ONE PLACE AFTER ANOTHER - Monoskop

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Democracy, 80, 107, 116 Democratization, of art, 107, 139 Deterritorialization. See Locational Identity; Nomadism; Placelessness Deutsche, Rosalyn, 2–3, 69, 72–73, 79–80, 170 (n. 3), 183 (n. 26), 206–207 (n. 45) Diggs, Peggy, 60 Dion, Mark, 3, 26–29, 102, 126, 128, 130, 146, 151, 159 The Chicago Urban Ecology Action Group, 127 New York State Bureau of Tropical Conservation, 27 On Tropical Nature, 26, 28 Doss, Erika, 187 (n. 67) Durham, Jimmie, 28 Ericson, Kate (and Mel Ziegler), 102, 108, 120, 122–123, 146, 151, 190 (n. 4), 193–194 (nn. 15, 18), 198–199 (n. 59) Fashion Moda, 188 (n. 75) Finklepearl, Tom, 83–84 Fleming, Martha, 7, 143–145, 148 Foote, Nancy, 66 Foster, Hal, 7, 78, 138–139, 141, 201 (n. 5), 203 (n. 17) Frampton, Kenneth, 8, 156–157, 164, 166 Fraser, Andrea, 3, 28, 50, 159 Museum Highlights: A Gallery Talk, 50 Fuan, Yi-Tu, 158 Functional site (Meyer), 29, 160, 173 (n. 23), 177 (n. 23) General Services Administration (GSA), 12, 57, 67, 72, 80–81, 180 (n. 10) Gómez-Peña, Guillermo, 60 Graw, Isabelle, 47 Green, Renée, 3, 28, 52, 140–141, 150, 159, 177–178 (n. 24) Grennan, Simon (and Christopher Sperandio), 102, 120–123, 146, 151 We Got It!, 121 Group Material, 28, 69, 205 (n. 31) DaZiBaos, 25 Guattari, Félix, 159, 165 Guerrilla Girls, 69 Haacke, Hans, 3, 13–14, 18–19, 24 Condensation Cube, 14, 19 213 INDEX
214 Haha, 102, 130–132, 134, 146, 151 Flood, 131 Hapgood, Susan, 38 Harvey, David, 156 Hawkinson, Laurie (and Henry Smith-Miller), 103 Heartney, Eleanor, 108, 110 Heidegger, Martin, 158 Heizer, Michael, 5 Holt, Nancy, 60 Dark Star Park, 68 House, Richard. See Haha Hunter, Sam, 64 Identity politics, 3, 92, 114–115 “In Public: Seattle 1991,” 103–104 Institutional critique, 13–24 Jacob, Mary Jane, 52–53, 100, 102–103, 107–109, 111, 120–125, 140, 150, 192–193 (n. 15) Jacob, Wendy. See Haha Jameson, Fredric, 8, 161 Jones, Ronald, 104 Judd, Donald, 39, 42 Kardon, Janet, 66, 96 Kelley, Jeff, 108–109 Kelly, Mary, 168 (n. 2) Kester, Grant, 7, 139–148, 203 (nn. 18, 19), 205 (n. 34) Kolbowski, Silvia, 28, 178 (n. 25) Kramer, Jane, 89, 91–92 Kruger, Barbara, 103 Lacy, Suzanne, 60, 82–83, 100, 104–107, 128, 142, 148, 150 Full Circle, 101, 118–120, 148, 150 Lefebvre, Henri, 8, 157, 159 Le Va, Barry, 33 Continuous and Related Activities: Discontinued by the Act of Dropping, 32 Levine, Les, 69 LeWitt, Sol, 174–175 (n. 8) certificate for Wall Drawing no. 150, 42
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MIWON KWON ONE PLACE AFTER ANOTHER
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MIWON KWON ONE PLACE AFTER ANOTHER
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For Umma and Appa
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ACKNOWLEDGMENTS The first incarnati
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ONE PLACE AFTER ANOTHER
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2 become insignificant or innocuous
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4 no discrete separations or neat p
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6 for the consideration of another
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8 In the final chapter, the dissipa
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10 Robert Smithson, Partially Burie
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12 establishing an inextricable, in
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14 itself, falls into the illusion
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Daniel Buren, photo-souvenir: Withi
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from the physical condition of the
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Mierle Laderman Ukeles, Hartford Wa
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Group Material, DaZiBaos, poster pr
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Mark Dion, New York State Bureau of
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tion), a neighborhood or seasonal e
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cal determinants, which are not exa
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� UNHINGING OF SITE SPECIFICITY M
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Richard Serra, Splash Piece: Castin
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adamant their critique of dominant
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42 the point of (re)production. Tha
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Faith Wilding, Womb Room (Crocheted
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now by which the artist comes to ap
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49 UNHINGING OF SITE SPECIFICITY
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Thus, if Richard Serra could once d
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establishment, the exhibition wante
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of various cities a matter of produ
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composition in green, with yards of
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60 decades. Our story will concentr
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62 Isamu Noguchi, Red Cube, Marine
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64 examples of it in public places,
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66 come. 18 Thus, despite the numer
