21.03.2014 Views

from inspiration to installation

Perhaps it’s an ability to be open, yet closed, at once. To reflect light directlyand indirectly, brilliantly and diffusely,together. To be rigid or flexible. Or, tobe geometrically simplistic at a distance, yet vexingly complex up close. Perhaps,it’s all of these unique characteristicsat work.Whatever the reason, what’s undeniableis woven metal fabric’s uncanny knackfor inspiring creative minds.Which is precisely where CambridgeArchitectural comes in: to ensure that architects and designers have the knowledge, products, systems,and support to transform visionary designs of today into lastingarchitectural realities of tomorrow.Welcome to CambridgeArchitectural.

Perhaps it’s an ability to be open, yet closed, at once. To reflect light directlyand indirectly, brilliantly and diffusely,together. To be rigid or flexible. Or, tobe geometrically simplistic at a distance, yet vexingly complex up close. Perhaps,it’s all of these unique characteristicsat work.Whatever the reason, what’s undeniableis woven metal fabric’s uncanny knackfor inspiring creative minds.Which is precisely where CambridgeArchitectural comes in: to ensure that architects and designers have the knowledge, products, systems,and support to transform visionary designs of today into lastingarchitectural realities of tomorrow.Welcome to CambridgeArchitectural.

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536' - 0 5/16"<br />

17<br />

TOP OF HSS 3<br />

531' - 4 3/16"<br />

CAMBRIDGE CONSULTATION<br />

The Cambridge project team knew<br />

exactly how <strong>to</strong> take the first step in<br />

bringing JCDA’s ideas <strong>to</strong> life, providing all<br />

the <strong>to</strong>ols needed for proper architectural<br />

design review and presentation; including<br />

samples, education on available mesh and<br />

attachment system options and budgetary<br />

cost estimates. Through this process, JCDA<br />

was able <strong>to</strong> determine that Cambridge’s<br />

Mid-Balance and Pellican mesh patterns<br />

were ideally suited <strong>to</strong> achieve the aesthetic<br />

and light filtering objectives of Light Veil.<br />

M1 P1 M2 M1 P1<br />

M2<br />

16<br />

14<br />

TOP OF HSS 2<br />

510' - 5 13/16"<br />

TOP OF SUPPORT 2<br />

509' - 5 1/16"<br />

MIDBALANCE<br />

MESH SPLICE<br />

AREA (TYP)<br />

MIDBALANCE A PANELS.<br />

APPROXIMATELY<br />

360.00" MESH LENGTH<br />

ABOVE SPLICE AREA<br />

MIDBALANCE B PANELS.<br />

APPROXIMATELY<br />

233.25" MESH LENGTH<br />

BELOW SPLICE AREA<br />

Cambridge worked closely with James<br />

Carpenter Design Associates <strong>to</strong> explore the<br />

most appropriate metal mesh patterns and<br />

attachment hardware systems that would<br />

best achieve the firm’s vision.<br />

“We used two different scales of mesh,<br />

which became a design <strong>to</strong>ol,” says<br />

McClellan. “We placed long ribbons of<br />

smaller scale stainless mesh <strong>from</strong> the <strong>to</strong>p<br />

of the structure all the way down <strong>to</strong> the<br />

bot<strong>to</strong>m. Then, on the upper portion of the<br />

structure, we used the larger scale stainless<br />

mesh that reflects much more sunlight.<br />

When we overlap the two, you get a sense<br />

of depth between the two patterns. And<br />

even though the larger weave is behind<br />

the smaller, as it reflects so much more<br />

sunshine, it transforms the surface in<strong>to</strong><br />

a diaphanous veil.”<br />

There’s a certain ‘aha’<br />

moment in every project<br />

when a consultation<br />

transforms a design in<strong>to</strong> a<br />

cus<strong>to</strong>mized application.<br />

In my<br />

14<br />

12 years at Cambridge,<br />

I’ve watched our team create<br />

countless solutions that<br />

flawlessly execute the<br />

8<br />

architect’s vision.<br />

Ann Smith, Manager,<br />

Architectural<br />

4<br />

Business<br />

Development<br />

14<br />

8<br />

12<br />

TOP OF HSS<br />

487' - 6 1/2"

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