English Language Operas - the Theodore Presser Company
English Language Operas - the Theodore Presser Company
English Language Operas - the Theodore Presser Company
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ENGLISH LANGUAGE OPERAS<br />
Aitken, Hugh (b. 1924)<br />
Fables<br />
Diversion for four to thirty singers and nine instruments, based on ten of La Fontaine’s fables<br />
Freely translated and extended by <strong>the</strong> composer.<br />
Publisher: Elkan-Vogel Inc.<br />
Chamber Opera<br />
Includes:<br />
The Cicada and <strong>the</strong> Ant<br />
The Oak and <strong>the</strong> Reed<br />
The Wolf and <strong>the</strong> Lamb<br />
The Pilgrims and <strong>the</strong> Oyster<br />
The Companions of Odysseus<br />
Cast: Soprano, 2 Tenor, Bass (minimum)<br />
Dur: 90’<br />
Instr: Flute, 2 Oboes, Bassoon, String Quartet<br />
Felipe<br />
Opera in three acts<br />
Libretto by Laura Tapia, adapted from Cervantes’ “El Celoso Estremeño”<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
The Raven and <strong>the</strong> Fox<br />
The Meeting Held by <strong>the</strong> Rats<br />
The Cat and <strong>the</strong> Two Sparrows<br />
The Animals Sick with <strong>the</strong> Plague<br />
Death and <strong>the</strong> Woodcutter<br />
In 16th-century Spain, a light-hearted attempt at seduction has serious and unforeseen consequences as<br />
Loaysa attempts to win Leonora from her sugar-daddy Felipe.<br />
Cast:<br />
Dur:<br />
Instr:<br />
Principal Roles: Soprano, Alto, Tenor, Bass-Baritone, Bass<br />
Supporting Roles: Tenor, Baritone, Bass<br />
Bit Roles: 2 Soprano, Mezzo-Soprano<br />
Supernumeraries: Leonora’s parents, a priest & notary<br />
- necessary silent roles; patrons in tavern – optional<br />
Dance Requirements: Except for Felipe and Loaysa’s 3 friends, all dance in Act two,<br />
though no one need appear very skilled.<br />
full evening<br />
3 3 3 2 - 4 2 3 1; Timp. 2Perc. Hp. Str.<br />
Bach, P.D.Q. (1807-1742?)<br />
The Abduction of Figaro<br />
Opera in three acts<br />
Libretto by Peter Schickele<br />
Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
Mozartian (…or almost-Mozartian) characters intermingle in a rollicking plot as Figaro and his wife,<br />
Susanna Susannadanna, become inextricably involved with o<strong>the</strong>rs such as Pecadillo, Donald Giovanni,<br />
Schlepporello, Papa Geno, not forgetting an enchanting Corpse de Ballet.<br />
Cast: 2 Soprano, 2 Mezzo-Soprano, Countertenor, Tenor, 4 Baritone, Bass-Baritone,<br />
2 Speaking (1 = Baritone singing range, but not a trained singer)<br />
Mixed Chorus:<br />
Servants to <strong>the</strong> Pasha and Harem Women (Act II);<br />
Woodcutters, Huntsmen and Huntswomen (Act III)<br />
Corpse de Ballet: The Pasha’s Dancers; Wood Sprites;<br />
Opera <strong>Company</strong> Manager (speaking); Narrator (voice only)<br />
Dur: 150’<br />
Instr: 2 2 2 2 - 2 2 3 0; Timp. 2Perc. Ukelele/Pedal Steel Guitar/El.Guitar. Pno. or Hpscd. Str.<br />
Return to INDEX<br />
<strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />
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