WJEC ENGLISH LITERATURE
WJEC ENGLISH LITERATURE
WJEC ENGLISH LITERATURE
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Principal Moderator’s Comments<br />
Creative Writing Response: The Last Tube Train<br />
AO1 The creative response is generally accurate and clear. It follows a drunken Polish<br />
immigrant attempting to find the correct platform in order to catch the last tube train of the<br />
evening only to be accosted by a gang of youths by whom he is badly beaten and left. The<br />
use of description creates some sense of character and his situation through phrases such<br />
as ‘sluggishly drunk’ and the use of setting, the station ‘seemed like a labyrinth’. The use of<br />
language creates fairly convincingly Jan’s ‘lostness’ in the early part of the story. Moreover,<br />
a sense of waste and disappointment is revealed through the use of backstory and the<br />
innocence of the protagonist. Much of the piece is rather clichéd, such as the xenophobic<br />
boss, the gang in their ‘sinister black hoods’ and the way that they lean in a ‘nonchalant yet<br />
menacing way’. The backstory of Jan’s hopes could have been implied rather than<br />
explained. It is a shaped response and clearly structured without being particularly ambitious<br />
while some of the areas discussed in the commentary aren’t clear enough for the reader, as<br />
with the jazz music for example. This seems a rather strained attempt to use the stimulus<br />
text. Generally, however, it is an appropriate creative response to ‘The Great Gatsby’. There<br />
could have been some change of pace and tension created with the threat of the youths as<br />
the narrative tends to meander on to the end of the story. Band 3 13/20<br />
Commentary<br />
AO2 The candidate is clearly aware of how language creates meaning and has some<br />
detailed discussion of this aspect in the third paragraph of the commentary. At times, too<br />
much is intended by some of the choices the writer has made, particularly in the use of the<br />
stimulus. The idea of the ‘swimming mind’ doesn’t seem to tie very clearly to the fact that Jan<br />
is floating through life. However, the consideration of ‘sluggishly’, ‘blurring’and ‘slow’ is clear<br />
and effective along with the use of the word ‘labyrinth’ to create the sense of being lost.<br />
There is some sense of form and structure through the use of flashback in order to create<br />
character and theme and the attempt to lead the reader towards a sense of pity for Jan.<br />
There is also a sense of how setting can be used in order to create meaning. The focus is<br />
clearly on the student’s own writing but the space given to the stimulus text is unfortunately<br />
foregrounded in the second paragraph. This commentary has a clear grasp of the writer’s<br />
use of language, some sense of structure and form and how they create meaning. Band 3<br />
AO4 There are some appropriate links between text and contexts and a good understanding<br />
of the significance of contextual factors. The stimulus text is used thoughtfully here with the<br />
use of the difference between reality and dreams and the use of the flashback. The context<br />
of the setting is also deliberately constructed to symbolise the character’s own life while the<br />
awareness of the flip side of twenties America is interesting as is the idea of prosperity and<br />
poverty. There does seem to be here though a rather tenuous link with the stimulus as the<br />
candidate seems more interested in some of the ideas not presented in the ‘The Great<br />
Gatsby’ so that the use of the stimulus, at times, seems to be an ‘add-on’. This is<br />
emphasised in the ‘intolerance towards foreigners in 1920’s America’ which is a<br />
questionable use of context. However, there is a clear sense of their own context in the use<br />
of immigrant workers and the gang of youths along with the context of the stimulus text<br />
through the roaring twenties and the jazz music. Band 3<br />
Mark for commentary 14/20<br />
Final Mark 27/40 Band 3<br />
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