throughout its 150 year history, the use has remained<br />

generally the same within the park; it is the activity<br />

THE PLAN: ENHANCING INTERPRETATION OF OPEN SPACES<br />

<strong>and</strong> circulation patterns on the park’s perimeter that<br />

have seen the most change. Historically, the northern<br />

end of the park was used for public gatherings <strong>and</strong><br />

demonstrations; however since the renovation of the<br />

south end in the 1980’s, <strong>and</strong> with the Greenmarket in<br />

the north end, the stepped plaza has become the popular<br />

spot for gatherings today.<br />

After analysis of the current design, it was decided that<br />

the design proposals would focus on four objectives:<br />

first, that Union Square should be a place primarily<br />

for people, not for cars; second, that the evolution of<br />

the park’s designs need to be expressed to the public;<br />

third, that the park connect to its building context <strong>and</strong><br />

concurrent labor history; <strong>and</strong> fourth, that the park have<br />

a means of conveying its use as a political gathering<br />

space, in the past, <strong>and</strong> for current <strong>and</strong> future use.<br />

Objective 1: Circulation<br />

In order to ease the circulation conflicts throughout<br />

Union Square, the focus of the design should be the<br />

movement of people throughout the <strong>square</strong>, not the<br />

movement of automobile traffic on the <strong>street</strong>. Exp<strong>and</strong>ing<br />

the park’s boundaries to the north <strong>and</strong> the east solves<br />

many of the problems Union Square currently faces.<br />

The expansion creates one-way <strong>street</strong>s at Union Square<br />

East <strong>and</strong> 17 th Street, turning the <strong>street</strong>s around Union<br />

Square into a traffic circle <strong>and</strong> allowing easier <strong>and</strong> safer<br />

pedestrian crossings. The expansion allows more room<br />

for people to move around the perimeter of the park<br />

<strong>and</strong> also provides more space for the Greenmarket on<br />

three sides of the park. If, historically, the park was the<br />

only densely l<strong>and</strong>scaped space in Union Square, new<br />

proposals should maintain Olmsted’s intention that the<br />

park be a place of repose <strong>and</strong> isolation in the middle of<br />

the <strong>square</strong>.<br />

Objective 2: Evolution of park designs<br />

The formal <strong>plan</strong> of the design has evolved over the<br />

park’s 150-year history but there is no evidence left of<br />

18. PROPOSED MASTER PLAN FOR UNION SQUARE PARK.<br />

its origins. To further public underst<strong>and</strong>ing of the park’s<br />

history, it is important to illustrate the most significant<br />

aspects of the previous designs while not disturbing the<br />

current function of the park.<br />

The proposal layers the 1872 network of paths that<br />

radiate from the historic location of the fountain <strong>and</strong><br />

connects the 1872 paths to the current ones. Materials<br />

for the 1872 paths will be similar to what might have<br />

historically been used; grass cellular paving <strong>plan</strong>ted<br />

throughout will visually distinguish the old from the new,<br />

while maintaining the current use of the grassy areas for<br />

sitting. The center will be re-established with a flat circle<br />

of water, representative of the fountain installed for the<br />

1842 Croton water celebration (Figure 18).<br />

37

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