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Illustration Department Advisors - Rhode Island School of Design

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c o u r s e d e s c r i p t i o n<br />

g a l l e r y<br />

ILLUS 5252<br />

Color Works<br />

Mary Jane Begin<br />

For students, color is <strong>of</strong>ten one <strong>of</strong> the most intimidating elements <strong>of</strong> designing a piece,<br />

as the choices can seem endless and arbitrary. Anxiety and stress <strong>of</strong>ten result in hit or<br />

miss approaches, repetition <strong>of</strong> a particular palette or avoidance <strong>of</strong> color altogether. This<br />

class encourages awareness <strong>of</strong> color as one <strong>of</strong> the most dynamic components <strong>of</strong> an image<br />

and emphasizes the need for achieving a balance between acquired knowledge and<br />

instinct. Students will be required to investigate: value, harmony, limited palettes, color<br />

grounds, layering, mixing, opacity, transparency, temperature, mood, contrast, complimentary<br />

color, spatial relationships, vibration and reflection as part <strong>of</strong> their in-class and<br />

homework assignments. Students will work from models dressed in costume, with poses<br />

changing every three weeks, and will be given instruction in a combination <strong>of</strong> acrylics<br />

and watercolor in a variety <strong>of</strong> technical applications. The expectation is that individuals<br />

will gain a level <strong>of</strong> expertise in the designated media and then apply that knowledge to<br />

other media.<br />

This course will involve in-class critique, working from the model, and homework<br />

assignments that will include portrait, still life, color charts, a master copy, and a final<br />

series <strong>of</strong> illustrations/images <strong>of</strong> their choosing. The four week final project will be at the<br />

end <strong>of</strong> the semester allowing students to explore a style, material, media and subject<br />

matter <strong>of</strong> their choice that includes an investigation <strong>of</strong> color related issues.<br />

Course Level: Junior; Senior; Elective<br />

(FALL) 3 Credits<br />

thinking<br />

making<br />

doing<br />

[<br />

pr<strong>of</strong>essional<br />

content and concept<br />

imaging skills<br />

practice<br />

prerequisites<br />

related studies<br />

pr<strong>of</strong>essional affinities<br />

media affinities<br />

contact information<br />

instructor website<br />

d e t a i l s<br />

<strong>Illustration</strong> Concepts 1 & 2; Drawing 1 & 2;<br />

Painting 1 & 2; or permission <strong>of</strong> instructor<br />

Renaissance Painting in Florence;<br />

Master Painting Techniques; Between Painting & Drawing;<br />

Color for Portrait and Figure; Advanced Painting;<br />

Drawing With Color; Watercolor & Guoache<br />

painting & drawing as illustration and fine art;<br />

color design; portraiture; studio practice<br />

open media: acrylic painting, watercolor<br />

ISB 200 401-454-6246 mjbegin@cox.net<br />

http://www.maryjanebegin.com

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