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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

SUNDAY 23RD FEBRUARY<br />

THE PRIEST’S CHILDREN<br />

SVEÐENIKOVA DJECA<br />

A condom-piercing Catholic priest takes God’s will<br />

into his own hands in this contraception comedy<br />

from Croatia.<br />

‘An engagingly broad and breezy comedy, The Priest’s Children<br />

is a genuine easy-going filmic pleasure, delightfully performed,<br />

beautifully shot and relishing its sense of playful irony.’<br />

Screen International<br />

Sun 23 Feb / Light House 1 / 5pm / 93 minutes<br />

Director: Vinko Brešan 2013 Croatia/Serbia<br />

Writer: Mate Matišić<br />

Cast: Krešimir Mikić, Nikša Butijer, Marija Škaričić<br />

Fabian, an ambitious young Catholic priest, is sent<br />

to take over from a popular predecessor in a small<br />

Dalmatian island village. On arrival he is shocked<br />

to discover birth rates are surprisingly low. And<br />

the cause? A rampant culture of contraception<br />

amongst the congregation. Soliciting the support of<br />

some key local vendors, Fabian takes to puncturing<br />

prophylactics and switching contraception pills<br />

to put a stop to all this sinful wasting of seed. An<br />

hilarious, madcap comedy ensues as the tiny island<br />

experiences a pregnancy boom.<br />

Set to become Croatia’s highest grossing film ever,<br />

The Priest’s Children is directed by the undisputed<br />

darling of new Croatian cinema, Vinko Brešan. While<br />

the film revels in its own sardonic absurdity and<br />

delightfully executed screwball and slapstick, it is<br />

not without its more cutting critiques, in particular<br />

the church’s opposition to sex education in Croatian<br />

schools. In a year in which we have seen some very<br />

serious cinema around religious themes, this is a<br />

witty, welcome dose of blithe satire.<br />

Canberra International Film Festival<br />

THE ROCKET<br />

BANG FAI<br />

Winner of both the Best First Feature Award at the<br />

Berlinale and Best Narrative Feature at Tribeca,<br />

The Rocket is a heart-warming coming-of-age tale<br />

set entirely in Laos. Kim Mordaunt, who made the<br />

excellent documentary Bomb Harvest, which was<br />

also set in Laos, tells this story with great empathy<br />

and authenticity.<br />

‘An intriguingly subversive drama’<br />

Screen International<br />

Sun 23 Feb / Light House 3 / 5pm / 96 minutes<br />

Writer-director: Kim Mordaunt 2013 Laos/Thailand/Australia<br />

Cast: Sitthiphon Disamoe, Loungnam Kaosainam, Thep Phongam<br />

Winner, Best First Feature, Berlin Film Festival<br />

Winner, Best Narrative Feature, Tribeca Film Festival<br />

Winner, Audience Choice Award, Sydney Film Festival<br />

Ahlo is the surviving twin of a difficult birth and<br />

believed by some to be a source of bad luck. When<br />

the 10-year-old and his family are displaced by<br />

the construction of a dam, further tragedy strikes.<br />

Upon reaching the relocation village, Ahlo befriends<br />

young Kia and her eccentric uncle Purple, but is<br />

still ostracised by the superstitious community, and<br />

even treated with suspicion by his own family. Ahlo<br />

decides that his only hope of redemption is the<br />

Rocket Festival: a riotous, and dangerous, annual<br />

competition where huge bamboo rockets are set off<br />

to provoke the rain gods. Despite being too young to<br />

enter the competition, Ahlo is determined to succeed.<br />

Set amidst a beautiful landscape, and with lovely<br />

performances by the young actors, The Rocket<br />

is a sensitive and uplifting film.<br />

Sydney Film Festival<br />

BOOK ONLINE AT JDIFF.COM 117

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