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September 2011 - Jewish Federation of New Mexico

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<strong>September</strong> <strong>2011</strong> A Service <strong>of</strong> the <strong>Jewish</strong> <strong>Federation</strong> <strong>of</strong> <strong>New</strong> <strong>Mexico</strong> The <strong>New</strong> <strong>Mexico</strong> <strong>Jewish</strong> Link 3<br />

Matisyahu Looks to Bridge the <strong>Jewish</strong> Gap<br />

By Sam Sokolove<br />

If you publish a <strong>Jewish</strong> newspaper<br />

and someone asks you to interview<br />

their friend’s son because he’s<br />

doing work that may be “interesting”<br />

to <strong>Jewish</strong> readers, responding with a<br />

noncommittal nod may be the wise<br />

move.<br />

Regardless, thanks to the efforts<br />

<strong>of</strong> Link advertising manager, Anne<br />

Grollman, last month I spent a few<br />

minutes chatting with the young man<br />

Anne knows as Matthew Paul Miller,<br />

a friend’s son who over the last few<br />

years has transformed himself into<br />

Matisyahu, the Hassidic reggae singer<br />

and cultural phenomenon known to<br />

millions for his tireless touring and<br />

electrifying appearances on Late<br />

Night with David Letterman and<br />

Jimmy Kimmel Live.<br />

Since 2004, Matisyahu has<br />

released three studio albums, two<br />

live albums, two remix CDs and two<br />

DVDs <strong>of</strong> live concerts. Named by the<br />

Forward as one <strong>of</strong> the 50 most influential<br />

Jews in the world for “a following<br />

that stretches all the way from Crown<br />

Heights to the pages <strong>of</strong> the ‘beer and<br />

babes’ magazine FHM,” the peyos<br />

By Janet Yagoda Shagam<br />

The faces were familiar. Among<br />

them, I could see a cousin’s nose,<br />

my daughter’s pr<strong>of</strong>ile, an old<br />

friend’s smile and even the rainbow<br />

hat my son wore as a young child.<br />

All <strong>of</strong> these faces – and the hat too,<br />

belong to Russian Jews now living<br />

in Germany.<br />

A Sunday afternoon garden<br />

party at Congregation Bet Shalom,<br />

located in Göttingen, Germany provides<br />

a snapshot <strong>of</strong> the challenges<br />

<strong>of</strong> maintaining a <strong>Jewish</strong> identity in<br />

this small city. Göttingen is home to<br />

Georg-August University. Founded<br />

in 1737, the university boasts <strong>of</strong><br />

having an association with over 45<br />

Nobel Prize winners.<br />

In the 1930s, the university became<br />

the focal point for what the<br />

Nazis called “<strong>Jewish</strong> physics.” As a<br />

result, many <strong>Jewish</strong> scientists such<br />

as Leo Szilard, Edward Teller and<br />

Max Born fled Göttingen for the<br />

United States and other nations.<br />

Those who did not leave in time<br />

were killed.<br />

Today, Göttingen’s small <strong>Jewish</strong><br />

community is helping recent<br />

Russian <strong>Jewish</strong> immigrants adapt to<br />

life in Germany and rekindle <strong>Jewish</strong><br />

traditions. Till Baeckmann, the congregation’s<br />

vice-president, says that<br />

it is <strong>of</strong>ten the little things such as<br />

enjoying Shabbos c<strong>of</strong>fee and cake<br />

together, that make the biggest difference<br />

for these congregants.<br />

The Sunday afternoon garden<br />

party is a well-attended gathering.<br />

It is a time to share food, memories<br />

and sing Yiddish and Hebrew<br />

songs. As a way <strong>of</strong> breaking into this<br />

cohesive group, I announced that<br />

and kippahdonning<br />

singer<br />

has<br />

seen his<br />

pr<strong>of</strong>ile<br />

rise from<br />

curiosity<br />

to a Matisyahu<br />

musician<br />

who has earned the respect <strong>of</strong><br />

rappers like Shyne, Waleed Shabazz<br />

and legendary record producers Bill<br />

Laswell and Sly and Robbie.<br />

My seven-year-old daughter,<br />

however, knows Matisyahu as the<br />

cool guy who beat-boxed “Hava<br />

Nagilah” to Oscar the Grouch’s<br />

