Fall 2013 Course Catalog - School of the Museum of Fine Arts
Fall 2013 Course Catalog - School of the Museum of Fine Arts
Fall 2013 Course Catalog - School of the Museum of Fine Arts
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<strong>Fall</strong> <strong>2013</strong> <strong>Course</strong> <strong>Catalog</strong><br />
38<br />
Post Baccalaureate<br />
Consultations<br />
PBC 5003 02 (2 Credits)<br />
Mary Anderson<br />
M<br />
9:00 AM - 12:00 PM<br />
C110<br />
Individual critique sessions promote and foster abundant work and rapid progress by helping<br />
you deepen an understanding <strong>of</strong> your art, creative process, and work methods through<br />
focused critical feedback at regular intervals. Students meet individually with <strong>the</strong> instructor<br />
several times during <strong>the</strong> semester for critiques, to present works in progress, and to discuss<br />
emerging issues <strong>of</strong> individual interest. These consultations support and complement <strong>the</strong><br />
work in <strong>the</strong> Post-Baccalaureate Seminar. Nan Freeman is also available for meetings at<br />
o<strong>the</strong>r times during normal class weeks, and for informal and impromptu consultation with<br />
post-baccalaureate students. Post-baccalaureate students are expected to actively seek<br />
individual critiques and consultation from <strong>the</strong>ir assigned faculty advisors and from faculty<br />
members teaching studio courses in which <strong>the</strong>y are working.<br />
Post Baccalaureate<br />
Consultations<br />
PBC 5003 03 (2 Credits)<br />
Mary Anderson<br />
T<br />
9:00 AM - 12:00 PM<br />
C101<br />
Individual critique sessions promote and foster abundant work and rapid progress by helping<br />
you deepen an understanding <strong>of</strong> your art, creative process, and work methods through<br />
focused critical feedback at regular intervals. Students meet individually with <strong>the</strong> instructor<br />
several times during <strong>the</strong> semester for critiques, to present works in progress, and to discuss<br />
emerging issues <strong>of</strong> individual interest. These consultations support and complement <strong>the</strong><br />
work in <strong>the</strong> Post-Baccalaureate Seminar. Nan Freeman is also available for meetings at<br />
o<strong>the</strong>r times during normal class weeks, and for informal and impromptu consultation with<br />
post-baccalaureate students. Post-baccalaureate students are expected to actively seek<br />
individual critiques and consultation from <strong>the</strong>ir assigned faculty advisors and from faculty<br />
members teaching studio courses in which <strong>the</strong>y are working.<br />
Beginning Performance<br />
Workshop<br />
PER 1010 01 (2 Credits)<br />
Mari Novotny-Jones<br />
R<br />
2:00 PM - 5:00 PM<br />
B209<br />
Students with little or no experience in performance art examine <strong>the</strong> basics <strong>of</strong> performance<br />
art: use <strong>of</strong> time and space, <strong>the</strong> performer’s relationship to <strong>the</strong> audience, and <strong>the</strong> process<br />
<strong>of</strong> developing original material for performance. Class exercises help us explore <strong>the</strong> use <strong>of</strong><br />
autobiographical material, dreams, text, and personas, as well as visual and sound elements.<br />
We present a public showing <strong>of</strong> work in progress at <strong>the</strong> end <strong>of</strong> <strong>the</strong> semester. No prerequisites.<br />
Beginning Performance<br />
Workshop<br />
PER 1010 02 (2 Credits)<br />
Mari Novotny-Jones<br />
F<br />
2:00 PM - 5:00 PM<br />
B209<br />
Students with little or no experience in performance art examine <strong>the</strong> basics <strong>of</strong> performance<br />
art: use <strong>of</strong> time and space, <strong>the</strong> performer’s relationship to <strong>the</strong> audience, and <strong>the</strong> process<br />
<strong>of</strong> developing original material for performance. Class exercises help us explore <strong>the</strong> use <strong>of</strong><br />
autobiographical material, dreams, text, and personas, as well as visual and sound elements.<br />
We present a public showing <strong>of</strong> work in progress at <strong>the</strong> end <strong>of</strong> <strong>the</strong> semester. No prerequisites.<br />
Actions as Art: Happenings<br />
and FLUXUS Events<br />
PER 2016 01 (2 Credits)<br />
TBA<br />
T<br />
6:30 PM - 9:30 PM<br />
B209<br />
The roots <strong>of</strong> performance art as we know it today lie in <strong>the</strong> dematerialization <strong>of</strong> <strong>the</strong> art<br />
object, which was manifested through various art movements in <strong>the</strong> 60s and 70s, including<br />
Conceptualism and FLUXUS. This course will combine <strong>the</strong>ory and practice. It will include<br />
discussion <strong>of</strong> readings <strong>of</strong> seminal texts that came out <strong>of</strong> <strong>the</strong>se movements, more recent<br />
survey articles that consider <strong>the</strong> impact <strong>of</strong> this work on <strong>the</strong> broader art world, viewing<br />
documentation <strong>of</strong> artists’ work, and recreating some <strong>of</strong> <strong>the</strong> pieces <strong>the</strong>mselves. In addition,<br />
students will be expected to make new work, ei<strong>the</strong>r individually or collaboratively, in response<br />
to <strong>the</strong> concepts and events that <strong>the</strong>y are learning about. In keeping with <strong>the</strong> spirit <strong>of</strong> <strong>the</strong><br />
work, many <strong>of</strong> <strong>the</strong> class projects will occur unannounced, and take place in public sites<br />
throughout <strong>the</strong> city. Prerequisite for undergrads: 1 SMFA performance class OR installation<br />
class; open to grads and post-bacs