NMPA_International_Survey_12th_Edition

Recommendations

Info

APPENDIX C <strong>NMPA</strong> INTERNATIONAL SURVEY TWELTH EDITION APPENDIX C: U.K., JAPAN, GERMANY, FRANCE, CANADA, ITALY AND SPAIN UPDATES to eliminate the sixty-four-year-old compulsory license from Canada’s copyright laws in 1988, and has since negotiated with the record industry to strengthen its publishers’ rights and greatly increase mechanical and synchronization licensing revenue. CMRRA is funded by commission on the proceeds of its licensing. Membership is open to any music publisher or copyright owner with respect to the Canadian use of the reproduction right in its music. CMRRA is a subsidiary of CMPA, and the shares in CMRRA are held in trust for the members of CMPA by a trustee. CMRRA’s Board of Directors is elected every two years by CMPA members, with active CMPA members’ votes receiving four times the weight of associate members’ votes. CMRRA’s address, telephone and fax are the same as that of the CMPA.The organization’s website is www.cmrra.ca. 56 Wellesley St. W. #320 Toronto, Ontario CANADA M5S 2S3 Tel: 416-926-1966 Fax: 416-926-7521 Society of Composers, Authors and Music Publishers of Canada/Société canadienne des auteurs, compositeurs et éditeurs de musique (SOCAN) OFFICERS: CEO: André LeBel President: Gilles Valiquette SOCAN is a performing rights society representing Canadian composers, lyricists, songwriters and music publishers. It licenses the public performance and communication of the world’s repertoire of copyright musical works in Canada. Royalties collected are distributed to members and international affiliated societies. It also distributes the royalties received from affiliated international societies for the public performance of Canadian musical works around the world. SOCAN was formed in 1990 when two previous Canadian performing rights societies—Composers, Authors and Publishers Association of Canada (CAPAC) and the Performing Rights Organization of Canada (PROCAN), merged their operations to form a single entity. Prior to 1990 both CAPAC and PROCAN had separate offices in Vancouver and Montreal.These were merged into new SOCAN locations in 1990. Offices are also located in Edmonton, Alberta and Dartmouth, Nova Scotia. In March1991, the Toronto staff moved into the new Head Office in Don Mills,Ontario. The society is governed by a board whose eighteen members— nine composers/lyricists/songwriters and nine music publishers— are elected every three years. SOCAN sponsors annual awards presentations for English and French language Canadian composers, lyricists, songwriters and music publishers and also offers seminars and workshops across the country. The SOCAN Foundation sponsors the Gordon F. Henderson/SOCAN Copyright Competition, designed to encourage Canadian law students to study copyright law as it affects music, both in a national and international context. The Society also sponsors the SOCAN Awards for Young Composers,open to Canadian classical music composers under thirty years of age. SOCAN publishes a bi-monthly magazine, Words & Music/Paroles & Musique. SOCAN 41 Valleybrook Dr Toronto, Ontario M3B 2S6 Tel: 416-445-8700, 1-800-55 SOCAN Fax: 416-445-7108 Website: www.socan.ca 54
APPENDIX C Societe du Droit de Reproduction des Auteurs, Compositeurs et Editeurs au Canada (SODRAC) OFFICERS: Chairman: Paul Baillargeon General Manager: Alain Lauzon SODRAC collects reproduction rights for authors, composers and music publishers. In addition to issuing mechanical licenses for recordings, SODRAC also negotiates collective and individual licenses with different users of musical works. SODRAC grants a blanket license for broadcast mechanicals in return for a lump-sum payment it then redistributes to its members. Individual licenses are granted for the use of a work in films and television after consultation with the rights holders. SODRAC also administers the right of remuneration for eligible authors for private copying. SODRAC was founded in 1985 by SPACQ (Société professionnelle