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Production Notes: Doug Yellin, "*N Sync: Bigger Than Live<br />

If the very sight of *N Sync has the ability<br />

to make girls swoon and scream in<br />

deafening delight, what would happen if<br />

they were to see their beloved idols 80<br />

feet tall? The answer to that question can<br />

be currently found in large-format theatres<br />

across the country, where Iwerks' latest<br />

production, "*N Sync: Bigger Than Live,"<br />

is giving thousands of pre-pubescents 45<br />

minutes worth of concert footage featuring<br />

the wildly successful boy band.<br />

The chance to film the group in action<br />

was one that film producer Doug Yellin<br />

says fit in extremely well with Iwerks'<br />

vision for big-screen entertainment. "I really<br />

believe that the concert venue affords a<br />

lot of opportunities for large format," he<br />

says. "One of the things large format<br />

allows you to do is experience the concert<br />

from [both] close-up and faraway."<br />

*N Sync proved to be an especially<br />

easy subject to film, says Yellin, because,<br />

quite simply, they live up to their name.<br />

"The singers and band all play as a synchronized<br />

set," he explains. "With the<br />

costumes the same, tne dance moves<br />

exactly the same [and] the musical cues<br />

exactly the same...l [could take] cameras<br />

for different shows and put them in<br />

different<br />

locations. On any given song that<br />

you see in 'Bigger Than Live,' there may<br />

be eight to 1 4 camera angles, and they<br />

intercut together perfectly.'<br />

While Yellin lightly notes that his<br />

musical proclivities are of a different<br />

bent than *N Sync, naming the Beatles<br />

Master of the Flying Guillotine<br />

Made in 1975, "Master of the Flying<br />

Guillotine" is a martial arts comedy about a<br />

blind flying guillotine master who seeks<br />

revenge on the one-armed boxer who killed<br />

his disciples. But because he is blind, he<br />

has to kill every one-armed boxer he comes<br />

across. Jimmy Wang Yu ("Xiu Xiu: The Sent<br />

Down Girl"), Kim Kang and Tak Chi Chen<br />

star. Yu writes and directs. Wong Cheuk-<br />

Hon produces. (Phaedra, May undated)<br />

Exploitips: Rent the suits and ring to set<br />

up one-armed sumo wrestling in the theatre<br />

lobby or parking lot. (For legal reasons,<br />

sponsoring a one-armed boxing match<br />

probably wouldn't be such a good idea.)<br />

The Story of<br />

This American version of Pauline Reage's<br />

erotic novel updates the story of a woman's<br />

expression of love via kink. Phil Leirness<br />

directs. (Phaedra, May undated)<br />

Exploitips: Collaborate with a local<br />

bookstore but with discretion. The material—often<br />

compared to that of Marques de<br />

Sade— isn't for everyone.<br />

Speedway Junky<br />

Jesse Bradford ("Bring It On") stars in this<br />

drama as a military brat who runs away to<br />

become a race car driver but runs into trouble<br />

when a young swindler, played by<br />

Jordan Brower, develops a crush on him<br />

and introduces him to his gang of hustlers.<br />

Jonathan Taylor Thomas ("I'll Be Home for<br />

Christmas") and Darryl Hannah ("My<br />

Favorite Martian") co-star. Nickolas Perry<br />

writes and directs; Rodney Omanoft,<br />

and Otis Redding<br />

as some of the<br />

first concerts he<br />

attended, he is<br />

well aware of the<br />

social significance<br />

the pop<br />

band plays in<br />

today's world. "In<br />

the end, my musical<br />

tastes are<br />

irrelevant," he<br />

says. "What we<br />

were able to do<br />

was capture this<br />

phenomena and<br />

give the experi- OUT OF "SYNC":<br />

ence that hap- Doug Yellin produces "'N<br />

pened the day of Sync: Bigger Than Live."<br />

the concert to people in a theatre."<br />

Of course, being more familiar with<br />

Ringo than Lance carries a certain stigma<br />

when at an *N Sync concert. "We're<br />

leaving the concert and walking outside,"<br />

recalls Yellin, "and a van's window<br />

rolls down and this young girl<br />

sticks her head out and goes, 'Hey old<br />

man! What are you doing here?'" Little<br />

did she know that he, just like her, was<br />

making *N Sync bigger-than-life.<br />

Francesca Dinglasan<br />

"*N Sync: Bigger Than Live." Starring<br />

*N Sync. Directed by John Bailey.<br />

Produced by Doug Yellin. A Really Big<br />

Film Corp. release. Large format. Not<br />

rated. Now playing.<br />

Randall Emmett, George Furla and Jeff Rice<br />

produce. (Regent, May undated NY/LA)<br />

Exploitips: Exhibitors may be tempted to<br />

