Illustration Department Advisors - Rhode Island School of Design

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c o u r s e d e s c r i p t i o n g a l l e r y ILLUS 5219 Printmaking Techniques for Illustrators Randy Willier This course surveys a range of low-tech printmaking processes with the aim of broadening the student’s range of markmaking skills and experimenting with new visual effects with which to create engaging images. The course is fast-paced- giving the students exposure to methods such as monotype, relief printing and drypoint. Rather than emphasizing disciplined editioning, assignments will utilize print-making processes for producing multiples that explore variations in color, compositional emphasis and tonal adjustment. We are looking for exciting, image-making means that communicate outside of what the hand can directly draw. Course Level: Junior, Senior; Elective Fee: $150.00 (FALL) 3 Credits d e t a i l s prerequisites Drawing 1 & 2, Painting 1 & 2, or permission of instructor Serial Imagery in Printmaking; The Collaged Image; Illustrator as Designer; The Two Legged Print; related studies Traditions, Trappings, Culture, Kitsch; Picture and Word; The Artist’s Book drawing & printmaking as illustration and fine art, professional affinities color design, poster and book design, editorial and book illustration thinking making doing [ professional content and concept imaging skills practice media affinities contact information instructor website printmaking, collage, installation, artist’s books ISB 201 and 107 401-454-6244 sdoyle@risd.edu http://www.doyle-art.com
c o u r s e d e s c r i p t i o n g a l l e r y ILLUS 5223 Master Painting Techniques Trent Burleson How did Caravaggio finesse such powerful chiaroscuro in his masterpiece, The Conversion of Saul? What’s beneath the surface of a Titian? Why are the details in Rembrandt portraits so alluring? And how did Vermeer so perfectly capture the north light in his tranquil domestic scenes? Knowledge of painting technique is vital but often neglected. This course presents the techniques of four great Late Renaissance and Baroque artists: Titian, Caravaggio, Rembrandt and Vermeer. Students paint from life in the studio, deciphering the techniques of these artists in painting from observation while guided through demonstrations and discussions of visual examples by these artists. Four figurative compositions inspired by the masters are completed during the semester, exploring materials and methods such as colored grounds, underpainting, glazing and scumbling to better understand and build upon the unique contributions of each of these artists. prerequisites d e t a i l s Drawing 1 & 2; Painting 1 & 2 or permission of instructor This course seeks not just to expose students to the great and time-tested painting techniques of the masters but also to expand their own personal painting vocabulary and to get beyond old habits and limitations. Course Level: Junior, Senior, Elective (SPRING) 3 Credits related studies professional affinities Color for Portrait & Figure; Painting the Human Figure; Reniassance Painting in Florence; Landscape Painting; Between Painting & Drawing painting & drawing as illustration and fine art; color design; portraiture; studio practice media affinities multiple painting techniques thinking making doing [ professional content and concept imaging skills practice contact information instructor website ISB 300 401-454-6252 tburleso@risd.edu http://www.burlesonart.com
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Illustration Department Advisors - Rhode Island School of Design

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