Israeli doppelganger, Moishe O<strong>of</strong>nik,<br />

on Shalom Sesame.<br />

Speaking a week before Matisyahu<br />

was scheduled to headline<br />

the Taos Mountain Music Festival,<br />

I asked the s<strong>of</strong>t-spoken, 32-year-old<br />

father <strong>of</strong> three from White Plains,<br />

N.Y. if being labeled a <strong>Jewish</strong> icon<br />

at such a young stage <strong>of</strong> his career<br />

was difficult to handle.<br />

“I guess I don’t think about it in<br />

terms <strong>of</strong> a burden, really,” he demurs.<br />

“It’s a bit <strong>of</strong> an opportunity.”<br />

Asked if he foresees his lyrics,<br />

which are rooted in Torah-true<br />

themes like injustice, self-determination<br />

and spiritual liberation, getting<br />

into more specific areas such as the<br />

Israeli-Palestine conflict and anti-<br />

Semitism, he doesn’t see that happening.<br />

“I’m politicized in the sense<br />

that’s who I am, and if anyone did the<br />

work to check out my beliefs, they<br />

would probably figure it out.”<br />

“It’s not my purpose,” he continues.<br />

“I have a way <strong>of</strong> doing what<br />

I’m doing, and it’s not by attacking<br />

politics head-on. It would be ridiculous<br />

for me to do something like that.<br />

What I’m doing is so much bigger<br />

and more important than that, influencing<br />

or affecting people’s feelings<br />

about Jews and Israel in a way that<br />

actually works.”<br />

He’s less interested in carrying<br />

the banners <strong>of</strong> others or the workings<br />

<strong>of</strong> communal politics than following<br />

his unique charge; he admittedly<br />

has no interest in the contemporary<br />

<strong>Jewish</strong> music scene populated<br />

by performers like Craig Taubman<br />

and Rick Recht, and had nothing to<br />

say regarding the heavily publicized<br />

my father was from Zambrov. A few<br />

women looked up from their dinner<br />

plates and said, “Ah, Polski.” Then<br />

in unison, they continued, “Essen.”<br />

Conversation was difficult, but<br />

nonetheless, there was a wonderful<br />

homey feel to the afternoon.<br />

The Russian Jews aren’t the only<br />

new arrivals in Göttingen. Similar to<br />

the community that prays within its<br />

walls, the synagogue is also a new<br />

émigré. Built in 1825, the synagogue<br />

was located in the nearby<br />

village <strong>of</strong> Bodenfelder. However, in<br />

1937, in an effort to hide the synagogue<br />

from the Nazis, the building<br />

became a barn.<br />

The synagogue located in Göttingen<br />

itself was destroyed during<br />

Kristallnacht on November 8, 1938,<br />

along with so many others.<br />

More than 10 years ago, the Göttingen<br />

<strong>Jewish</strong> community decided<br />

to build a new synagogue to replace<br />

the one the Nazis destroyed. Their<br />

goal was to consecrate the new<br />

building on the 70th anniversary<br />

<strong>of</strong> the Night <strong>of</strong> Broken Glass. After<br />

some discussion, they decided that<br />

giving a new life to the Bodenfelder<br />

barn was a more meaningful solution.<br />

The Synagogue Project began<br />

in 1998. Under the leadership <strong>of</strong><br />

Jacqueline Jürgenliemk, a local psychotherapist,<br />

the group raised funds<br />

to bring the small cross-timbered<br />

building to Göttingen. The farmer<br />

willingly sold the barn for a symbolic<br />

fee <strong>of</strong> a few Euros.<br />

However, dismantling, moving<br />

and reassembling the synagogue<br />

in downtown Göttingen cost more<br />

than 500,000 Euros. To fund the<br />

project, the group received reparation<br />

monies from the German<br />

government as well as donations<br />

from private contributors and the<br />

Evangelical Lutheran and Catholic<br />

churches.<br />

Today, Bet Shalom stands in an<br />

older neighborhood near the center<br />

<strong>of</strong> town. Baeckmann proudly states<br />

the synagogue has a membership<br />

<strong>of</strong> more than 170 families, an itinerant<br />

