JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL
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<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />
SATURDAY 22ND FEBRUARY<br />
OUR SUNHI<br />
U RI SUNHI<br />
Korea’s poet laureate of infantile male intellectuals<br />
and the women who bewitch them delivers one<br />
of his most appealing recent efforts in Our Sunhi.<br />
Winner of the director prize in Locarno, Hong’s 15th<br />
feature delights as it orchestrates the seriocomic<br />
ping-ponging of a canny young woman and her<br />
three equally hapless suitors.<br />
Wonderfully played by the gamine Jung Yu-mi (in her<br />
fifth collaboration with Hong), Sunhi is a recent film<br />
school grad first seen returning to her alma mater<br />
to solicit a recommendation letter from her former<br />
teacher, Professor Choi (Kim Sang-joong). There’s just<br />
one caveat: he can only write an ‘honest’ letter.<br />
‘another pleasurable, loquacious and low-key film’<br />
The Hollywood Reporter<br />
Sat 22 Feb / Light House 3 / 2pm / 88 minutes<br />
Writer-director: Hong Sang-soo 2013 Italy/Switzerland/France<br />
Cast: Jung Yu-mi, Lee Sun-kyun, Kim Sang-joong<br />
Winner, Silver Leopard, Locarno Film Festival<br />
While grabbing a beer at a nearby chicken restaurant,<br />
Sunhi encounters her ex-boyfriend Mun-su (Hong<br />
regular Lee Sun-kyun). As the beer flows, it becomes<br />
all too clear that Munsu still hankers for his ex. The<br />
plot thickens with the introduction of curmudgeonly<br />
fellow film-maker Jae-hak (Jung Jae-young). Hong<br />
has a lot of fun orchestrating these various comings<br />
and goings which, as in a classic farce, revolve around<br />
the idea of all three men pursuing the same woman<br />
without realizing it.<br />
Scott Foundas<br />
Variety<br />
HAUS TUGENDHAT<br />
‘Tugendhat’ is a legendary word in modern design;<br />
the name refers to the seminal house created by<br />
the German architect Mies van der Rohe for the<br />
Tugendhat family outside Brno in the Czech Republic<br />
in 1930. This beautiful and reflective documentary<br />
acknowledges the house as a modernist monument<br />
but is more absorbed by its role as catalyst for<br />
human events in the years after its construction –<br />
interactions which reflect on the wider travails of<br />
20th-century European history.<br />
Sat 22 Feb / Light House 1 / 2.45pm / 116 minutes<br />
Director: Dieter Reifarth 2013 Germany<br />
Presented in co-operation with the Goethe-Institut Irland<br />
Intelligently interweaving the restoration of the house<br />
and searing interviews with surviving Tugendhat<br />
siblings, it slowly unpicks family truths, from the<br />
Shangri-La of childhood, through exile (for being<br />
Jewish in the wrong place and time) to uncertain<br />
attempts at remaking the dream elsewhere. The<br />
most beautiful words are left to the ordinary Czechs<br />
with spinal injuries who lived there as children under<br />
Communism, and who simply revered its light, space<br />
and architecture – underscoring the film’s theme<br />
about the relationship between people and the hard<br />
and complex nature of brilliant things.<br />
Niall McCullough<br />
McCullough Mulvin Architects<br />
With special guest Michael Guggenheim<br />
BOOK ONLINE AT JDIFF.COM 103