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Proceedings of the fifth mountain lion workshop: 27

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74 PROCEEDINGS OF THE FIFTH MOUNTAIN LION WORKSHOP<br />

PHOTOGRAPHIC RECORDING OF MOUNTAIN LION TRACKS<br />

K. Shawn Smallwood. Consulting in <strong>the</strong> Public Interest, 109 Luz Pl., Davis, CA 95616<br />

Melissa Grigione. Department <strong>of</strong> Environmental Studies, University <strong>of</strong> California, Davis, CA 95616<br />

Key words: California, Mountain Lion, Photography, Puma concolor, Tracks<br />

Track count methodology for <strong>mountain</strong> <strong>lion</strong> (Puma<br />

concolor) has been under development in California since <strong>the</strong><br />

1970's (K<strong>of</strong>ord 1978, Kutilek et al. 1983, Fitzhugh and<br />

Gorenzel 1985, Smallwood and Fitzhugh 1995). One <strong>of</strong> <strong>the</strong><br />

methodological problems has been <strong>the</strong> recording <strong>of</strong> tracks<br />

along <strong>the</strong> transect for <strong>the</strong> purposes <strong>of</strong> identifying and<br />

cataloging individuals based on track measurements<br />

(Smallwood and Fitzhugh 1993). The problems include<br />

recording error and time required to record <strong>the</strong> tracks. The<br />

method <strong>of</strong> tracing tracks onto acetate sheets (Panwar 1979)<br />

forces <strong>the</strong> investigator onto his/her hands and knees for up to<br />

an hour per track set. This method is prone to mixing <strong>of</strong> dust,<br />

sweat, fatigue, and parallax through <strong>the</strong> glass plate. At least<br />

four tracks per rear foot (tracks <strong>of</strong> rear feet are most <strong>of</strong>ten <strong>the</strong><br />

only available) need to be recorded for reasonable variance<br />

estimates. During <strong>the</strong> last two years we developed<br />

photographic methods for recording tracks on snow and dust<br />

substrates.<br />

Grigione focused on recording tracks on snow, which<br />

were made by known radio-collared <strong>mountain</strong> <strong>lion</strong>s near <strong>the</strong><br />

Owen's Valley, California. Smallwood focused on recording<br />

tracks from dust along dirt roads throughout California during<br />

his statewide <strong>mountain</strong> <strong>lion</strong> track counts (Smallwood 1994,<br />

Smallwood and Fitzhugh 1995). He switched to photography<br />

at <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> 1995 track count, and also<br />

photographed tracks made by black bear (Ursus americanus),<br />

bobcat (Felis rufus), coyote (Canis latrans), raccoon (Procyon<br />

lotor), striped skunk (Mephitis mephitis), and badger (Taxidea<br />

taxus). Thus, we draw on a broad background <strong>of</strong> trackrecording<br />

experience and field conditions to describe <strong>the</strong><br />

benefits and problems encountered when using photography<br />

to collect track data.<br />

PHOTOGRAPHY<br />

In <strong>the</strong> snow Grigione used a 35 mm Nikon SLR<br />

camera with manual focus and automatic aperture. She used<br />

asa 100 color slide film, and shot <strong>the</strong> photos from a tripod.<br />

Filters, flashes, and umbrellas were used in various<br />

combinations to enhance or diminish <strong>the</strong> natural light. The<br />

tracks varied in depth <strong>of</strong> depression below <strong>the</strong> surrounding<br />

snow surface, and <strong>the</strong>refore <strong>the</strong> lighting conditions varied<br />

considerably. Each photo included a ruler and a square inch<br />

wood block for scale.<br />

During <strong>the</strong> first several weeks <strong>of</strong> <strong>the</strong> 1995 statewide<br />

track count, Smallwood used a Minolta SRT201 body with a<br />

70-210 mm variable lens and a lens hood. During <strong>the</strong> last<br />

several weeks he used a Minolta X-700 body with a<br />

Minolta1:3.5, 50 mm macro lens, which had a built-in lens<br />

hood. Throughout <strong>the</strong> track count he used 35 mm asa 100<br />

color slide film from Seattle Filmworks. Smallwood usually<br />

carried a photographic umbrella to provide uniform light<br />

conditions, despite tree overhangs. However, he usually overexposed<br />

<strong>the</strong> photos by turning <strong>the</strong> f-stop 2 "clicks" beyond <strong>the</strong><br />

recommended exposure provided by <strong>the</strong> light meter when<br />

using a manual camera, as per <strong>the</strong> advise <strong>of</strong> a pr<strong>of</strong>essional<br />

photographer. The light meter <strong>of</strong> manual cameras needs to be<br />

respected when using a photographic umbrella.<br />

The first two rolls <strong>of</strong> film made during <strong>the</strong> track<br />

count included some photos that were blurred by hand<br />

movement <strong>of</strong> <strong>the</strong> 70-210 mm variable lens while shooting.<br />

Once this problem was realized, more care was taken not to<br />

move <strong>the</strong> camera. The best photos were made with <strong>the</strong> X-700<br />

body and <strong>the</strong> macro lens. This camera-lens combination was<br />

easy to use and produced more clear, flat photos. Focus and<br />

exposure were automatic. Smallwood took about 1000 photos<br />

<strong>of</strong> tracks throughout <strong>the</strong> track count, including those <strong>of</strong> o<strong>the</strong>r<br />

mammalian carnivores, and only two or three photos will pose<br />

problems in interpretation. Most <strong>of</strong> <strong>the</strong> rest were excellent,<br />

and will be easy to trace for GIS application (described<br />

below). Simple camera arrangements prevent mistakes and<br />

malfunctions.<br />

We searched track sets in both directions along roads<br />

for <strong>the</strong> clearest tracks and <strong>the</strong> safest road conditions, where<br />

vehicle traffic might pose a hazard. We placed a metric ruler<br />

for scale next to each track to be photographed, as well as a<br />

small piece <strong>of</strong> thin cardboard showing species, date, transect<br />

name, and distance from <strong>the</strong> start <strong>of</strong> <strong>the</strong> transect. The same<br />

piece <strong>of</strong> cardboard was used for all <strong>the</strong> photographed tracks<br />

along a track set. The cardboard was always placed just<br />

outside <strong>the</strong> boundary <strong>of</strong> <strong>the</strong> track.<br />

Most photos were <strong>of</strong> a single track each, although<br />

pairs <strong>of</strong> tracks were included within <strong>the</strong> same photo when <strong>the</strong>y<br />

were close toge<strong>the</strong>r. Pairs <strong>of</strong> tracks <strong>of</strong>ten were photographed<br />

toge<strong>the</strong>r for black bear, and sometimes for <strong>mountain</strong> <strong>lion</strong>,<br />

bobcat, raccoon, and coyote. More tracks were sometimes<br />

included within each frame for striped skunk and o<strong>the</strong>r smallbodied<br />

carnivores with short stride lengths. However, <strong>the</strong> goal<br />

for each shot was to get as much track detail as possible<br />

throughout <strong>the</strong> picture frame. The photos were best taken<br />

from a kneeling position.

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