JAMESON DUBLIN INTERNATIONAL FILM FESTIVAL
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SATURDAY 15TH FEBRUARY<br />
<strong>JAMESON</strong> <strong>DUBLIN</strong> <strong>INTERNATIONAL</strong> <strong>FILM</strong> <strong>FESTIVAL</strong> 2014<br />
EXHIBITION<br />
Joanna Hogg’s Archipelago (JDIFF 2011) was about<br />
a well-to-do English family on a miserable holiday<br />
in the Scilly Isles: her new film shifts its focus to the<br />
capital. Exhibition is set almost entirely between the<br />
walls and windows of a modernist dream house in a<br />
leafy Victorian enclave. Living inside it are a couple<br />
played by two first-time actors: Viv Albertine, a former<br />
guitarist from the punk band The Slits, and the<br />
conceptual artist Liam Gillick.<br />
‘an impressively mature and crafted work’<br />
The Hollywood Reporter<br />
Sat 15 Feb / Light House 1 / 2.15pm / 101 minutes<br />
Writer-director: Joanna Hogg 2013 UK<br />
Cast: Viv Albertine, Liam Gillick, Tom Hiddleston<br />
Their initials are D and H and both are artists who<br />
work from home. But something in their past has<br />
left both of them unquiet. It becomes clear that D is<br />
agoraphobic, and she stands behind the Venetian<br />
blinds in her underwear, toying with the idea of<br />
being observed at her most vulnerable. She is<br />
planning a performance art event, and Albertine<br />
deftly sketches her arc from inhibition to exhibition,<br />
leaving no sliver of her soul unbared.<br />
Hogg’s film is alive with anxiety, with scenes that<br />
rattle your nerves like stones in a tin. This is confident,<br />
uncompromising work, with a ghostliness that plays<br />
on your mind for days, and it cements Hogg’s place<br />
at the forefront of new British cinema.<br />
Robbie Collin<br />
The Telegraph<br />
VISITORS<br />
Famous for the Qatsi trilogy of Koyaanisqatsi,<br />
Powaqqatsi and Naqoyqatsi, names taken from the<br />
Hopi language, director Godfrey Reggio has made<br />
another exquisite visual poem in Visitors, his first film<br />
in over a decade. If the Qatsi trilogy reflected on ideas<br />
of balance, transformation, and war, Visitors asks a<br />
very different question: who and what is a visitor<br />
when we look around ourselves on this planet? Using<br />
this idea as a metaphysical departure for his visual<br />
reverie, Reggio takes us on a unique voyage into the<br />
mysteries and wonders of the universe.<br />
‘another dialogue-free juxtaposition of<br />
visceral imagery, time-lapse photography<br />
and mesmerizing Philip Glass music’ Variety<br />
Sat 15 Feb / Cineworld 8 / 3.30pm / 87 minutes<br />
Director: Godfrey Reggio 2013 US<br />
Shot in dazzling black and white and projected in<br />
highest-resolution 4K, the film proves once again<br />
that Reggio is a visual genius, open to the magic<br />
of experience, masterly at editing his images into<br />
a work that calls upon its audiences to find their<br />
own meaning in the piece. More akin to music<br />
than narrative storytelling, Visitors creates moods<br />
and tones, allowing each of us to explore potential<br />
connections and associations. At times we enter<br />
an almost dreamlike state – notably with Reggio’s<br />
meditation on human hands, as expressive as faces,<br />
interacting with technological tools that have been<br />
removed from the frame. The effect is mesmerizing,<br />
and Philip Glass’s score is a perfect complement.<br />
Piers Handling<br />
Toronto International Film Festival<br />
34 BOOK ONLINE AT JDIFF.COM