Donna Saslove And Simon Lugassy - JO LEE Magazine
Donna Saslove And Simon Lugassy - JO LEE Magazine
Donna Saslove And Simon Lugassy - JO LEE Magazine
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
THE MARVELOUS MAVERICK<br />
Economy, New Values <strong>And</strong> Recovery<br />
By H. Gail Regan<br />
Toronto – Canada<br />
My Canadian business depends on<br />
a prosperous Canada and Canada<br />
is economically dependent on<br />
the larger, more productive, more<br />
creative economy of the United<br />
States. While Canada seems to be<br />
finding its feet after the recession,<br />
I have been worrying about the<br />
stability of the U.S. recovery.<br />
Coincidentally, my nephew gave me<br />
Season 1 of the T.V. show Mad Men.<br />
I did not identify with the characters<br />
at first, but once Betts Draper shot at<br />
some pigeons, once she demonstrated<br />
that she could feel her anger and<br />
fight back, I was hooked. When I<br />
realized that underneath its tawdry<br />
frivolity the show communicates a<br />
significant message, I read the book<br />
Mad Men and Philosophy to find out<br />
how scholars understand its moral<br />
drama.<br />
Although the show illustrates modern<br />
philosophy by quoting Ayn Rand<br />
and enacting the thought of Friedrich<br />
Nietzsche, the authors of the book<br />
find the Mad Men characters shallow.<br />
They see them as failed existentialists<br />
rather than as the suffering front<br />
wave of the new economy and<br />
contemporary society. Their view<br />
misses the depth of this brilliant<br />
work.<br />
What did advertising achieve back in<br />
1959, the time period when the show<br />
is set? It took ordinary products<br />
and made them icons, enabling<br />
corporations to create scale and<br />
international presence. Advertising<br />
made an essential contribution<br />
to today’s globalised, creatively<br />
destructive, competitive, designbased,<br />
technologically innovative<br />
economy.<br />
In 1959, the American economy<br />
was closed, industrial and military,<br />
supported by traditional institutions<br />
such as schools, churches and<br />
communities organized by stayat-home<br />
Moms. Institutions and<br />
economy could be rigid, but both<br />
were re-assuring and anchoring.<br />
In today’s post-industrial economy,<br />
where rapid change is necessary to<br />
add value, attachment to employer,<br />
neighborhood, family, even one’s own<br />
identity, can be dysfunctional. The<br />
new milieu is exciting and lonely,<br />
conflicted, low in trust. The shift is<br />
frightening and the men and women<br />
of Mad Men human. The smoky,<br />
boozy, adulterous haze they inhabited<br />
was their ticket for the journey out<br />
of patriarchy into the new world<br />
of existential responsibility and<br />
aloneness. Despite their personal<br />
failings, they made this milieu<br />
mainstream.<br />
The more health-conscious, childtolerant<br />
culture we live in to-day is<br />
still their world. Institutions such as<br />
media, shopping, travel and religious<br />
sects support this world, but do not<br />
provide the steadiness that traditional<br />
institutions used to furnish.<br />
Providing financial stability to a<br />
dynamic economy with modern<br />
values and institutions is no easy task.<br />
I think I am going to worry for a<br />
long time.<br />
JL<br />
Jo Lee Power 2011 15