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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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SATURDAY 15TH FEBRUARY<br />

<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

GABRIELLE<br />

Louise Archambault’s smart and refreshing debut<br />

feature Familia marked the arrival of an extraordinary<br />

new talent in Canadian film. Gabrielle is a stunning,<br />

tender film about a developmentally challenged<br />

young woman’s quest for independence and sexual<br />

freedom.<br />

‘Delightful newcomer Gabrielle Marion-Rivard, who actually<br />

has Williams syndrome and plays a semi-autobiographical<br />

role, is a natural’ The Hollywood Reporter<br />

Sat 15 Feb / Light House 1 / 4.45pm / 104 minutes<br />

Writer-director: Louise Archambault 2013 Canada<br />

Cast: Gabrielle Marion-Rivard, Alexandre Landry, Mélissa Désormeaux-Poulin<br />

Winner, Audience Award, Locarno Film Festival<br />

Living in a group home, musically talented Gabrielle<br />

(Gabrielle Marion-Rivard) has found love in Martin<br />

(Alexandre Landry), a fellow member in a choir<br />

for developmentally disabled adults. Gabrielle and<br />

Martin want to explore their feelings for one another<br />

physically, but are not allowed. Convinced that living<br />

alone will allow her to have the intimate relationship<br />

she so desperately craves, Gabrielle tries valiantly to<br />

prove she can be independent.<br />

As she did with Familia, Archambault displays her<br />

ability to distil the emotional currents of families at<br />

a crossroads. At the core of this film is the heartfelt<br />

performance by Marion-Rivard (who has Williams<br />

Syndrome in real life). Produced by the team<br />

behind Incendies and Monsieur Lazhar, Gabrielle<br />

is a captivating film about tolerance and finding<br />

happiness, but, above all, it is a story of love.<br />

Agata Smoluch Del Sorbo<br />

Toronto International Film festival<br />

CONCRETE NIGHT<br />

BETONIYÖ<br />

Stunning to look at and chilling at its core, Concrete<br />

Night is a tale of innocence lost. Made by a Finnish<br />

director, Pirjo Honkasalo, at work since the 60s, it<br />

could easily be mistaken for the debut of an edgy but<br />

emotionally restrained new talent.<br />

Johannes Brotherus plays Simo, a fresh-faced teen<br />

whose eyes haven’t yet been hardened by the tough<br />

environment he inhabits. Raised by a single and<br />

unreliable-seeming mother (Anneli Karppinen), he<br />

and brother Ilkka (Jari Virman) are hiding out in their<br />

Helsinki flat. Ilkka’s going to jail on Monday and mum<br />

wants Simo to keep him company while she goes out<br />

on the town. Over the course of the evening the two<br />

go out for drinks, split up, and have encounters with<br />

half-strangers that go badly for both young men.<br />

Sat 15 Feb / Cineworld 8 / 5.30pm / 96 minutes<br />

Director: Pirjo Honkasalo 2013 Denmark/Finland/Sweden<br />

Writers: Pirjo Honkasalo, Pirkko Saisio<br />

Cast: Johannes Brotherus, Jari Virman, Juhan Ulfsak<br />

Peter Flinckenberg’s black-and-white photography is<br />

as dramatic as the script is restrained, full of creeping<br />

shadows and cracked glass. When the story finally<br />

enters daylight hours, after a night of impulsive bad<br />

decisions, Helsinki is so thick with hazy steam it might<br />

as well be underwater.<br />

John DeFore<br />

The Hollywood Reporter<br />

36 BOOK ONLINE AT JDIFF.COM

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