HP-505/503 Manual (PDF) - Roland

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Various Settings (Function Mode) Indication Value Explanation Using a Piano’s Unique Tuning (Stretch Tuning) Stretch This lets you specify the amount of “stretch tuning,” a tuning method specifically for pianos, in which the high range is tuned slightly sharper, and the low range is tuned slightly flatter. If you select “ON,” a standard tuning curve created for the unit will be used. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). OFF, ON Producing Sympathetic Resonance When You Press the Damper Pedal (Damper Resonance) Dmpr Res This adjusts the damper resonance of the acoustic piano sound (the sympathetic vibration produced in strings other than those actually played when you press the damper pedal). Higher settings will make the sympathetic vibration louder. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). OFF, 1–10 Producing the Resonance of the Strings When the Keys Are Played (String Resonance) Strg Res This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of strings for previously played notes that occur when you play another note). Higher settings will make the sympathetic vibration louder. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). OFF, 1–10 Playing Sounds When the Keys Are Released (Key Off Resonance) KOff Res This adjusts sympathetic vibrations such as an acoustic piano’s key-off sound (the subtle sound that occurs when you release a note). Higher settings will make the sympathetic vibration louder. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). OFF, 1–10 Adjusting the Sympathetic Resonance of the Grand Piano Body (Cabinet Resonance) Cabinet Adjusts the body resonance of the grand piano itself. Higher values will produce a larger body resonance. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). OFF, 1–10 Adjusting the Clarity of Individual Notes in a Chord (SoundBoard Behavior) SoundBrd When you play a chord, this setting improves the clarity of the individual notes in the chord, creating a more beautiful resonance. Higher settings produce a clearer resonance. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). InputVol HP505 only OFF, 1–10 Adjusting the Volume of an Audio Playback Device (Input Volume) You can adjust the volume of an audio playback device that’s connected to the Input jacks. 0–10 46
Various Settings (Function Mode) Indication Value Explanation C Cancel HP505 only AudTrans HP505 only Trnspose Oct Shft Rec Mode DPdl Prt Playing Back an Audio File with Its Central Sound Minimized (Center Cancel) You can minimize the sounds that are heard from the center when playing back an audio file. For example, you can minimize the melody or vocal, and then play or sing that part yourself. * For some songs, sounds located in the center might not disappear completely, or the tone quality of the sound might be affected. * The Center Cancel effect is applied to both to the sound of the selected audio file and to the sound of the digital audio player connected to the Input jack. MEMO You can also turn the Center Cancel function on/off by pressing the [Right] button. ON Sound at center reduced during playback. OFF Normal playback. Transposing an Audio File (Audio Transpose) You can shift the playback key of an audio file. You can also play along on the keyboard. * For some songs, an audio transpose setting other than 0 may affect the tone quality of the sound. * Transposition will be applied to both to the selected audio file and to the sound from the digital audio player connected to the Input jack. MEMO You can also change this setting by holding down the [Transpose] button and using the [–] [+] buttons. -6–0–5 Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps. (semitone units) Specifying What the Transpose will Affect (Transpose Mode) This setting specifies what the transpose will affect. You can use the transpose to change the pitch of both the song and the keyboard, only the pitch of the song, or only the pitch of the keyboard. KBD SONG BOTH The sound of the keyboard The song being played back (on the HP505, the sound being input via the Input jacks) The sound of the keyboard and the song being played back (on the HP505, the sound being input via the Input jacks) Changing the Pitch of the Tone in Octave Steps (Octave Shift) You can change the pitch of the Tone 2 in Dual Play (p. 17) and Lower tone in Split Play (p. 18) an octave at a time. Altering the pitch in one-octave units in this way is called “Octave Shift.” For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play. -2–0–+2 (octave) Selecting the Format for Recording (Recording Mode) You can choose whether to record as SMF or as audio. MEMO You can also switch the recording mode by holding down the [ ] (Rec) button and using the [–] [+] buttons. SMF SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub different parts. Audio The recording will be made as audio data. The recorded song can be used in your computer. Changing How the Pedal Effects Are Applied (Damper Pedal Part) When you press the damper pedal during Dual play or Split play, the pedal effect is normally applied to both tones, but you can also select the tone to which the effect is to be applied. How to save your settings? Save your settings as described in “Memory Backup” (p. 41). How to save your settings? Save your settings as described in “Memory Backup” (p. 41). Operation Guide Panel Descriptions Before You Play Performing Practicing Convenient Functions Function Mode Appendix R+L R L All enabled Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode) Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode) 47
Page 2 and 3: && Look What You Can Do! &Play & th
Page 4 and 5: Before using this unit, carefully r
Page 6 and 7: && Operation Guide Adding Reverbera
Page 8 and 9: Operation Guide Using the Metronome
Page 10 and 11: && Panel Descriptions [Power] Switc
Page 12 and 13: Panel Descriptions Rear Panel and B
Page 14 and 15: Before You Play Opening/Closing the
Page 16 and 17: && Performing Performing with Vario
Page 18 and 19: Performing Playing Different Tones
Page 20 and 21: Performing Adjusting the Sound to Y
Page 22 and 23: Performing Dividing the Keyboard fo
Page 24 and 25: && Practicing Practicing with the M
Page 26 and 27: Practicing Practicing with a Song Y
Page 28 and 29: Practicing Adjusting a Song’s Tem
Page 30 and 31: Practicing Repeatedly Practicing a
Page 32 and 33: Practicing Saving a performance you
Page 34 and 35: Practicing Recording a performance
Page 36 and 37: Practicing Audio Recording Here’s
Page 38 and 39: Practicing Burning an Audio Recordi
Page 40 and 41: Practicing Renaming a Song Here’s
Page 42 and 43: Convenient Functions Restoring the
Page 44 and 45: Convenient Functions Caution when i
Page 48 and 49: Various Settings (Function Mode) In
Page 50 and 51: Various Settings (Function Mode) In
Page 52 and 53: Troubleshooting Symptom Cause/Actio
Page 54 and 55: && Tone List Piano-Grand No. Tone N
Page 56 and 57: && Main Specifications Roland HP505
Page 58 and 59: && USING THE UNIT SAFELY About WARN
Page 60 and 61: && IMPORTANT NOTES Power Supply •
Page 62 and 63: && Assembling Stand Assembly • To
Page 64 and 65: && Index A a . . . . . . . . . . .
Page 66 and 67: For the U.K. IMPORTANT: THE WIRES I
Page 68: * 5 1 0 0 0 2 3 8 4 0 - 0 3 *

HP-505/503 Manual (PDF) - Roland

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