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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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FRIDAY 14TH FEBRUARY<br />

<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

DELIRIOUS FICTIONS<br />

THE <strong>FILM</strong>S OF WILLIAM KLEIN<br />

William Klein’s career has spanned over 60 years.<br />

After studying painting with Léger in post-war Paris,<br />

he was spotted by American Vogue and returned<br />

to his birthplace, New York, where he established<br />

himself as an influential fashion photographer and<br />

street documentarian. He remains one of the giants<br />

of 20th-century photography.<br />

Klein attributes the opportunity to begin making<br />

films to his association with people like Chris Marker<br />

and Alain Resnais. Since the 1960s he has made<br />

many feature films, documentaries and commercials.<br />

Imaginative, influential, anarchic and controversial, his<br />

subjects cover areas as diverse as Algerian folklore,<br />

Eldridge Cleaver, Muhammad Ali, Little Richard,<br />

Hollywood, The French Open and the French fashion<br />

world. Through his use of critique and satire he<br />

creates an audacious mode that infuses his fictional<br />

films with an expressionistic and unorthodox style<br />

of parody and social burlesque.<br />

James Armstrong<br />

Lecturer in Visual Culture, NCAD<br />

Photos courtesy William Klein<br />

With the support of the French Embassy in Ireland<br />

There will be a public interview with William Klein on<br />

Thurs 20 February after the screening of Who Are You,<br />

Polly Maggoo?, hosted by James Armstrong.<br />

MESSIAH<br />

THE MODEL COUPLE<br />

Fri 14 Feb / IFI 1 / 3.30pm / 135 minutes<br />

Writer-director: William Klein 1999 US<br />

Klein visually interprets Handel’s Messiah – with its tale of Christ’s<br />

birth, crucifixion, and ascension – as performed by numerous<br />

international choruses including the Dallas Police Choir, the<br />

Sugarland Prison Choir, a drug rehab choir in Harlem and the<br />

Lavender Light Gay and Lesbian Interracial Choir.<br />

Klein’s impressionistic visualization takes the viewer (and listener)<br />

all over the world and includes women boxers at the Taj Mahal,<br />

Las Vegas; a Paris Christmas party for the homeless; a Danish<br />

woman in a Bastille tattoo parlour; a graphic lynching in Liberia;<br />

a Spanish production of the crucifixion play and the Ministers of<br />

Muscle preaching the gospel across America.<br />

This is a deeply poetic and disturbing portrait of the<br />

dysfunctional family of man, told through a moving montage<br />

of the sacred and the profane.<br />

Mon 17 Feb / IFI 1 / 6.30pm / 101 minutes<br />

Writer-director: William Klein 1977 US<br />

Cast: André Dussolier, Anémone, Zouc<br />

The third of William Klein’s ‘delirious fictions’ (the others being<br />

Who Are You, Polly Maggoo? and Mr Freedom) prefigures the<br />

reality show. In all three films the television set is a motif through<br />

which the characters watch themselves and are watched and<br />

manipulated by others. The growing presence of celebrity<br />

culture, media surveillance and televisual hyperreality seems to<br />

dominate Klein’s fictional worlds.<br />

In The Model Couple, the French Ministry of the Future chooses<br />

two of the most average men and women to inhabit a prototype<br />

living space for the ideal ‘City of the Future’. Two psychosociologists<br />

subject the couple to various behavioural and<br />

emotional tests that are broadcast to the television audience. As<br />

the audience loses interest, the experiment descends into farce.<br />

18 BOOK ONLINE AT JDIFF.COM

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