des auteurs et des compositeurs du Québec), PROCAN (Performing Rights Organisation of Canada) and the French collective society SACEM (Société des auteurs, compositeurs et éditeurs de musique). Over 4,000 Canadian members and the repertoire of sixty-five countries are represented by SODRAC. SODRAC is a member of CISAC and BIEM. SODRAC 759 Victoria Square Suite 420 Montréal, Québec H2Y 2J7 Tel: 514-845-3268 Fax: 514-845-3401 Website: www.sodrac.com E-mail: sodrac@sodrac.com Canadian Recording Industry Association (CRIA) OFFICERS: President: Brian Robertson CRIA is a non-profit trade organization founded in 1964 to represent the interests of Canadian companies that create, manufacture and market sound recordings. Membership is comprised of the major record companies, leading independent labels, and all manufacturers of compact discs and tapes. Together they represent over 95% of the sound recordings manufactured and sold in Canada. CRIA is governed by a Board of Directors elected annually by the membership from among the chief executive officers of member companies. The Board establishes policies and elects the officers of the Association. A number of CRIA's activities are administered by committees, comprised of specialists drawn from member companies,with outside specialists consulted where warranted. These committees include anti-piracy; manufacturing; marketing;copyright;retailer liaison; statistics; and e-commerce/Internet. CRIA 890 Yonge Street, Ste 1200 Toronto, ON M4W 3P4 Tel: 416-967-7272 Fax: 416-967-9415 Website: www.cria.ca E-mail: info@cria.ca Songwriters Association of Canada (SAC) OFFICERS: President: Stan Meissner Vice Presidents: Rik Emmett, Blair Packham Established in 1983, the Songwriters Association of Canada (S.A.C.) is the only Canadian national arts service organization representing both professional and aspiring songwriters. The group’s mission is to protect and develop the creative and business environments for songwriters both within Canada and around the world. The S.A.C. is led by active professional and amateur songwriters, with an aim toward providing a unified voice in addressing concerns over copyright legislation and other rulings that affect the work of creators. To its members, the S.A.C. offers the country’s most thorough song registry service, The Song Depository; numerous showcases and educational workshops and services; and a quarterly publication, Songwriters Magazine. S.A.C. 31 Madison Avenue, Suite 202 Toronto, Ontario CANADA M5R 2S2 Tel: (416) 961-1588; (800) 215-4814 Fax: (416) 961-2040 Website: www.songwriters.ca E-mail: sac@songwriters.ca <strong>NMPA</strong> INTERNATIONAL SURVEY TWELTH EDITION APPENDIX C: U.K., JAPAN, GERMANY, FRANCE, CANADA, ITALY AND SPAIN UPDATES 55
Page 1:
12th e d i t i o n NATIONAL MUSIC P
Page 4 and 5:
Preface The National Music Publishe
Page 6 and 7: Executive Summary This is the NMPA
Page 8 and 9: Following a solid 14% growth in rev
Page 10 and 11: Table 6 Master Survey Data 2001 INT
Page 12 and 13: Table 7 Flat Exchange Rates 2001 IN
Page 14 and 15: Chart 4 22 Other Countries Ireland
Page 16 and 17: REPRODUCTION-BASED INCOME In 2001,
Page 18 and 19: NMPA INTERNATIONAL SURVEY TWELTH ED
Page 20 and 21: International Year in Review:2002 C
Page 26 and 27: LATIN AMERICA NMPA INTERNATIONAL SU
Page 42 and 43: APPENDIX A NMPA INTERNATIONAL SURVE
Page 44 and 45: APPENDIX B International Involvemen
Page 46 and 47: APPENDIX C U.K., JAPAN, GERMANY, FR
Page 48 and 49: APPENDIX C NMPA INTERNATIONAL SURVE
Page 50 and 51: APPENDIX C The Main Organizations o
Page 52 and 53: APPENDIX C The Main Organizations o
Page 54 and 55: APPENDIX C NMPA INTERNATIONAL SURVE
Page 58 and 59: APPENDIX C ITALY UPDATE NMPA INTERN
Page 60 and 61: APPENDIX C SPAIN UPDATE NMPA INTERN
Page 62 and 63: APPENDIX D GLOSSARY OF TERMS INTERN
Page 64 and 65: NMPA: A Brief History As technology
Page 66: n m pa NATIONAL MUSIC PUBLISHERS’
show all

NMPA_International_Survey_12th_Edition

Create successful ePaper yourself

Delete template?

Save as template?