70904 for PDF 11/05 - Ivory Classics
70904 for PDF 11/05 - Ivory Classics
70904 for PDF 11/05 - Ivory Classics
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death, of the great St. Matthew Passion. The<br />
next several years saw the production of many<br />
important works, among which were the first<br />
volume of the Songs Without Words, the<br />
Hebrides Overture, the Italian and<br />
Re<strong>for</strong>mation symphonies and the G minor<br />
Piano Concerto. In 1835, Mendelssohn<br />
became the conductor of the Gewandhaus<br />
Orchestra in Leipzig, and eight years after that<br />
he helped to found the Leipzig Conservatory.<br />
On May 8, 1847 after a grueling concert<br />
schedule in England, taking a rest in Frankfurt<br />
am Main, Mendelssohn was brought word of<br />
his sister Fanny’s untimely death. She had been<br />
rehearsing with a chamber group <strong>for</strong> a per<strong>for</strong>mance<br />
in the family home when she suddenly<br />
lost consciousness and died a few hours later.<br />
This was more than Mendelssohn could bear.<br />
He himself fell to the ground unconscious, a<br />
blood vessel in his head ruptured mirroring the<br />
phantom hemorrhage of his beloved Fanny,<br />
Felix Mendelssohn<br />
sharer of his hopes, and an emotional double of<br />
his inner self. There seemed no joy left in the world <strong>for</strong> Mendelssohn from that point on.<br />
Mendelssohn a young man of thirty-eight died of a paralytic stroke on the fourth of November<br />
1847. He was put to rest in the family vault in Berlin.<br />
Mendelssohn probably composed his little-known Scherzo a Capriccio in F-sharp minor in<br />
1835-36. The piece was not given an opus number, but appeared in a collection called Album<br />
des Pianistes, published in Bonn. This highly charged masterpiece is a blend of vitality and<br />
poignancy. The scherzo is built from the alternation of several contrasting themes or segments,<br />
the first light and staccato, the second more legato and expressive, and a third marked<br />
con fuoco (with fire). This and other neglected piano works by Mendelssohn were always<br />
favorites of Shura Cherkassky, who played them since his childhood.<br />
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