31.03.2014 Views

NMPA_International_Survey_12th_Edition

NMPA_International_Survey_12th_Edition

NMPA_International_Survey_12th_Edition

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Categorization of Music<br />

Publishing Revenues<br />

APPENDIX<br />

A<br />

PERFORMANCE-BASED INCOME<br />

Performance-based royalties consist mainly of those<br />

paid for the broadcast and public performance of copyrighted<br />

music, within a responding territory, regardless<br />

of the origin of the repertoire being performed. These<br />

royalties are principally collected by the major performing<br />

rights societies: ASCAP,BMI and SESAC in the<br />

U.S.,for example; SACEM in France, BUMA in Holland,<br />

and PRS in the U.K.<br />

RADIO<br />

In the U.S., performance societies use a system of<br />

“sampled” survey recordings or logs detailing what has<br />

been played at a local station during a defined period<br />

and/or statistical sampling, to create payment models<br />

for their member affiliates. Typically, the stations are<br />

authorized to use copyrighted musical compositions<br />

under blanket licensing agreements with the collective<br />

administrative societies.<br />

RATES<br />

Royalty fees are calculated as a percentage of a station’s<br />

annual advertising revenues, and distributed by a<br />

weighting process, as described earlier.<br />

TELEVISION<br />

Television stations generally keep logs,or cue sheets,<br />

detailing the use and playtime of every musical composition<br />

aired.These cue sheets are forwarded to the collecting<br />

societies, which calculate payments according<br />

to usage and broadcast range (local or network).<br />

RATES<br />

Like their radio counterparts, television broadcasts<br />

are covered typically by blanket licensing agreements<br />

between the copyright owners and the stations. The<br />

blanket fee is typically calculated as a modest percentage<br />

of the stations’ annual gross advertising revenues.<br />

CABLE/SATELLITE TRANSMISSIONS<br />

Cable and satellite TV transmissions are also<br />

licensed by the major performing rights societies,much<br />

the same way that broadcast TV is licensed. Rates are<br />

usually determined by size of the audience (transmission<br />

range) and usage.<br />

LIVE PERFORMANCE AND RECORDED<br />

This category refers to recorded or live music played<br />

in a public place: nightclubs,bars,hotels,arenas,amusement<br />

parks, theaters, health clubs, etc.<br />

RATES<br />

Typically,royalty fees are set according to the type of<br />

venue and whether the performance is of live or recorded<br />

music; a wide number of other variables also help determine<br />

fees. For example, for a nightclub, live performance<br />

royalties can be determined by the club’s annual live<br />

entertainment costs, while in some countries, performing<br />

rights societies collect performance fees from theater<br />

exhibitors based on a percentage of box office receipts.<br />

<strong>NMPA</strong> INTERNATIONAL SURVEY TWELTH EDITION APPENDIX A: CATEGORIZATION OF MUSIC PUBLISHING REVENUES<br />

39

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!