70904 for PDF 11/05 - Ivory Classics
70904 for PDF 11/05 - Ivory Classics
70904 for PDF 11/05 - Ivory Classics
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Albéniz-Godowsky – this way and that, reflecting<br />
its contours and tints as if through some<br />
revolving prism. . . . Musically speaking he was<br />
one of life’s great adventurers, tirelessly seeking<br />
out novel angles, nooks and crannies, deploying<br />
a heaven-sent cantabile (“Nobody seems to care<br />
about sound any more,” Cherkassky once<br />
lamented) and, at his greatest, complementing<br />
his plethora of ideas with a rich and transcendental<br />
pianism.”<br />
“We were <strong>for</strong>tunate to meet Shura<br />
Cherkassky in 1978 when he per<strong>for</strong>med in<br />
Berkeley, Cali<strong>for</strong>nia,” write producers Marina<br />
and Victor Ledin. “He per<strong>for</strong>med a program of<br />
Schumann, Bartok, Chopin, and Mussorgsky...<br />
and after the concert we went <strong>for</strong> a frozen yogurt<br />
treat.” “He granted us permission in 1982 to<br />
record his San Francisco recital, which was<br />
broadcast on public radio. He remarked to us at<br />
that time that all of the compositions he was<br />
about to play felt fresh to him... Not one to ever<br />
Shura Cherkassky<br />
play any piece of music twice the same way, he<br />
on several occasions told us that these San<br />
Francisco per<strong>for</strong>mances were among his favorite interpretations. For those who were not <strong>for</strong>tunate<br />
enough to have experienced a live Cherkassky concert per<strong>for</strong>mance, we hope that this<br />
recording will prove as musically enriching as it was <strong>for</strong> us.”<br />
Over his long career, Shura Cherkassky recorded <strong>for</strong> London/Decca, Nimbus, Vox,<br />
Deutsche Grammophon, L’Oiseau-Lyre, Reader’s Digest, HMV, Concert Hall Society, Cupol,<br />
Columbia, RCA Victor and Tudor.<br />
– 14 –