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70904 for PDF 11/05 - Ivory Classics

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Albéniz-Godowsky – this way and that, reflecting<br />

its contours and tints as if through some<br />

revolving prism. . . . Musically speaking he was<br />

one of life’s great adventurers, tirelessly seeking<br />

out novel angles, nooks and crannies, deploying<br />

a heaven-sent cantabile (“Nobody seems to care<br />

about sound any more,” Cherkassky once<br />

lamented) and, at his greatest, complementing<br />

his plethora of ideas with a rich and transcendental<br />

pianism.”<br />

“We were <strong>for</strong>tunate to meet Shura<br />

Cherkassky in 1978 when he per<strong>for</strong>med in<br />

Berkeley, Cali<strong>for</strong>nia,” write producers Marina<br />

and Victor Ledin. “He per<strong>for</strong>med a program of<br />

Schumann, Bartok, Chopin, and Mussorgsky...<br />

and after the concert we went <strong>for</strong> a frozen yogurt<br />

treat.” “He granted us permission in 1982 to<br />

record his San Francisco recital, which was<br />

broadcast on public radio. He remarked to us at<br />

that time that all of the compositions he was<br />

about to play felt fresh to him... Not one to ever<br />

Shura Cherkassky<br />

play any piece of music twice the same way, he<br />

on several occasions told us that these San<br />

Francisco per<strong>for</strong>mances were among his favorite interpretations. For those who were not <strong>for</strong>tunate<br />

enough to have experienced a live Cherkassky concert per<strong>for</strong>mance, we hope that this<br />

recording will prove as musically enriching as it was <strong>for</strong> us.”<br />

Over his long career, Shura Cherkassky recorded <strong>for</strong> London/Decca, Nimbus, Vox,<br />

Deutsche Grammophon, L’Oiseau-Lyre, Reader’s Digest, HMV, Concert Hall Society, Cupol,<br />

Columbia, RCA Victor and Tudor.<br />

– 14 –

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