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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

SATURDAY 22ND FEBRUARY<br />

OUR SUNHI<br />

U RI SUNHI<br />

Korea’s poet laureate of infantile male intellectuals<br />

and the women who bewitch them delivers one<br />

of his most appealing recent efforts in Our Sunhi.<br />

Winner of the director prize in Locarno, Hong’s 15th<br />

feature delights as it orchestrates the seriocomic<br />

ping-ponging of a canny young woman and her<br />

three equally hapless suitors.<br />

Wonderfully played by the gamine Jung Yu-mi (in her<br />

fifth collaboration with Hong), Sunhi is a recent film<br />

school grad first seen returning to her alma mater<br />

to solicit a recommendation letter from her former<br />

teacher, Professor Choi (Kim Sang-joong). There’s just<br />

one caveat: he can only write an ‘honest’ letter.<br />

‘another pleasurable, loquacious and low-key film’<br />

The Hollywood Reporter<br />

Sat 22 Feb / Light House 3 / 2pm / 88 minutes<br />

Writer-director: Hong Sang-soo 2013 Italy/Switzerland/France<br />

Cast: Jung Yu-mi, Lee Sun-kyun, Kim Sang-joong<br />

Winner, Silver Leopard, Locarno Film Festival<br />

While grabbing a beer at a nearby chicken restaurant,<br />

Sunhi encounters her ex-boyfriend Mun-su (Hong<br />

regular Lee Sun-kyun). As the beer flows, it becomes<br />

all too clear that Munsu still hankers for his ex. The<br />

plot thickens with the introduction of curmudgeonly<br />

fellow film-maker Jae-hak (Jung Jae-young). Hong<br />

has a lot of fun orchestrating these various comings<br />

and goings which, as in a classic farce, revolve around<br />

the idea of all three men pursuing the same woman<br />

without realizing it.<br />

Scott Foundas<br />

Variety<br />

HAUS TUGENDHAT<br />

‘Tugendhat’ is a legendary word in modern design;<br />

the name refers to the seminal house created by<br />

the German architect Mies van der Rohe for the<br />

Tugendhat family outside Brno in the Czech Republic<br />

in 1930. This beautiful and reflective documentary<br />

acknowledges the house as a modernist monument<br />

but is more absorbed by its role as catalyst for<br />

human events in the years after its construction –<br />

interactions which reflect on the wider travails of<br />

20th-century European history.<br />

Sat 22 Feb / Light House 1 / 2.45pm / 116 minutes<br />

Director: Dieter Reifarth 2013 Germany<br />

Presented in co-operation with the Goethe-Institut Irland<br />

Intelligently interweaving the restoration of the house<br />

and searing interviews with surviving Tugendhat<br />

siblings, it slowly unpicks family truths, from the<br />

Shangri-La of childhood, through exile (for being<br />

Jewish in the wrong place and time) to uncertain<br />

attempts at remaking the dream elsewhere. The<br />

most beautiful words are left to the ordinary Czechs<br />

with spinal injuries who lived there as children under<br />

Communism, and who simply revered its light, space<br />

and architecture – underscoring the film’s theme<br />

about the relationship between people and the hard<br />

and complex nature of brilliant things.<br />

Niall McCullough<br />

McCullough Mulvin Architects<br />

With special guest Michael Guggenheim<br />

BOOK ONLINE AT JDIFF.COM 103

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