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JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL

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SATURDAY 15TH FEBRUARY<br />

<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />

EXHIBITION<br />

Joanna Hogg’s Archipelago (JDIFF 2011) was about<br />

a well-to-do English family on a miserable holiday<br />

in the Scilly Isles: her new film shifts its focus to the<br />

capital. Exhibition is set almost entirely between the<br />

walls and windows of a modernist dream house in a<br />

leafy Victorian enclave. Living inside it are a couple<br />

played by two first-time actors: Viv Albertine, a former<br />

guitarist from the punk band The Slits, and the<br />

conceptual artist Liam Gillick.<br />

‘an impressively mature and crafted work’<br />

The Hollywood Reporter<br />

Sat 15 Feb / Light House 1 / 2.15pm / 101 minutes<br />

Writer-director: Joanna Hogg 2013 UK<br />

Cast: Viv Albertine, Liam Gillick, Tom Hiddleston<br />

Their initials are D and H and both are artists who<br />

work from home. But something in their past has<br />

left both of them unquiet. It becomes clear that D is<br />

agoraphobic, and she stands behind the Venetian<br />

blinds in her underwear, toying with the idea of<br />

being observed at her most vulnerable. She is<br />

planning a performance art event, and Albertine<br />

deftly sketches her arc from inhibition to exhibition,<br />

leaving no sliver of her soul unbared.<br />

Hogg’s film is alive with anxiety, with scenes that<br />

rattle your nerves like stones in a tin. This is confident,<br />

uncompromising work, with a ghostliness that plays<br />

on your mind for days, and it cements Hogg’s place<br />

at the forefront of new British cinema.<br />

Robbie Collin<br />

The Telegraph<br />

VISITORS<br />

Famous for the Qatsi trilogy of Koyaanisqatsi,<br />

Powaqqatsi and Naqoyqatsi, names taken from the<br />

Hopi language, director Godfrey Reggio has made<br />

another exquisite visual poem in Visitors, his first film<br />

in over a decade. If the Qatsi trilogy reflected on ideas<br />

of balance, transformation, and war, Visitors asks a<br />

very different question: who and what is a visitor<br />

when we look around ourselves on this planet? Using<br />

this idea as a metaphysical departure for his visual<br />

reverie, Reggio takes us on a unique voyage into the<br />

mysteries and wonders of the universe.<br />

‘another dialogue-free juxtaposition of<br />

visceral imagery, time-lapse photography<br />

and mesmerizing Philip Glass music’ Variety<br />

Sat 15 Feb / Cineworld 8 / 3.30pm / 87 minutes<br />

Director: Godfrey Reggio 2013 US<br />

Shot in dazzling black and white and projected in<br />

highest-resolution 4K, the film proves once again<br />

that Reggio is a visual genius, open to the magic<br />

of experience, masterly at editing his images into<br />

a work that calls upon its audiences to find their<br />

own meaning in the piece. More akin to music<br />

than narrative storytelling, Visitors creates moods<br />

and tones, allowing each of us to explore potential<br />

connections and associations. At times we enter<br />

an almost dreamlike state – notably with Reggio’s<br />

meditation on human hands, as expressive as faces,<br />

interacting with technological tools that have been<br />

removed from the frame. The effect is mesmerizing,<br />

and Philip Glass’s score is a perfect complement.<br />

Piers Handling<br />

Toronto International Film Festival<br />

34 BOOK ONLINE AT JDIFF.COM

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