Illustration Department Advisors - Rhode Island School of Design

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c o u r s e d e s c r i p t i o n g a l l e r y ILLUS 5209 Photography I Henry Horenstein Photography is an indispensable resource for the illustrator. Whether your aim is to access the unique expressive properties of the photographic medium for illustration, to produce effective visual reference for work in other media, or to explore compositional possibilities in relation to design or narrative, this course will provide the technical underpinnings for a knowledgeable involvement with camera, subject, darkroom and presentation. Students learn to use the camera, process film, and make prints, as well as to make decisions about cropping, contrast adjustment and printing techniques. No prior experience in photography is required, but students must have their own 35mm camera with manual aperture and shutter-speed controls. Course Level: Freshman; Sophomore; Junior; Senior; Fifth Year; Graduate; Elective Fee: $100.00 Estimated Cost of Materials: $100.00; Refundable Deposit of $100 (WINTERSESSION) 3 Credits d e t a i l s prerequisites None Photography for Illustrators; The Collaged Image Printmaking Techniques for Illustrators; The Two-Legged related studies Print; Serial Imagery in Printmaking; Illustrator as Designer advertising, editorial illustration, portraiture, professional affinities photography as fine art studio practice thinking making doing [ professional content and concept imaging skills practice media affinities contact information instructor website photography, printmaking, digital imaging, film/video DC 411 401-454-6366 henry@horenstein.com http://www.horenstein.com
c o u r s e d e s c r i p t i o n g a l l e r y ILLUS 5210 Editorial Illustration Chris Buzelli Magazines, newspapers and other publications rely heavily on pictures to illuminate messages initiated by writers, and more than any other genre of illustration, the editorial field gives voice to the artist. In this alternately reactive and expressive line of work, the illustrator engages in a powerful partnership with the written word, effectively becoming an author of opinions and ideas. This class will approach several editorial assignments, all of which involve an illustrated response to written text. What makes a reader stop and read an article? The right picture draws the reader into the story. This class responds to modern editorial assignments from social, environmental and political issues. It also deals with the business side of being a professional illustrator: “How do you get freelance illustration jobs?”; “Can you make a living as a freelancer?”; and “How/where do I start?” The final project is a real life editorial job that will be published in a magazine. Course Level: Junior, Senior; Elective (FALL) 3 Credits prerequisites related studies professional affinities d e t a i l s Illustration Concepts 1 & 2; Drawing 1 & 2; Painting 1 & 2 Contemporary Illustration;; New York New Yorker; Words, Images Ideas; Illustrating Dante’s Inferno; XX/XY; Propaganda; Cover to Cover; The Shape of Content Illustration as a Social Practice magazine and book illustration; graphic design; conceptual/problem solving; studio practice open media: pen & ink/scratchboard; mixed thinking making doing [ professional content and concept imaging skills practice media affinities contact information instructor website media/collage; drawing/painting; digital 2D/3D; printmaking; animation; photography; film; video; ISB 400 401-454-6254 buzstudio@earthlink.net http://www.drawger.com/buzelli
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Illustration Department Advisors - Rhode Island School of Design

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