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The romantic East: Burma, Assam, & Kashmir - Khamkoo

The romantic East: Burma, Assam, & Kashmir - Khamkoo

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42 THE ROMANTIC EAST<br />

carriage just before reaching and just after passing<br />

Pegu station, are being shut off by a building, with<br />

steel lattice pillars,<br />

under construction to protect it<br />

from the elements.<br />

Its direction from Pegu station<br />

is between a conical pagoda near at hand, and<br />

the square Mahazedi farther off to the west.<br />

<strong>The</strong><br />

Kyaikpun pagoda with the great seated figures,<br />

90 feet high, of the Four Buddhas, lies to the south,<br />

and beyond<br />

it the Shwe-ku-gyi pagoda.<br />

In Pegu we saw many <strong>Burma</strong>ns wearing only a<br />

loin cloth, and had our first opportunity of studying<br />

at close quarters the designs with which their<br />

bodies were tattooed, some few from neck to instep,<br />

but most of them from the waist to the calf of the<br />

leg.<br />

<strong>The</strong>re is a curious story, told by Sangermano<br />

but denied by Symes, in relation to the origin of<br />

the universal Burmese custom of tattooing the<br />

body, which ascribes this custom to the wise king<br />

who commanded the young men to be tattooed, and<br />

the young women to wear their lungyis<br />

so as to<br />

expose one thigh, as they are still sometimes worn in<br />

Mandalay. <strong>The</strong> object was to encourage marriages<br />

and increase the declining birth-rate. <strong>The</strong> Karen<br />

women who live in the Pegu district, and come

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