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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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FRIDAY 14TH FEBRUARY<br />

<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

MOTHER OF GEORGE<br />

This visually sumptuous drama finds a young<br />

Nigerian-American woman struggling to reconcile a<br />

new life and marriage in New York with the traditions<br />

of her homeland.<br />

‘visually splendid’<br />

The New York Times<br />

Fri 14 Feb / Light House 3 / 4.20pm / 106 minutes<br />

Director: Andrew Dosunmu 2013 US<br />

Writer: Darci Picoult<br />

Cast: Danai Gurira, Isaach De Bankolé, Yaya Alafia<br />

THE MILITANT<br />

EL LUGAR DEL HIJO<br />

Acclaimed photographer-turned-director Andrew<br />

Dosunmu’s film opens with a heady rush of the sights<br />

and sounds of a vibrant, traditional Yoruba wedding.<br />

Ayodele (Isaach De Bankolé) and Adenike (The<br />

Walking Dead’s Danai Gurira) are being married, and<br />

only after the ceremony is it apparent that the event<br />

is taking place not in Nigeria, but in Brooklyn. A recent<br />

immigrant, Adenike soon discovers her new life is still<br />

dictated by the ways of her homeland, where wives<br />

are expected to conceive children, specifically boys,<br />

without delay. Months pass and, much to the chagrin<br />

of her domineering mother-in-law, Adenike doesn’t<br />

get pregnant. As the pressure mounts she makes a<br />

desperate decision, one that might save her marriage<br />

or tear it apart.<br />

Mother of George is a remarkable achievement for<br />

Dosunmu. Darci Picoult’s script is rich with detail<br />

and life, beautifully captured in award-winning<br />

cinematographer Bradford Young’s images. Together,<br />

the three have crafted an emotional, immersive<br />

experience that is a marvel from start to end.<br />

Philadelphia Film Festival<br />

Manuel Nieto Zas’ ironically-titled The Militant filters<br />

its reflection on political stagnation through a single,<br />

remarkable central character. The result is a powerful<br />

and thought-provoking film.<br />

The film is set in 2002, when Uruguay was<br />

undergoing strikes and the universities had effectively<br />

closed down. 25-year-old Ariel Cruz, played by<br />

non-professional Felipe Dieste, is called away from<br />

a students’ union meeting to learn that his father has<br />

died. Ariel heads for his home town of Salto for the<br />

funeral. He meets his father’s partner Selva (Rossana<br />

Cabrera), gets involved with the local students’ union,<br />

and finds a little romantic interest with Nadia<br />

(Leonor Courtoisie).<br />

Fri 14 Feb / Light House 3 / 6.30pm / 121 minutes<br />

Writer-director: Manolo Nieto 2013 Uruguay<br />

Cast: Felipe Dieste, Rossana Cabrera, Leonor Courtoisie<br />

Frustrated by the inability of the protesting students<br />

to do anything except go round in verbal circles,<br />

smoke weed and have parties, Ariel joins a hunger<br />

strike by protesting meat packers, which for the first<br />

time exposes him to the sharp end of economic<br />

hardship. It’s a comic, fish-out-of-water setup, but far<br />

more urgent themes are bubbling under the surface<br />

as Ariel ambles in apparent bafflement from one<br />

awkward situation to the next.<br />

Jonathan Holland<br />

The Hollywood Reporter<br />

22 BOOK ONLINE AT JDIFF.COM

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