rabbi, weekly congregationrun<br />

services and an active Chevra<br />

Kadisha.<br />

However, as the majority <strong>of</strong><br />

members are elderly Russians, he<br />

is worried about the congregation’s<br />

future. While Baeckmann hopes the<br />

establishment <strong>of</strong> a religious school<br />

will attract younger families, he bemoans<br />

that the lack <strong>of</strong> a local source<br />

demise <strong>of</strong> his first label, the <strong>Jewish</strong><br />

media start-up J-Dub. Rather, his<br />

interests are focused on a scene that<br />

he largely created single-handedly.<br />

For some academics, Matisyahu<br />

has come to personify the comfort<br />

and openness young American Jews<br />

feel in expressing their <strong>Jewish</strong>ness in<br />

all sectors <strong>of</strong> their life, something that<br />

would have been unimaginable even<br />

two decades ago.<br />

Asked whether he thought <strong>Jewish</strong><br />

denominations actually mattered in<br />

the open and fluid world <strong>of</strong> American<br />

Jewry, he responds, “There’s a<br />

pretty big difference between Reform<br />

and Orthodox Judaism philosophically,<br />

so there I would say yes. In the<br />

old days, within Orthodoxy you were<br />

either one or the other, a Maggid<br />

or a Hassid, and they were pretty<br />

opposed to each other. I don’t think<br />

that really exists so much today, (that)<br />

the denominations within Orthodoxy<br />

are as clear cut. I think there’s more<br />

a scope <strong>of</strong> influence.”<br />

“I personally don’t feel it’s really<br />

necessary,” he elaborates. “I’m<br />

not opposed to it either, if it makes<br />

people really identify strongly with<br />

one group, I don’t see why that’s a<br />

Lost and Found: A Trip to Gottingen<br />

Singing Yiddish and Hebrew songs at a summer garden party for members<br />

<strong>of</strong> Bet Shalom in Gottingen, Germany. Photo courtesy <strong>of</strong> Janet Yagoda<br />

Shagam.<br />

<strong>of</strong> kosher meat makes him and other<br />

congregants de facto vegetarians.<br />

For me, the Bet Shalom synagogue<br />

takes on considerable personal<br />

meaning. For the past eight<br />

years, I have taught a writing workshop<br />

at the Max Planck Institute,<br />

which shares a close association<br />

with Georg-August University. I appreciate<br />

my affiliation with these<br />

prestigious institutions and enjoy<br />

working with their enthusiastic students.<br />

However, I have <strong>of</strong>ten wondered,<br />

“Why me and why here?”<br />

Now, knowing that people who<br />

could be part <strong>of</strong> my family have<br />

found a safe and welcoming home<br />

in this city gives a deeper context to<br />

my journey.<br />

problem. But I did notice a tendency<br />

in general -- not just in Judaism, but in<br />

life -- to identify solely with one thing,<br />

to box yourself into one specific way<br />

a life. For me personally, I don’t see<br />

that as a good thing.”<br />

As for the impression that his<br />

music was being welcomed by<br />

Jews across the spectrum <strong>of</strong> observance<br />

and identification, Matisyahu<br />

expresses his belief that, “The gap is<br />

becoming closer.”<br />

“Especially in Israel, there are a<br />

lot <strong>of</strong> artists, performers that were<br />

very secular that recently became<br />

ba’al teshuvah he says, citing Israeli<br />

orthodox Jazz saxophonist Daniel<br />

Zamir as an example. “There are<br />

a lot <strong>of</strong> people out there who are<br />

showing that the gap is not so<br />

drastic, that you can be religious<br />

and an artist or musician and show<br />

how religion and art in general are<br />

not at odds with each other. You are<br />

starting to see a lot more acceptance<br />

from the secular community towards<br />

religion.”<br />

Matisyahu concedes that he has<br />

played a role in this shift. “But I don’t<br />

need to hear it,” he insists. “That’s<br />

what I am. That’s who I am.”<br />

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