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Ketron SD1: a new wonderful musical adventure is about to begin ...

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Fingered 1 acknowledges the chord only according <strong>to</strong> the notes actually played in the very moment, so that<br />

even chords made up of two notes are acknowledged if one single note <strong>is</strong> released after playing a three notes<br />

chord, with the other two notes still pressed down, even with HOLD activated.<br />

Fingered 2 <strong>is</strong> similar <strong>to</strong> Fingered 1, but keeps all the notes of the chord played in memory. If in a chord of<br />

three notes only one <strong>is</strong> released, the chord will remain still the original one.<br />

Easy 1 performs a chord with a minimum of notes. If for example you play only the keynote, you obtain a<br />

major chord; adding the third minor you create a minor chord, playing the seventh with the keynote you<br />

obtain a seventh chord.<br />

Easy 2 <strong>is</strong> similar <strong>to</strong> Easy 1 but acknowledges also chords <strong>to</strong> which further notes are added in addition <strong>to</strong> the<br />

original ones, avoiding that you need <strong>to</strong> replay the hole chord again.<br />

F7 Pian. Sustain:<br />

activates or otherw<strong>is</strong>e the Sustain function in the Pian<strong>is</strong>t mode, so you can use the Sustain pedal <strong>to</strong> deactivate the<br />

chord acknowledgement and <strong>to</strong> freely play, right after having set the chord, along the complete keyboard..<br />

F8 Retrigg. & Mode:<br />

Th<strong>is</strong> associates parameters <strong>to</strong> the function but<strong>to</strong>ns for the Retrigger part of the function and calls up a number of<br />

parameters in the centre of the page for the Mode part. It also allows you <strong>to</strong> assign a different Style Setting <strong>to</strong> the<br />

Style in use.<br />

F1 Style Setting:<br />

Retrigger:<br />

Mode:<br />

d<strong>is</strong>plays the Style Setting assigned <strong>to</strong> the Style in use. To modify the assigned Style Setting, use the VALUE +/- push<br />

but<strong>to</strong>ns. Confirm the operation using the SAVE/ENTER but<strong>to</strong>n. From the SAVE/ENTER page confirm the Style and the<br />

Style Setting modification pressing F2 Styles. Enter the Style name <strong>to</strong> which the <strong>new</strong> Style Setting has been<br />

assigned and press F10 Exec <strong>to</strong> confirm. If you w<strong>is</strong>h <strong>to</strong> call up a different Style <strong>to</strong> which a <strong>new</strong> Style Setting <strong>is</strong> <strong>to</strong> be<br />

associated, go back <strong>to</strong> the main page of the d<strong>is</strong>play, select the Style pressing the STYLES but<strong>to</strong>ns and the function<br />

but<strong>to</strong>ns, return <strong>to</strong> the main page and go <strong>to</strong> the F4 Arrange Mode menu using the above procedure.<br />

The Retrigger function <strong>is</strong> activated by default on the bass track of the Style, thus allowing you <strong>to</strong> repeat the fundamental<br />

note every time a chord <strong>is</strong> changed. If the retrigger <strong>is</strong> activated also for the accompaniment tracks, these<br />

repeat the chord programmed on the first step of the first Style measure. The following parameters are available:<br />

F1 Style Set: indicates the Style Set currently in use.<br />

F2 Bass: th<strong>is</strong> <strong>is</strong> activated by default and <strong>is</strong> d<strong>is</strong>abled by pressing the F2 push but<strong>to</strong>n again;<br />

F3 Chord 1: pressing the relevant push but<strong>to</strong>n activates the Retrigger function for the Chord 1 track;<br />

F4 Chord 2: pressing the relevant push but<strong>to</strong>n activates the Retrigger function for the Chord 2 track;<br />

F6 Chord 3: pressing the relevant push but<strong>to</strong>n activates the Retrigger function for the Chord 3 track;<br />

F7 Chord 4: pressing the relevant push but<strong>to</strong>n activates the Retrigger function for the Chord 4 track;<br />

F8 Chord 5: pressing the relevant push but<strong>to</strong>n activates the Retrigger function for the Chord 5 track.<br />

The Mode function defines the harmonic behaviour of the accompaniment tracks (Chord 1, 2, 3, 4, 5) <strong>to</strong> be chosen<br />

between Close, the mode using chords with close inversions, and Parallel, the mode moving the chords without altering<br />

the intervals it <strong>is</strong> made up of. Generally speaking the Close option <strong>is</strong> the most <strong>musical</strong> and natural one. If you w<strong>is</strong>h<br />

<strong>to</strong> modify the Mode parameter, select the Style track pressing the CURSOR +/- but<strong>to</strong>ns and modify the parameter<br />

pressing F10 Select. To go back <strong>to</strong> the second page of the Arrange Mode, press F5 Escape.<br />

F9 Dyn. Arranger:<br />

Owner’s Manual <strong>SD1</strong> 51

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