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14th street and union square preservation plan - Columbia ...

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NINTH TO SEVENTH AVENUES<br />

Surrounded by Greenwich Village to the south, Chelsea to the north, a commercial<br />

zone to the east, <strong>and</strong> the historically industrial Meatpacking District to the west,<br />

the section of 14 th Street between Seventh <strong>and</strong> Ninth Avenues is characterized by a<br />

diverse assortment of small-scale buildings. Residential buildings, including many midnineteenth-century<br />

rowhouses, with ground-level commercial spaces predominate,<br />

while commercial, light-manufacturing <strong>and</strong> religious buildings dating from the latenineteenth<br />

to the early-twentieth century dot the <strong>street</strong>scapes. The rich variety of<br />

building uses, ages, architectural styles <strong>and</strong> materials, combined with the small scale of<br />

the structures, help to create a distinct sense of neighborhood.<br />

The building occupied by Guadalupe is a mid-nineteenth-century brownstone that<br />

has been masterfully converted from a posh rowhouse to a double-height sanctuary,<br />

complete with a monumental entrance, side chapel, tiny balcony, <strong>and</strong> clerestory. This<br />

transformation which makes Guadalupe extremely rare, if not unique, in the city<br />

spanned two decades <strong>and</strong> involved several notable architects one of which was Gustave<br />

Steinback. Steinback, known for his work on religious projects, designed No. 229’s<br />

classically proportioned Spanish Revival façade in 1921. Although the church remained<br />

extremely popular, it was consolidated with nearby St. Bernard’s parish <strong>and</strong> closed in<br />

2003. Today, Guadalupe is clear architectural trace of Little Spain. (Figure 5)<br />

ST. BERNARD’S PARISH<br />

Historically, St. Bernard’s Parish was considered one of the most important parishes in<br />

the city. In the 1870s, the congregation was primarily composed of Irish immigrants<br />

<strong>and</strong> descendants of Irish immigrants. Irish-born architect Patrick Charles Keely was<br />

selected to design a new St. Bernard’s <strong>and</strong> the cornerstone was laid in May of 1873. The<br />

church is built in the Victorian Gothic style with the twin towers, triple-portal entrance,<br />

<strong>and</strong> rose window inset into a pointed<br />

arch reveal a masterful blending<br />

of French <strong>and</strong> English influences.<br />

(Figure 4)<br />

242 WEST 14 TH STREET<br />

The building located at 242 West 14 th Street is a great example of a residential to partial<br />

commercial conversion due to its intact, double-height cast iron storefront. (Figure 6)<br />

(FORMER) ROMAN CATHOLIC<br />

CHURCH OF OUR LADY OF<br />

GUADALUPE<br />

Founded at the turn of the twentieth<br />

century by the Augustinians of the<br />

Assumption, Guadalupe was the<br />

first Spanish-speaking Catholic<br />

parish in New York City <strong>and</strong> for a<br />

time served as the national parish for<br />

Spanish-speaking Catholics. At this<br />

time <strong>14th</strong> Street between Seventh<br />

<strong>and</strong> Eighth Avenues was the heart<br />

of “Little Spain,” <strong>and</strong> working-class<br />

Spanish immigrants composed<br />

most of the early congregation.<br />

4. ST. BERNARD’S.<br />

SIGNIFICANT RESOURCES: NINTH TO SEVENTH AVENUES<br />

5. OUR LADY OF GUADALUPE. 6. 242 WEST 14 TH STREET.<br />

7

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