Ketron SD1: a new wonderful musical adventure is about to begin ...

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F4/F9 Amount: This controls the signal entity to be sent to the multi-effect and, in particular, to the pre-selected algorithm, that can be modified using the VALUE +/- buttons which, if pressed together at the same time, will set the value to zero. F5/F10 Delay and Chorus: These control the signal entity to be sent to the delay or the chorus, when an appropriate algorithm has been selected. Compared to all seen up to here, the parameters within the horizontal lines are only called up using the function push button F5/F10, as there is no function push button available for the last line. PAGE 3 From this page the musician can make some adjustments that are required to limit the keyboard range and the velocity for a Voice. It is thus possible to avail of a number of timbres in different parts of the Right section (split) and to call up the timbre based on the key dynamics (velocity switch). F1/F6 Voice: This indicates the timbre used for the Voice selected. To change it refer to all explained for page 1. F2/F7 Range: For each Voice it is possible to indicate the lower and higher limit of the keyboard within which the timbre will be played, simply by playing the relative note on the keyboard when selecting the value or by using the VALUE +/- push buttons which, if pressed together at the same time, will reset the value, setting it in Off. When this parameter is in Off the Voice will play on the whole part of keyboard to the right of the split point. To be able to play the Voice also on the part of keyboard to the left of the split point, the adequate keyboard range is to be set. F3/F8 Velocity Switch: This is used to enable the velocity switch mode, namely the use of the timbre according to the key dynamics, that can be modified using the VALUE +/- push buttons. The operating modes may be: Normal: The timbre is always enabled whatever the velocity value set. Low: The Voice is enabled only for velocity values ranging from 0 to the velocity value specified in F10 Threshold with the VALUE +/- push buttons. High: The Voice will only play for velocity values that range from the velocity value specified in F10 Threshold to value 127 (maximum dynamics). Cross: This can be enabled only for the first two Voices and it enables a gradual switching from one Voice to the other according to the dynamics, where the central point of this switching is set by the F10 Threshold value. F4/F9 Sustain - Portamento -Expression: this is used to enable, or otherwise, the use of the Sustain, the Portamento and the Expression. The three lines of parameters can only be accessed using the function push buttons F4/F9. F5 Modes: Off: Duet: Trio: Steel: Morph: This is used to choose the polyphony response to the keyboard mode, to create interesting combinations between the timbres. This means that no alternative polyphony response is enabled. The first Voice Program will have priority as the highest note, the second Voice will have priority as the lowest note. For example, if the first Voice is a clarinet and the second Voice a trumpet, when the two notes are played the clarinet will always play the highest note whereas the trumpet will always play the lowest note. As for Duet but with the third Voice that will always play the lowest note. This is used to assign the pitch bend only to the lowest note between two notes played at the same time, realistically simulating the typical Hawaiian guitar or pedal steel guitar effect. Using the Modulation Wheel it is possible to control the mix between the two timbres assigned to Voice 1 and 2. When the Modulation Wheel is set at minimum only the first Voice will be heard; when it is at maximum only the second Voice will be heard. In this way it is possible to obtain a morphing between the two Voices in real time and controlled by the musician. 30 SD1 Owner’s Manual
SAVING AND LOADING A PROGRAM Once a Program has been modified or programmed, it must be saved in the memory or on disk. PROCEED AS FOLLOWS TO SAVE A SINGLE PROGRAM IN THE RAM ● ● ● ● Select the program to be saved. Access the Edit Program environment by pressing the function push button relative to the Program selected once again or from the main page of the display by pressing F8 Edit Program. Press SAVE/ENTER. The page that appears will show the destination memory location with the name of the Program saved that can be modified using the function push buttons F2 >> and F3
