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Boxoffice-April.1998

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4 BOXOFHCE<br />

—<br />

.<br />

FADE IN...<br />

Even before the film industry reaches the newcentury<br />

mark, it might be entering a new epoch.<br />

Ahhough other announced circuit itiega-deals<br />

either evaporated or have yet to close, the Regal/<br />

UATC/Act III merger, if consummated later this<br />

year, could herald a new way of doing the theatre<br />

business. If and when the trinity becomes one,<br />

BOXOFFICE MAGAZINE will provide our readers<br />

with an analysis of that brave new landscape<br />

of exhibition. If nothing else, one can expect that<br />

geography's mountains, valleys and oceans to be<br />

of jovian rather than terrene dimensions, which<br />

seems appropriate for the age of 2001<br />

Perhaps matters aren" t looking to be as radically<br />

different on the producer/distributor side. Bigbudget<br />

films, thanks to "Titanic." remain in, as<br />

will be obvious to ShoWest attendees of a certain<br />

studio event: Even if its eponymous .star creature<br />

in reality fits on a microchip. "Godzilla" hardly<br />

counts in the micro-budget category. Neither does<br />

Buena Vista's "Armageddon" nor Warner's "Lethal<br />

Weapon 4," proving that the tentpole strategy<br />

launched in the mid- '80s at Paramount remains<br />

the industry standard. But there are some newwave<br />

changes. Off-balance sheet financing is becoming<br />

more popular on the filmmaking side, and<br />

marketing efforts—as Christine James' story on<br />

New Line's "Lost in Space" website show.s—are<br />

becoming more savvy on the film-selling side.<br />

And so is our coverage of the biz. BOXOFFICE<br />

ONLINE (http://www.boxoffice.com) with this<br />

ShoWest launches its electronic coverage of the<br />

convention. After all, even giant Microsoft seems<br />

to acknowledge this gathering's standing in the<br />

film world. If you run a spellcheck on the word<br />

"ShoWest," Microsoft's Word program will suggest<br />

"showiest"—which is exactly right.<br />

We're cheered by the latest praise for our online<br />

offerings. The folks at Dow Jones, publisher ofThe<br />

Wall Street Journal, tout BOXOFFICE ONLINE<br />

in its select group of movie sites on its online<br />

business directory (businessdirectory.dowjones.<br />

com), giving us an industry-high grade of 32,<br />

thanks to across-the-board good marks on content,<br />

speed, navigation and design. We're at the top, but<br />

hardly alone: Paramount papa Viacom and Disney<br />

also receive 32s, with Fox and Miramax right<br />

behind at 31 and Universal and Sony at 30.<br />

And we're going to continue to expand our<br />

online services to our core readership, the exhibition<br />

community, so stay tuned. Of course, nothing<br />

will ever replace the convenience of use and depth<br />

of coverage that<br />

an annual print subscription to<br />

BOXOFFICE MAGAZINE provides. But look at<br />

it this way: You can have both.<br />

Kim Williamson<br />

BOXOFFICE ONLINE<br />

WEBSITE ADDRESS: http://www.boxoffice.com<br />

E-MAIL ADDRESS: boxoffice@ear1hlink.net<br />

APRIL, 1998 VOL. 134, NO. 4 SHOWEST<br />

UNQUOTE: I've never even looked around to go anyplace [else].<br />

It's the atmosphere—WMHER BROS.' BARRY REARDON<br />

PAGES 81—132 (SW-1—SW-52)<br />

SPECIAL REPORT:<br />

ShoWest 1998<br />

DEPARTMENTS<br />

10 LETTERS<br />

In this issue, BOXOFFICE<br />

provides its annual preview<br />

of the nnammoth Las Vegas<br />

convention. For an at-aglance<br />

overview of our<br />

ShoWest Intro contents,<br />

see page 83 (SW-3).<br />

Sllpsliding away; Hollywood IQ; snack attack<br />

12 HOLLYWOOD REPORT<br />

Dave Foley "Bugs" out, plus early word on 20 other productions<br />

14 MAY TRAILERS<br />

What's flowering in Hollywood<br />

74 MOVIEGOER ANNUAL CHART: 1 997<br />

The moviegoer year in review<br />

166 EXHIBITION BRIEFINGS<br />

LWE sets terms; Loeks-Star revs Detroit engines; MovieFone-speak<br />

1 68 NATIONAL NEWS/HOLLYWOOD UPDATES<br />

Omaha stakes; studio financials pass muster<br />

171 NORTHERN EXPOSURE<br />

On good Behaviour; Red Sky warning<br />

172 EUROVIEWS<br />

More top ticket numbers; DIP reap—RIP?<br />

174 PACIFIC OVERTURES<br />

Shockwave at Shochiku; no secret, Asian man<br />

176 FILM REVIEWS<br />

Sundance coverage heads our 129 reviews (see title list, P. 6)<br />

21 8 STUDIO FILM RELEASE CHART<br />

Major releases through June—and beyond<br />

220 INDEPENDENT FILM RELEASE CHART<br />

Specialized fare through December<br />

222 MOVIEGOER ACTIVITY CHART<br />

The latest ranking results for 30 markets<br />

223 HOME RELEASE CHART<br />

"Alien Resurrection" in May, "Scream 2" in June<br />

224 CLASSIFIEDS<br />

Including our index to advertisers in this Issue<br />

CIRCULATION INQUIRIES<br />

BOXOFFICE DATA CENTER<br />

725 S. Wells St., Fourth Floor<br />

Chicago, IL 60607<br />

(312) 922-9326; fax: (312) 922-7209<br />

-© The<br />

AudN<br />

Bureau<br />

OFFICES<br />

EOTOmAL AND ADVEHTBINQ CORPORATE HEADQUARTERS SUBSCRIPTION/CIRCULATION<br />

6640 Sunset Blvd., Suite 100 Mailing address: 725 S Wells St . Fourth Floor<br />

Hollywood, CA 90028-71 59 P.O. Box 25485 Chicago. IL 60607<br />

(213)465-1186 Chicago, IL 60625 (312)922-9326<br />

Fax:(213)465-5049 (773)338-7007 Fax:(312)922-7209

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