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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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SATURDAY 15TH FEBRUARY<br />

<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

GUEST CURATORS:<br />

ALLISON & TIFFANY ANDERS<br />

Another new initiative for 2014 is our<br />

Guest Curator season, in which an<br />

individual is invited by the festival director<br />

to join them in creating the festival<br />

programme. The guest director serves as<br />

a key collaborator, bringing new ideas and<br />

sometimes overlooked films to Dublin. We<br />

are delighted to welcome the acclaimed<br />

American film director Allison Anders who<br />

alongside co-programmer Tiffany Anders<br />

founded and programmed the Don’t<br />

Knock the Rock Festival in LA. They have<br />

put together a fascinating series of music<br />

films and will introduce their choices, as<br />

well as participating in a public event with<br />

their Irish counterparts. The season will<br />

form the core of a larger programme of<br />

documentary which represents the best<br />

of both Irish and international work.<br />

ALLISON ANDERS<br />

Allison Anders is an award-winning film<br />

and television writer and director and<br />

Professor of Film and Media Studies at<br />

UC Santa Barbara. Her films include Sugar<br />

Town, nominated for two Independent<br />

Spirit Awards, Gas Food Lodging and Mi<br />

Vida Loca (My Crazy Life). Throughout<br />

her career she has been recognized for<br />

her achievements and received various<br />

awards and prizes, including a New York<br />

Film Critics Circle Award, and a MacArthur<br />

Foundation Fellowship. With her daughter<br />

Tiffany Anders she co-founded the Don’t<br />

Knock the Rock Film and Music Festival<br />

in Los Angeles. Her recent TV film Ring<br />

of Fire, on the life of country singer June<br />

Carter Cash, was nominated for four<br />

Emmys including Best Director.<br />

TIFFANY ANDERS<br />

‘Tiffany Anders grew up with a lust for<br />

music, seeking out bands and attending<br />

live shows at a very early age. Her<br />

enthusiasm eventually led her to a<br />

recording career of her own, cutting her<br />

2001 solo debut album, Funny Cry Happy<br />

Gift, which was produced by PJ Harvey<br />

and released to critical acclaim. As a<br />

music supervisor she’s worked on such<br />

films as Gregg Araki’s Kaboom, James<br />

Ponsoldt’s Smashed, Ry Russo Young’s<br />

Nobody Walks and Drake Doremus’ Like<br />

Crazy and Breathe In. She is currently the<br />

host of a weekly radio show Listen Listen<br />

on Luxuriamusic.com which features an<br />

eclectic array of underground music.’<br />

Sheryl Farber<br />

WRECKING CREW<br />

LAWRENCE OF BELGRAVIA<br />

‘Arguably the greatest pop star Britain never had’<br />

The Guardian<br />

Sat 15 Feb / Light House 2 / 2pm / 95 minutes<br />

Director: Denny Tedesco 2008 US<br />

A new documentary tells the story of the Wrecking Crew, a<br />

collective of Los Angeles musicians who played on hits by the<br />

Righteous Brothers, the Beach Boys, the Byrds and many others.<br />

Directed by Denny Tedesco, son of the late guitarist Tommy<br />

Tedesco, The Wrecking Crew features interviews with Brian<br />

Wilson, Cher, Roger McGuinn, and famed Crew members like<br />

bassist Carol Kaye and drummer Hal Blaine. “These guys were<br />

chameleons,” Tedesco says. “They went from Phil Spector to<br />

Nancy Sinatra to the Beach Boys. They always had to sound like<br />

somebody else.”<br />

Rolling Stone<br />

Sat 15 Feb / Cineworld 12 / 6pm / 86 minutes<br />

Director: Paul Kelly 2011 UK<br />

For the first time, fans of dreamy ’80s UK indie pop can finally<br />

know the true story of Lawrence, the enigmatic bandleader of<br />

brilliant cult outfits Felt, Denim and Go-Kart Mozart.<br />

‘At the start, the eponymous subject looks into the camera and<br />

asks: “Are you ready, Paul?” It’s a question never truly answered,<br />

as director Paul Kelly indeed may not have been ready to<br />

embark on a film which ended up taking eight years. But Kelly<br />

chooses not to focus on Lawrence’s ups and downs. Instead,<br />

he mounts a deeply personal investigation into what makes<br />

Lawrence tick. A funny, sad, insightful and refreshingly honest<br />

meditation on the mythology of rock and pop.’<br />

Nicholas Abrahams, The Quietus<br />

With special guest Paul Kelly<br />

32 BOOK ONLINE AT JDIFF.COM

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