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From Sharks to Sugar: Addressing Conservation Issues of ... - incca

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Their goal is <strong>to</strong> prevent the need <strong>to</strong> guess after the artist’s death what the<br />

artist would have intended. They want <strong>to</strong> be able <strong>to</strong> make decisions about<br />

how <strong>to</strong> perform treatments with allegiance <strong>to</strong> the artist’s wishes.<br />

Through this conference, I learned that not every museum has<br />

conserva<strong>to</strong>rs on staff, but museums are <strong>of</strong>ten accessioning at a rapid pace.<br />

This made me think about museums without conserva<strong>to</strong>rs and wonder if<br />

collections managers could use this information. Regardless <strong>of</strong> whether or<br />

not a museum has a conservation lab, this information could be very<br />

useful <strong>to</strong> have at the time <strong>of</strong> accession or even beforehand and keep it on<br />

file. Collections managers play a key role in the process <strong>of</strong> conservation,<br />

as they are the staff members who look after the collections regularly and<br />

spot conservation issues that need <strong>to</strong> be handled by a conserva<strong>to</strong>r. I was<br />

interested in tackling this issue from a collection manager’s point <strong>of</strong> view.<br />

Expert Interviews<br />

Separate from my case study interviews, I talked with two people<br />

who I consider experts in the fields <strong>of</strong> conservation and collections<br />

management: Dr. Glenn Whar<strong>to</strong>n and Jill Sterrett. Both scholars served on<br />

discussion panels at “The Object In Transition” conference in Los Angeles<br />

and also spoke at the “Interview Methodology for Conserva<strong>to</strong>rs”<br />

workshop in Denver, and they have researched and written extensively in<br />

their fields.<br />

11

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