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From Sharks to Sugar: Addressing Conservation Issues of ... - incca

From Sharks to Sugar: Addressing Conservation Issues of ... - incca

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However, Altshuler’s book identifies that there is definitely a shift in<br />

practice happening within the art museum field in regards <strong>to</strong> caring for this<br />

type <strong>of</strong> artwork.<br />

Crossover in <strong>Conservation</strong> and Collections Management Fields<br />

As collections managers and registrars perform preventative<br />

conservation tasks such as moni<strong>to</strong>ring and controlling environmental<br />

conditions in collections s<strong>to</strong>rage and employing Integrated Pest<br />

Management techniques, and are in charge <strong>of</strong> the documentation<br />

surrounding artwork, it seems that conservation and registration<br />

disciplines overlap on this subject. In “The New Museum Registration<br />

Methods,” an appendix dedicated <strong>to</strong> the registrar’s code <strong>of</strong> ethics<br />

addresses the registrar’s responsibility:<br />

The primary concerns <strong>of</strong> registrars are creating and<br />

maintaining accurate records pertaining <strong>to</strong> objects,<br />

including those documents that provide legal<br />

protection for the museum; ensuring the safety <strong>of</strong><br />

objects; arranging insurance coverage for objects;<br />

and handling, transporting, and control <strong>of</strong> objects.<br />

(Buck, 1998, p. 349)<br />

The creation and maintenance <strong>of</strong> accurate records <strong>of</strong> artistic intent<br />

pertaining <strong>to</strong> objects falls under this description, especially if a<br />

conserva<strong>to</strong>r is not on staff. Therefore, those in the field <strong>of</strong> registration<br />

should be collaborating with those in the field <strong>of</strong> the conservation<br />

regarding artist interviews as they relate <strong>to</strong> the long-term conservation <strong>of</strong><br />

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