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English Language Operas - the Theodore Presser Company

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ENGLISH LANGUAGE OPERAS<br />

Aitken, Hugh (b. 1924)<br />

Fables<br />

Diversion for four to thirty singers and nine instruments, based on ten of La Fontaine’s fables<br />

Freely translated and extended by <strong>the</strong> composer.<br />

Publisher: Elkan-Vogel Inc.<br />

Chamber Opera<br />

Includes:<br />

The Cicada and <strong>the</strong> Ant<br />

The Oak and <strong>the</strong> Reed<br />

The Wolf and <strong>the</strong> Lamb<br />

The Pilgrims and <strong>the</strong> Oyster<br />

The Companions of Odysseus<br />

Cast: Soprano, 2 Tenor, Bass (minimum)<br />

Dur: 90’<br />

Instr: Flute, 2 Oboes, Bassoon, String Quartet<br />

Felipe<br />

Opera in three acts<br />

Libretto by Laura Tapia, adapted from Cervantes’ “El Celoso Estremeño”<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

The Raven and <strong>the</strong> Fox<br />

The Meeting Held by <strong>the</strong> Rats<br />

The Cat and <strong>the</strong> Two Sparrows<br />

The Animals Sick with <strong>the</strong> Plague<br />

Death and <strong>the</strong> Woodcutter<br />

In 16th-century Spain, a light-hearted attempt at seduction has serious and unforeseen consequences as<br />

Loaysa attempts to win Leonora from her sugar-daddy Felipe.<br />

Cast:<br />

Dur:<br />

Instr:<br />

Principal Roles: Soprano, Alto, Tenor, Bass-Baritone, Bass<br />

Supporting Roles: Tenor, Baritone, Bass<br />

Bit Roles: 2 Soprano, Mezzo-Soprano<br />

Supernumeraries: Leonora’s parents, a priest & notary<br />

- necessary silent roles; patrons in tavern – optional<br />

Dance Requirements: Except for Felipe and Loaysa’s 3 friends, all dance in Act two,<br />

though no one need appear very skilled.<br />

full evening<br />

3 3 3 2 - 4 2 3 1; Timp. 2Perc. Hp. Str.<br />

Bach, P.D.Q. (1807-1742?)<br />

The Abduction of Figaro<br />

Opera in three acts<br />

Libretto by Peter Schickele<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Mozartian (…or almost-Mozartian) characters intermingle in a rollicking plot as Figaro and his wife,<br />

Susanna Susannadanna, become inextricably involved with o<strong>the</strong>rs such as Pecadillo, Donald Giovanni,<br />

Schlepporello, Papa Geno, not forgetting an enchanting Corpse de Ballet.<br />

Cast: 2 Soprano, 2 Mezzo-Soprano, Countertenor, Tenor, 4 Baritone, Bass-Baritone,<br />

2 Speaking (1 = Baritone singing range, but not a trained singer)<br />

Mixed Chorus:<br />

Servants to <strong>the</strong> Pasha and Harem Women (Act II);<br />

Woodcutters, Huntsmen and Huntswomen (Act III)<br />

Corpse de Ballet: The Pasha’s Dancers; Wood Sprites;<br />

Opera <strong>Company</strong> Manager (speaking); Narrator (voice only)<br />

Dur: 150’<br />

Instr: 2 2 2 2 - 2 2 3 0; Timp. 2Perc. Ukelele/Pedal Steel Guitar/El.Guitar. Pno. or Hpscd. Str.<br />

Return to INDEX<br />

<strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

— —<br />

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