market this one towards teens or even preteens,<br />

considering the appeal of Thomas,<br />

but it's rated R for language, violence, sex<br />

and drug use—nothing new in the realm of<br />

teen sex romps, but this one has a darker<br />

tone.<br />

Kiss of the Spider Woman<br />

William Hurt ("Sunshine") and Raul Julia<br />

("The Addams Family") star in this rerelease<br />

of the 1985 movie based on the<br />

novel, which was also made into a stage<br />

play, about cellmates in a South American<br />

prison. One is a homosexual found guilty<br />

of sex offenses who escapes his confines by<br />

spinning stories based on the movies he<br />

saw when he was free. The other is a political<br />

prisoner who holds nothing but contempt<br />

for his roommate. Hector Babenco<br />

directs; Leonard Schrader scripts based on<br />

Manuel Puig's book; David Weisman produces.<br />

(Strand, May undated)<br />

Exploitips: Island Alive originally distributed<br />

this pic, which bowed on one screen<br />

in New York before rolling out to an eventual<br />

400. When the Island library ( hanged<br />

hands, "Kiss of the Spider Woman" was<br />

neglected and hard to find,<br />

but eventually<br />

the rights reverted back to Weisman. "Kiss"<br />

was the first independent film to be nominated<br />

for picture actor, director and<br />

screenwriter Oscars.<br />

The Long Run<br />

Armin Mueller-Stahl ("The Thirteenth<br />

Floor") stars in this drama set against the<br />

backdrop of The Comrades, a physically<br />

grueling ultra-marathon held each year in<br />

South Africa, as a running coach who once<br />

had aspirations of winning the race but<br />

never achieved his goal. He discovers a<br />

promising young runner who, after much<br />

persuasion, agrees to run the race. South<br />

African actress Nthati Moshesh co-stars,<br />

lean Stewart directs; Johann Potgieter<br />

scripts; "Cry, the Beloved Country's" Anant<br />

Singh and Helena Spring produce.<br />

(Universal Focus, May undated)<br />

Exploitips: Organize a local marathon<br />

(or collaborate with an existing one) to take<br />

place on opening weekend, with proceeds<br />

going to a local charity.<br />

Pavilion of Women<br />

In this adaptation of Pearl S. Buck's<br />

novel, which is set in 1938 China, the<br />

wealthy, intelligent Madame Wu shocks<br />

her friends and family on her 40th birthday<br />

when she announces she has selected a<br />

concubine for her husband. Free of her<br />

spousal duties, she finds herself falling in<br />

love with an American missionary. Willem<br />

Dafoe and Luo Yan star. Yim Ho ("Kitchen")<br />

directs; Luo and Paul Collins script; Luo<br />

produces. (Universal Focus, May undated)<br />

Exploitips: Universale first-ever Chinese<br />

co-production and the first time American<br />

and Chinese film companies have made a<br />

film together, "Pavilion" has been a labor of<br />

love for Luo since the Chinese government<br />

allowed the publication of Buck's books in<br />

1994. Adapting the novel with help from<br />

her Mandarin-speaking attorney Collins,<br />

she designed a comprehensive business<br />

plan detailing the particulars of shooting in<br />

China, and Universal International agreed<br />

to finance the production.<br />

LATE MOVIE MOVES<br />

*H Sync: Bigger Than Live<br />

Justin, Joey, JC, Chris and Lance—known<br />

collectively as *N Sync—star in this largeformat<br />

concert film, shot mostly at the<br />

Silverdome in Pontiac, Mich, during their<br />

"No Strings Attached" tour. John Baily<br />

directs; Douglas Yellin produces the Iwerks<br />

production. (Really Big Film Corp., now<br />

playing)<br />

Exploitips: "*N Sync" comes with a<br />

built-in audience— it's just a matter of getting<br />

the word out to preteen girls at the<br />

mall, at school, wherever. See Production<br />

Notes, above.<br />

On Hostile Ground<br />

This documentary profiles three healthcare<br />

professionals from different<br />

regions of<br />

the U.S. who are united by both fear and an<br />

ongoing commitment to their patients after<br />

the assassination of fellow abortion provider<br />

Dr. Barnett Slepian. Liz Mermin and lenny<br />

Raskin direct.<br />

Catherine Gund, founder of<br />

production company Aubin Pictures, produces.<br />

(Cowboy, April undated)<br />

Exploitips: All proceeds from this release<br />

will be split between Planned Parenthood<br />

Federation of America, whose America<br />

Board of Advocates membei lulianne<br />

Moore has lent her support to the film, and<br />

A Iodic al Students for Choice.<br />

jjjji§<br />

28 BOXOI I

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