Page 1: INDEX PAGE Ketron SD1: a new wonder
Page 4 and 5: ● The possibility to immediately
Page 6 and 7: FURTHER ELEMENTS OF THE SD1 HARD DI
Page 8 and 9: SINGLE RAM STYLE When the LED is li
Page 10 and 11: ● ● ● If the LED of the PROGR
Page 12 and 13: A, B, C, D Each of these push butto
Page 14 and 15: THE F1-F10 FUNCTION PUSH BUTTONS Th
Page 16 and 17: Generally speaking there is no need
Page 18 and 19: HOW TO SELECT A STYLE There are twe
Page 20 and 21: HOW TO USE THE VOICES To the right
Page 22 and 23: menu and by selecting F2 ACCORD. Wh
Page 24 and 25: Voice press the 2ND VOICE push butt
Page 26 and 27: same time with After touch and Modu
Page 28 and 29: Programs and One Touch PROGRAMS A n
Page 32 and 33: PROCEED AS FOLLOWS TO LOAD A SINGLE
Page 34 and 35: wish to delete from the RAM. To mak
Page 36 and 37: ● ● Confirm that the sample is
Page 38 and 39: CREATING AND EDITING A MULTI-SAMPLE
Page 40 and 41: Drawbars Thanks to the very powerfu
Page 42 and 43: BANK (C.C.=0) PROGRAM CHANGE 4 25 L
Page 44 and 45: If you wish to select a different D
Page 46 and 47: Jump Arranger Buttons activation st
Page 48 and 49: one foreseen, the complete FILL or
Page 50 and 51: F5 Lower Mode: F6 Bass Sust: allows
Page 52 and 53: Using the keyboard velocity, you ma
Page 54 and 55: ARRANGE VIEW: FOURTH PART The pan f
Page 56 and 57: RAM Styles and Flash RAM Thanks to
Page 58 and 59: The parameters available are the fo
Page 60 and 61: Pattern Edit The SD1 can record new
Page 62 and 63: ASSIGNING TIMBRES TO THE TRACKS For
Page 64 and 65: F8 Bas Octav: F9 Bass Type: F10 Sav
Page 66 and 67: F6 MIDI RECORD From the main Edit P
Page 68 and 69: Power On Set Up Some of the most im
Page 70 and 71: ● Press START to stop reproductio
Page 72 and 73: THE SONG PLAY FUNCTIONS The page ca
Page 74 and 75: This calls up the page where some M
Page 76 and 77: CREATING A PERMANENT CHAIN OF MIDI
Page 78 and 79: the SD1 based on its status: On: me
Page 80 and 81:
.KAR Midi files and .TXT files The
Page 82 and 83:
Using the microphone The SD1 can us
Page 84 and 85:
Vocalizer The Vocalizer produces a
Page 86 and 87:
Formant 1, 2, 3: formant level for
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FIXED INTERVAL One or a number of v
Page 90 and 91:
Effects The DSP’s of the SD1 are
Page 92 and 93:
PARAMETERS FOR CHORUS ALGORITHMS Le
Page 94 and 95:
Registration Thanks to these specia
Page 96 and 97:
Global: F1 Arrange 1/3: This is use
Page 98 and 99:
F3 Modulation: This calls up a new
Page 100 and 101:
in real time. The parameters availa
Page 102 and 103:
F8 Vol. Select: F9 4 Sw Mode: F10 S
Page 104 and 105:
F10 Accordion Mode: This enables or
Page 106 and 107:
F4 Panpot: This modifies the arrang
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F1 Channel Transmit: This is used t
Page 110 and 111:
Using a MIDI pedal The SD1 enables
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Press START to stop the Midi file t
Page 114 and 115:
When you purchase the instrument th
Page 116 and 117:
F1 Global: This returns to the prev
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is used to enter the name using the
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Fatal Error appears you must contac
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Sequencer The internal sequencer of
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Sound Bank 0 Sounds Desk 0 Modulati
Page 126 and 127:
Position: The Position column gives
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a) Use the Value -/+ buttons to sel
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- Their velocity ranges from 32 to
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and the incoming and outgoing chann
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05h 06h 07h 08h Delay + Chorus Dist
Page 136 and 137:
SAVE: A recorded or loaded sequence
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● Activate the MSP SAMPLER (the b
Page 140:
● ● ● Create to confirm. Pres
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