Fall 2013 Course Catalog - School of the Museum of Fine Arts
Fall 2013 Course Catalog - School of the Museum of Fine Arts
Fall 2013 Course Catalog - School of the Museum of Fine Arts
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<strong>Fall</strong> <strong>2013</strong> <strong>Course</strong> <strong>Catalog</strong><br />
30<br />
Making in <strong>the</strong> Digital Age<br />
MTL 2048 01 (4 Credits)<br />
Jennaca Davies<br />
R<br />
9:00 AM - 12:00 PM /<br />
2:00 PM - 5:00 PM<br />
B211B, A111<br />
A rapidly growing number <strong>of</strong> industrial and mechanical processes are available that can be<br />
utilized by artists to produce work in and outside <strong>the</strong>ir studio. This course will provide you<br />
with many tools for art making in <strong>the</strong> 21st century. Learn how artists and designers employ<br />
various forms <strong>of</strong> computer related technology such as Rapid Prototyping and CAD/CAM to<br />
execute <strong>the</strong>ir concepts in combination with <strong>the</strong> input <strong>of</strong> <strong>the</strong> hand. Investigate <strong>the</strong> potential <strong>of</strong><br />
new technolgy like laser cutting and 3-D printing. Whe<strong>the</strong>r you work with pencil and paper<br />
or create drawings on <strong>the</strong> computer, <strong>the</strong> tools <strong>of</strong> artists and designers are all means by<br />
which you can define an idea, create a model, and make a finished piece <strong>of</strong> artwork. This<br />
course begins with a series <strong>of</strong> design lectures, in-class workshops, and technical instruction<br />
in Adobe Photoshop and Illustrator that teaches <strong>the</strong> fundamentals <strong>of</strong> image manipulation,<br />
illustration, vector graphics, layering, and graphic editing on <strong>the</strong> computer. Class time will<br />
be spent alternating between <strong>the</strong> computer lab, applying <strong>the</strong> technogy using laser cutter and<br />
3-D printer on campus facility and fabrication and handwork in <strong>the</strong> metals studio. Specific<br />
attention will be paid to <strong>the</strong> translation <strong>of</strong> computer imagery into full-scale form so <strong>the</strong> student<br />
begins to understand <strong>the</strong> transition between what can be produced on a computer and how<br />
it materialized into actual artwork. Special assignments will be given that ensure application<br />
<strong>of</strong> knowledge and encourage experimentation with materials and techniques.<br />
The Many Dimensions <strong>of</strong><br />
Jewelry<br />
MTL 2110 01 (2 Credits)<br />
Linda Priest<br />
W<br />
6:30 PM - 9:45 PM<br />
A111<br />
Metal is a wonderful versatile material-you can dome it, solder it into forms, set different<br />
materials into it, cast it, and sometimes even anodize it to achieve bright colors. This course<br />
presents interesting ways to create jewelry and small objects in nonferrous metal. We will<br />
hammer metal to make a domed bracelet, cut and bend a single piece <strong>of</strong> metal to fabricate<br />
a hollow constructed ring, and add a little sparkle to a piece by setting a faceted stone in a<br />
bezel setting. We will explore simple casting, fusing, and simple hinge making, as well as<br />
color reactive metals. We also will experiment with different material to emboss into metal<br />
and an even weave a chain. Exercises will be given to practice techniques, and you will be<br />
encouraged to creatively incorporate new information into projects.<br />
Up-Close and Personal<br />
MTL 3000 01 (2 Credits)<br />
Barbara Seidenath<br />
W<br />
9:00 AM - 12:00 PM<br />
C112<br />
Personal and portable, close to body and <strong>the</strong> heart and with us since day one, jewelry<br />
and ornament are important communicators. This seminar course is designed to give<br />
you a deeper understanding <strong>of</strong> <strong>the</strong> jewelry traditions in non-western as well as western<br />
cultures. Lectures are <strong>the</strong>matically organized around <strong>the</strong> concept <strong>of</strong> placement <strong>of</strong> value<br />
within personal ornament and aim to examine historic and contemporary context through<br />
visual presentations, discussions and field trips. The goal is for <strong>the</strong> student to gain a solid<br />
foundation <strong>of</strong> <strong>the</strong> knowledge <strong>of</strong> <strong>the</strong> history <strong>of</strong> ornamentation and to deepen <strong>the</strong>ir understanding<br />
<strong>of</strong> wearable objects and <strong>the</strong>ir meanings and context in different cultures. A section <strong>of</strong> <strong>the</strong><br />
class is dedicated towards developing pr<strong>of</strong>essional research strategies and streng<strong>the</strong>ning<br />
presentation and documentation skills through specifically designed assignments. The weekly<br />
lectures are complimented by fieldtrips to local research facilities and <strong>Museum</strong> collections<br />
and attendance <strong>of</strong> visiting artist lectures. Ongoing class discussions <strong>of</strong> reading materials<br />
that focus on related topics will promote critical thinking in <strong>the</strong> context <strong>of</strong> a contemporary<br />
art and metals practice.<br />
Objectives:<br />
—to gain a solid understanding <strong>of</strong> <strong>the</strong> jewelry traditions in non-western and western<br />
cultures<br />
—to develop pr<strong>of</strong>essional research skills through <strong>the</strong> use <strong>of</strong> primarily library and local<br />
research facilities and in addition, <strong>the</strong> internet.<br />
—to streng<strong>the</strong>n pr<strong>of</strong>essional presentation skills<br />
—to complete all relevant reading assignments that supplement <strong>the</strong> weekly lectures<br />
—to enable <strong>the</strong> students ability to think critically and to clearly articulate verbally through<br />
active participation in class discussion.