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From Sharks to Sugar: Addressing Conservation Issues of ... - incca

From Sharks to Sugar: Addressing Conservation Issues of ... - incca

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art conserva<strong>to</strong>r.<br />

Ideally, in-person communication between museums and artists<br />

would alleviate some miscommunication and prevent assumptions about<br />

artwork on the part <strong>of</strong> the museum. By advocating a system <strong>of</strong> better<br />

communication and possibly collaboration between museums and artists,<br />

my <strong>to</strong>pic addresses some important needs. It supports museums’<br />

responsibilities <strong>to</strong> care for works in their collections <strong>to</strong> the fullest extent<br />

possible. Museums have an ethical responsibility <strong>to</strong> learn as much as<br />

possible about the works they care for. It serves artists <strong>to</strong> ensure that their<br />

intentions are honored by museums. There is untapped potential for<br />

collaboration between the museum and the artist <strong>to</strong> further comprehension<br />

<strong>of</strong> the artwork. Yet, there is a lack <strong>of</strong> awareness in some museums <strong>of</strong> the<br />

importance <strong>of</strong> gathering information from living artists.<br />

As museums increasingly collect contemporary art, much <strong>of</strong> it made<br />

with nontraditional ephemeral materials, museum staff must find<br />

appropriate methods <strong>of</strong> preventative conservation <strong>to</strong> care for this work, as<br />

it has unique needs. When the artists are alive and available <strong>to</strong><br />

communicate, museums should interview the artists as part <strong>of</strong> a<br />

preservation plan as soon as possible upon acquisition <strong>of</strong> the work, even<br />

earlier. However, some museum staff lack skills needed for effective<br />

communication with artists, and staff <strong>of</strong>ten do not have preservation plans<br />

5

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