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English Language Operas - the Theodore Presser Company

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ENGLISH LANGUAGE OPERAS<br />

Weisgall, Hugo (1912-1997)<br />

Athaliah<br />

Opera in two parts<br />

Libretto by Richard Franko Goldman<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Based on Jean Racine’s tragedy, “Athalie.” The story of <strong>the</strong> overthrow of Athalia, daughter of Ahab and<br />

Jezebel, and usurper queen of Judah.<br />

Cast: Mezzo-Soprano, Soprano, Baritone, Tenor, Bass, silent role (child); Chorus<br />

Dur: 105’<br />

Instr: 2(Picc. AltoFl.) 2(E.H.) 2(EfCl. B.Cl.) 2(Cbsn.) - 2 2 2 0; Timp. Perc. Str.<br />

Es<strong>the</strong>r<br />

Opera in three acts<br />

Libretto by Charles Kondek<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Es<strong>the</strong>r was made queen by <strong>the</strong> Persian king Ahasuerus. When <strong>the</strong> king’s chief minister planned to kill all<br />

<strong>the</strong> Jews in an act of vengeance against his arch-enemy, Es<strong>the</strong>r revealed to <strong>the</strong> king that she was Jewish,<br />

and pleaded for her people. Her triumph was hard-won: Ahasuerus could not revoke <strong>the</strong> extermination<br />

edict, but instead, allowed <strong>the</strong> Jews to arm <strong>the</strong>mselves. Their successful defense is commemorated to this<br />

day in <strong>the</strong> annual festival of Purim.<br />

Cast:<br />

Dur:<br />

Instr:<br />

The Gardens of Adonis<br />

Soprano, Mezzo-Soprano, Contralto, Countertenor, 4 Tenor, 2 Baritone,<br />

Bass-Baritone, Bass; Chorus, Children’s chorus.<br />

full evening<br />

3(Picc. AltoFl.), 2(E.H.) 2(B.Cl.) 2 - 4 3 2 1; Timp. Perc. Hp. Str.<br />

Opera in Two Scenes and a Prologue<br />

Libretto by John Olon-Scrymgeour, after “Venus and Adonis” by William Shakespeare<br />

and <strong>the</strong> play of <strong>the</strong> same name by André Obey<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Venus, accidentally wounded with one of Cupid’s arrows, falls in love with Adonis, who is not at all<br />

smitten, and is more interested in hunting. The situation is not without humor, until Death enters <strong>the</strong><br />

picture, and Adonis’ fate is sealed.<br />

Cast:<br />

Dur:<br />

Instr:<br />

2 Soprano, Boy Soprano, Mezzo-Soprano, Tenor, Baritone, Bass<br />

full evening<br />

3(Picc. AltoFl.) 2(E.H.) 2(A Cl./B.Cl.) 2 - 2(or4) 2 2 1; Timp. Perc. Pno. Hp. Str.<br />

Jenny, or The Hundred Nights<br />

One act opera<br />

Libretto by John Hollander, after <strong>the</strong> Noh play “Sotoba Kamachi” by Yukio Mishima,<br />

translated by Donald Keene<br />

Publisher: <strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

Opera without chorus<br />

Jenny, a 99-year-old woman, wanders at night in a London park. While young lovers are occupied on<br />

<strong>the</strong> park benches, she falls into conversation with a young photographer, remembering her youth and her<br />

loves. The young lovers of <strong>the</strong> present are confused with ghosts of <strong>the</strong> past, and <strong>the</strong> lines between life and<br />

death become blurred.<br />

Return to INDEX<br />

<strong>Theodore</strong> <strong>Presser</strong> <strong>Company</strong><br />

— 44 —<br />

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