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English Language Operas - the Theodore Presser Company

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ENGLISH LANGUAGE OPERAS<br />

Voices for a Mirror<br />

Opera in one act<br />

Libretto by Alastair Reid<br />

Publisher: Mercury Music Corp.<br />

Opera without chorus<br />

Cast: 2 Soprano, Mezzo-Soprano, Baritone<br />

Dur: 55’<br />

Instr: 1 1 1 1 - 1 1 1 0; Perc. Pno. Str.<br />

Laderman, Ezra (b. 1924)<br />

Galileo Galilei<br />

an Opera-Oratorio in Three Acts<br />

Libretto by Joe Darion<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

The opera begins and ends with Galileo in old age, now blind, and rejected, reflecting on <strong>the</strong> struggles he<br />

has had against <strong>the</strong> voices of ignorance, prejudice and fear. The rest of <strong>the</strong> opera charts in flash-back his<br />

trials with <strong>the</strong> Church, both figurative and literal.<br />

Cast: Soprano, 3 Mezzo-soprano, 10 Tenor, at least 5 Baritone, Bass-Baritone,<br />

8 silent roles, Chorus<br />

Dur: 120’<br />

Instr: 2 2 2 2 – 2 2 2 1; Timp. 3Perc. Hp. Org. Str.<br />

Goodbye to <strong>the</strong> Clown<br />

Opera in one act<br />

Libretto by Ernest Kinoy<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Opera without chorus<br />

Nine-year old Peggy has an imaginary playmate, “Clown,” who is very real to her. She blames <strong>the</strong> Clown<br />

for her behavior, which is causing problems at school and with her Mo<strong>the</strong>r. The truth about <strong>the</strong> Clown<br />

(visible to <strong>the</strong> audience) is slowly revealed as Peggy realizes that her Fa<strong>the</strong>r is dead. The Clown, who has<br />

been a fa<strong>the</strong>r-substitute in her mind, is no longer needed, and says good-bye.<br />

Cast: Soprano, Mezzo-Soprano, Tenor, 2 Baritone<br />

Dur: 45’<br />

Instr: 1 0 1 0 - 1 0 0 0; Perc. Pno. Str.<br />

Lee, Thomas Oboe (b 1945)<br />

The Inman Diaries<br />

Chamber opera in two acts<br />

Libretto by Jesse J. Martin , based on <strong>the</strong> diaries of Arthur Crew Inman<br />

and <strong>the</strong> play “Visitations” by Lorenzo DeStefano<br />

Publisher: Merion Music Inc.<br />

Chamber Opera<br />

Opera without chorus<br />

Arthur Crew Inman was a Boston recluse who, in order to gain immortality, obsessively documented <strong>the</strong><br />

countless stories (in diaries that run to 155 volumes) related to him by people whom he would pay, in<br />

order to hear about <strong>the</strong>ir lives in intimate detail. He was especially interested in young women, and was<br />

known to have been sexually involved with several of <strong>the</strong>m. He committed suicide in 1963.<br />

Cast: 3 Soprano, 2 Mezzo-soprano, 2 Tenor, 2 Baritone<br />

Dur: 100’<br />

Instr: Cl. Vln. Vla. Vcl. Cb. Hp. Perc.<br />

Return to INDEX<br />

<strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

— 25 —<br />

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