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68 Nancy Holt, Dark Star Park, Ross
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70 < Lobby of the Wiesner Arts and
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specificity, quite explicitly oppos
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such cases it is necessary to work
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78 artistic practice). In fact, the
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80 than promotes the fantasies of p
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82 logue between the artist and his
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84 of the community within which th
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John Ahearn and Rigoberto Torres, c
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In many street casting sessions, he
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Department of General Services who
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homes—the execution may be shoddy
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could not be imagined belonging any
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though the issue cannot be pursued
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larly illuminates the conflicted na
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Suzanne Lacy and A Coalition of Chi
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Sculpture Chicago were shocked to b
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Dealing with some of the most profo
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galleries. They choose instead the
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ound to a geographical region. 33 I
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tend to speak in terms of community
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munity” is repeatedly conjured in
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give voice to underrepresented and
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munity in an exhibition program, as
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seemed to connect them was service
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such specific community groups. 56
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certain community group by the spon
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a local facilitator (Carol Becker o
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Mark Dion and the Chicago Urban Eco
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Daniel J. Martinez, VinZula Kara, a
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Haha and Flood: A Volunteer Network
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Iñigo Manglano-Ovalle and Street-L
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video production studio. With the n
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fact, the uncertainty of identity e
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contemporary lust for authentic his
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quickly that her interest in pursui
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character flaw (lack of initiative,
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nity groups. It is perhaps not surp
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the neighborhood, from the city: th
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presumption of community-based art
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in a particular social issue, such
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zations are pressured today to thin
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This is not necessarily to assert i
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“wrong” place. We are out of pl
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some sociologists prefer). 10 These
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The play begins with Majeski recent
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Page 178 and 179: eactive, cultivating what is presum
Page 180 and 181: Gabriel Orozco, Isla dentro de la i
Page 182 and 183: 7 The term is borrowed from Hal Fos
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Page 188 and 189: mal art colleagues, he used fabrica
Page 190 and 191: 18 See J. I. Gershuny and I. D. Mil
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Page 194 and 195: through a small committee of art ex
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Page 198 and 199: 39 On this point, see Hal Foster,
Page 200 and 201: 61 Ibid. 62 Others not necessarily
Page 202 and 203: tures were painted. Perhaps for thi
Page 204 and 205: 5 The change in exhibition title si
Page 206 and 207: Issues Are Focus of New Public Art
Page 208 and 209: 28 See Jeff Kelley, “Common Work,
Page 210 and 211: Sculpture Chicago staff. One part o
Page 212 and 213: various color choices available for
Page 214 and 215: party are described as “the first
Page 216 and 217: lows: “Often artist and community
Page 218 and 219: 30 Kester, “Aesthetic Evangelists
Page 220 and 221: constitution of the public sphere a
Page 222 and 223: Press, 1997), 7. Much of Lippard’
Page 224 and 225: INDEX Page numbers in italics indic
Page 228 and 229: Lindell, John, 28 Linker, Kate, 66-
Page 230 and 231: Shamash, Diane, 103 Site discursive
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