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ONE PLACE AFTER ANOTHER - Monoskop

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presumption of community-based art today, which seeks to become ever more inclusive<br />

of this variety at the expense of a rigorous and self-critical examination of<br />

the primary driving force that seems to define the field—the idealized specter of<br />

community. 37<br />

* * *<br />

The ideal of community, according to feminist social theorist Iris Marion Young, is a<br />

dream that “express[es] a desire for selves that are transparent to one another, relationships<br />

of mutual identification, social closeness and comfort.” 38 The strength and<br />

seductiveness of such a dream rests on its promise of a “good society” that can<br />

counter the experiences of alienation and disassociation (and the accompanying<br />

social problems) that characterize life in contemporary urban mass societies. But<br />

for Young the ideal of community is a highly problematic proposition, because it<br />

typically envisions “small, face-to-face, decentralized units” as the preferred scale<br />

of interaction for all social relations, which is impossible in a practical sense in our<br />

postindustrial mass urban societies—fundamentally a nostalgic fantasy of a preurban<br />

existence that is assumed to have been without alienation, mediation, or violence.<br />

More importantly, the ideal of community is untenable to Young because it<br />

“privileges unity over difference, immediacy over mediation, sympathy over recognition<br />

of limits of one’s understanding of others from their point of view.” 39<br />

The ideal of community, in her view, is predicated on an ideal of shared or<br />

fused subjectivities in which each subject’s unified coherence is presumed to be<br />

not only transparent to him/herself but identically transparent to others. 40 Such fantasies<br />

of transparent, unmediated, and transcendent knowing, Young notes, participate<br />

in the “metaphysics of presence” or “logic of identity” (theorized by Theodor<br />

Adorno and Jacques Derrida) that overlooks difference between subjects and<br />

denies difference as a constitutive element in the process of subject formation.<br />

Moreover, “the desire for social wholeness and identification” through mutual<br />

affirmation, closeness, and reciprocity as expressed in the ideal of community obscures<br />

the extent to which it “generates borders, dichotomies, and exclusions.” 41 As<br />

149<br />

THE (UN)SITINGS OF COMMUNITY

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